Credit Line: Yale Center for British Art, Paul Mellon Fund / Image Use: Free to Use / Subject Terms: eyes - YCBA Collections Search Search Results

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Credit Line Yale Center for British Art, Paul Mellon Fund

Image Use Free to Use

Subject Terms eyes

1. Samson Overcome by the Philistines

Samson Overcome by the Philistines

Creator:: Print made by Johan Joseph Zoffany, 1733–1810
Date:: ca. 1758
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 10 5/8 inches (17.5 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. L'Antiquaire

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 13 1/16 inches (42.9 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. An Old Woman Reading

An Old Woman Reading

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 18 9/16 x 13 11/16 inches (47.2 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Master Henry George Herbert as the 'Infant Bacchus'

Master Henry George Herbert as the 'Infant Bacchus'

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 11/16 × 16 1/4 inches (57.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Katherine Mansfield

Katherine Mansfield

Creator:: Henri Gaudier-Brzeska, 1891–1915
Date:: between 1910 and 1915
Materials & Techniques:: Black chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 14 1/8 x 10 5/8 inches (35.9 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund