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Credit Line Yale Center for British Art, Paul Mellon Fund
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon FundImage Use Free to Use
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901
- Sketch of Buildings and a Bridge
902
- Sketch of a Soldier in a Plumed Hat with Notes on Coloring
903
- Sketch of Buildings and a Bridge
904
- The Wellesley-Pole Sisters
- 1814
905
- Outline of a Building with Notes on Dimensions
906
- Topographical View of a Town and Surrounding Country
907
- Topographical View of a Town and Surrounding Country
908
- Study of a Small Boat with Passengers
909
- Sketch of a Rural Landscape with Notes on Coloring
910
- Sketch of the Cornice of a Building
911
- Topographical Sketch of an English Port
912
- Topographical Sketch of a Seaside Town with Buildings and Beach
913
- Sketch of a Town in a Valley, with Artist's Notes
914
- Sketch of a Seaside Town with Promenade
915
- Landscape Sketch
916
- Sketch of a Seaside Town with Promenade
917
- Sketch of the Town of Lytham, Market House
918
- Sketch of a Town in a Valley, with Artist's Notes
919
- Sketch of a Country House
920
- Landscape Sketch
921
- 1863 and 1864
922
- Study of a Horse's Head and Two Donkeys
923
- Sketch of a Harbor
924
- Study of a Town and Harbor
925
- Sketch of a Coat of Arms, and Two Slight Female Figures
926
- Partial Sketch of a Barge
927
- Crossing the Brook
- 1842
928
- Timon of Athens Before His Cave
- ca. 1805
929
- Study of a Boy
- undated
930
- Portrait of Henry Fiennes Pelham-Clinton, ninth Earl of Lincoln and second Duke of Newcastle
- 1741
931
- View of Antwerp Cathedral
- undated
932
- Othello and Desdemona, 'Othello', Act V, Scene II
- ca. 1805
933
- Asian Openbill Stork (Anastomus oscitans)
- 1781
934
- Drawings of Hands
- 1650s-1660s
935
- Drawings of Hands
- 1650s-1660s
936
- Drawing of a Hand
- 1650s-1660s
937
- Lunar Planisphere, Hypothetical Oblique Light
- 1806
938
- Flower-Garden Porch at Farnley (Vignette)
- 1814
939
- Bay Windows in the Flower Garden at Farnley
- 1814
940
- Veronica in Bloom
- between 1843 and 1844
941
- Articles of Glass
- ca. 1843
942
- Ancient Doorway, Magdalen College, Oxford
- 1843
943
- Loch Katrine Pier, Scene of "the Lady of the Lake"
- ca. 1844
944
- Bust of Patroclus
- 1843
945
- Portrait of a Couple in Doorway
- between 1845 and 1850
946
- Miss Matilda Rigby
- ca. 1845
947
- Statue of Marcus Aurelius, Capitoline, Rome
- 1846
948
- Study for 'Elijah'
- 1828
949
- Hamlet and the Ghost
- ca. 1825
950
- Macbeth and the Witch
- undated
951
- Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
- undated
952
- Commemorative Portrait of a Racehorse called Othello
- undated
953
- View with Figures in a Classical Landscape with Ruins
- undated
954
- Holt Heath, near Norwich
- 1818
955
- Macbeth and the Apparition of the Armed Head
- ca. 1820
956
- Study for 'Elijah'
- 1828
957
- A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
- undated
958
- Sketch for the Passions: Jealousy
- 1853
959
- A Water Rail
- undated
960
- A Starling
- undated
961
- A Finch
- undated
962
- Portrait of a Lady as Cleopatra
- early 18th century
963
- A Great Indian Fruit Bat or Flying Fox (Pteropus giganteus)
- 1778 to 1782
964
- A Bay Racehorse with a Groom
- ca. 1842
965
- Sketch for the Passions: Love
- 1853
966
- The Princes in the Tower
- ca. 1820
967
- Hamlet and the Ghost
- ca. 1820
968
- Hon. George Berkeley
- between 1706 and 1746
969
- The Departure Of The Sons Of Tippoo From The Zenana
- 1793
970
- The Sower
- 1830
971
- The Oracle, Representing Britannia, Hibernia, Scotia and America
- 1774
972
- Sketchbook Drawing
- between 1846 and 1852
973
- Sketchbook Drawing
- between 1846 and 1852
974
- Sketchbook Drawing
- between 1846 and 1852
975
- Sketchbook Drawing
- between 1846 and 1852
976
- Sketchbook Drawing
- between 1846 and 1852
977
- Sketchbook Drawing
- between 1846 and 1852
978
- Sketchbook Drawing
- between 1846 and 1852
979
- Sketchbook Drawing
- between 1846 and 1852
980
- Sketchbook Drawing
- between 1846 and 1852
981
- Sketchbook Drawing
- between 1846 and 1852
982
- Sketchbook Drawing
- between 1846 and 1852
983
- Sketchbook Drawing
- between 1846 and 1852
984
- Sketchbook Drawing
- between 1846 and 1852
985
- Sketchbook Drawing
- between 1846 and 1852
986
- Sketchbook Drawing
- between 1846 and 1852
987
- Sketchbook Drawing
- between 1846 and 1852
988
- Sketchbook Drawing
- between 1846 and 1852
989
- Sketchbook Drawing
- between 1846 and 1852
990
- Sketchbook Drawing
- between 1846 and 1852
991
- Sketchbook Drawing
- between 1846 and 1852
992
- Sketchbook Drawing
- between 1846 and 1852
993
- Sketchbook Drawing
- between 1846 and 1852
994
- Sketchbook Drawing
- between 1846 and 1852
995
- Sketchbook Drawing
- between 1846 and 1852
996
- Sketchbook Drawing
- between 1846 and 1852
997
- Sir Thomas Lawrence's Painting Room in 1824
- 1824
998
- Drawing for The First Voyage
- ca. 1833
999
- The Husband's Fortune Told
- ca. 1768
1000
- William Shakespeare