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3401. Untitled

Untitled
Creator:
Print made by Stephen Buckley, born 1944
Date:
1979
Materials & Techniques:
Color-printed etching, aquatint, and open-bite; artist's proof on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 11 × 9 5/8 inches (27.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Widow Performing Sati with the Burning Corpse of her Husband, Patna
Creator:
Unknown artist (Company style)
Date:
between 1820 and 1830
Materials & Techniques:
Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 22 3/4 inches (40.3 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Marriage Procession by Night, Patna
Creator:
Unknown artist (Company style)
Date:
between 1810 and 1840
Materials & Techniques:
Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 3/4 inches (40 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Indo-Classical Residential Compound
Creator:
Unknown artist (Company style)
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Image: 12 3/4 × 20 1/4 inches (32.4 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Durbar of the Nawab Mubarak al-Daula (1770-93) of Murshidabad
Creator:
Unknown artist (Company style)
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Image: 14 1/8 × 21 inches (35.9 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Ancient Doorway, Magdalen College, Oxford
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 9 inches (18.4 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
You Stole My Look!
Creator:
Georgina Starr, born 1968
Date:
1997
Materials & Techniques:
Screen print on 300gsm Somerset Satin, white wove paper
Dimensions:
Sheet: 35 × 28 3/8 inches (88.9 × 72.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dinomouse Sequel Mutant X
Creator:
Abigail Lane, born 1967
Date:
1997
Materials & Techniques:
Screen print on 300gsm Somerset Satin, white wove paper
Dimensions:
Sheet: 22 3/8 × 34 3/4 inches (56.8 × 88.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3409. Untitled

Untitled
Creator:
Siobhan Hapaska, Born 1965
Date:
1997
Materials & Techniques:
Screen print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 22 3/4 × 35 inches (57.8 × 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Broken English August '91
Creator:
Anya Gallaccio, born 1963
Date:
1997
Materials & Techniques:
Screen print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 26 3/4 × 34 7/8 inches (67.9 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3411. Stage

Stage
Creator:
Catherine Yass, born 1963
Date:
1997
Materials & Techniques:
Screen print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 1/8 × 35 inches (74 × 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3412. The Garden

The Garden
Creator:
Gillian Wearing, born 1963
Date:
1997
Materials & Techniques:
Screen print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 24 x 35in. (61 x 88.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Commemorative Portrait of a Racehorse called Othello
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
View of Antwerp Cathedral
Creator:
Thomas Sidney Cooper, 1803–1902
Date:
undated
Materials & Techniques:
Graphite, brown wash, pen and brown ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 20 3/8 × 14 1/4 inches (51.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study of a Boy
Creator:
Charles West Cope, 1811–1890
Date:
undated
Materials & Techniques:
Pen and brown ink, gouache, and red chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 3/4 × 3 5/8 inches (24.8 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1842
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 15 1/2 inches (48.3 × 39.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
View with a Cart and Figures in a Wooded Landscape
Creator:
Jean B. C. Chatelain, 1710–1771
Date:
undated
Materials & Techniques:
Etching counterproof with graphite and brown ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 9 3/4 inches (18.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
View with Figures in a Classical Landscape with Ruins
Creator:
Jean B. C. Chatelain, 1710–1771
Date:
undated
Materials & Techniques:
Etching counterproof with graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Detail of a Tower, Orleans Cathedral
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 1/16 inches (16.4 × 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Oak Tree in Winter
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1842 to 1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 8 5/8 inches (19.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Reflected Trees, Lacock
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1841 to 1842
Materials & Techniques:
Salted paper print from paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 9 3/4 inches (19.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Articles of Glass
Creator:
William Henry Fox Talbot, 1800–1877
Date:
ca. 1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 × 6 inches (12.7 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Building of Nelson’s Column
Creator:
William Henry Fox Talbot, 1800–1877
Date:
ca. 1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 1/4 inches (17.1 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bust of Patroclus
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 × 5 inches (14 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Matilda Rigby
Creator:
David Octavius Hill, 1802–1870
Date:
ca. 1845
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 × 5 13/16 inches (21 × 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Loch Katrine Pier, Scene of "the Lady of the Lake"
Creator:
William Henry Fox Talbot, 1800–1877
Date:
ca. 1844
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 1/4 inches (17.1 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Toll Houses on Bristol Bridge
Creator:
unknown artist
Date:
1845
Materials & Techniques:
Daguerreotype, quarter plate on polished silver in period gilt frame passe-partout
Dimensions:
Image: 2 3/8 × 3 1/4 inches (6 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of a Couple in Doorway
Creator:
Calvert Richard Jones, 1802–1877
Date:
between 1845 and 1850
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 1/8 × 4 1/2 inches (13 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Street Scene in Swansea with Street Lamp
Creator:
Calvert Richard Jones, 1802–1877
Date:
between 1845 and 1850
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3430. Bay of Baia

Bay of Baia
Creator:
Calvert Richard Jones, 1802–1877
Date:
1846
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 × 9 inches (18.7 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Statue of Marcus Aurelius, Capitoline, Rome
Creator:
Calvert Richard Jones, 1802–1877
Date:
1846
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 9 3/4 inches (19.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Self-portrait with Seated Lady, possibly His Wife Anna
Creator:
Calvert Richard Jones, 1802–1877
Date:
ca. 1850
Materials & Techniques:
Salted paper print from a wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 1/4 × 3 inches (8.3 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
'The Porthole,' Sergeant and Private of the 42d Gordon Highlanders
Creator:
David Octavius Hill, 1802–1870
Date:
1846
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 15/16 × 6 3/8 inches (20.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hindoo Temple on the Banks of the Hooghly, Calcutta
Creator:
Frederick Fiebig, active mid-19th century
Date:
ca. 1850
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 13/16 inches (16.5 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3435. Zoe Thompson

Zoe Thompson
Creator:
Mervyn Herbert Nevil Story-Maskelyne, 1823–1911
Date:
ca. 1850
Materials & Techniques:
Salted paper print from a mica negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Choragic Trophy of Lysicrates, B.C. 335
Creator:
Rev. George Wilson Bridges, 1788–1863
Date:
ca. 1848
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of Henry Fiennes Pelham-Clinton, ninth Earl of Lincoln and second Duke of Newcastle
Creator:
Rosalba Carriera, 1675–1757
Date:
1741
Materials & Techniques:
Pastel on slightly textured, blue laid paper stretched on linen canvas
Dimensions:
Frame: 28 1/2 × 23 3/8 × 1 7/8 inches (72.4 × 59.4 × 4.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mademoiselle Rose Nue, Vue de Dos
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1820
Materials & Techniques:
Black chalk and white chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Robert, Duke of Normandy
Creator:
John Downman, 1750–1824
Date:
1779
Materials & Techniques:
Black chalk with stumping and graphite on thin, smooth, beige wove paper
Dimensions:
Sheet: 9 x 7 5/8 inches (22.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Othello and Desdemona, 'Othello', Act V, Scene II
Creator:
attributed to Richard Cosway, 1742–1821
Date:
ca. 1805
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Timon of Athens Before His Cave
Creator:
Richard Cosway, 1742–1821
Date:
ca. 1805
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 7/16 inches (24.5 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for 'Elijah'
Creator:
Peter DeWint, 1784–1849
Date:
1828
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 16 inches (25.1 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hamlet and the Ghost
Creator:
George Cruikshank, 1792–1878
Date:
ca. 1825
Materials & Techniques:
Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Marinetti Reciting One of His Restful Futuristic Poems
Creator:
Adrian Allinson, 1890–1959
Date:
undated
Materials & Techniques:
Pen and black ink with white gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 7 1/2 inches (24.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Last House in Lynmouth
Creator:
Helen Allingham, 1848–1926
Date:
1874
Materials & Techniques:
Watercolor and gouache with scratching out on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 7 1/2 × 10 3/8 inches (19.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mountainous Landscape, North Wales
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1802
Materials & Techniques:
Watercolor and gum over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 12 5/8 inches (21.6 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Windermere During the Regatta
Creator:
David Cox, 1783–1859
Date:
1832
Materials & Techniques:
Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
Creator:
François Louis Thomas Francia, 1772–1839
Date:
1823
Materials & Techniques:
Watercolor and brown ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 10 1/2 inches (16.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Granby Hill, Bristol
Creator:
James Johnson, 1803–1834
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 5/8 inches (18.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Durham Cathedral
Creator:
George Arthur Fripp, 1813–1896
Date:
1846
Materials & Techniques:
Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 24 7/8 inches (35.9 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Selling of Cupids
Creator:
Henry Fuseli, 1741–1825
Date:
between 1775 and 1776
Materials & Techniques:
Black chalk, red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 19 inches (31.1 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of Miss Lysons
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
1795
Materials & Techniques:
Graphite with black and red chalk on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 1/8 x 10 1/4 inches (30.8 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Shakespearean Scene (?): A Pilgrim
Creator:
Joseph Farington, 1747–1821
Date:
1796
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper
Dimensions:
Mount: 18 1/2 × 15 5/8 inches (47 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of a Woman, called Frances Carr (née Howard), Countess of Somerset
Creator:
Workshop of Nicholas Hilliard, ca. 1547–1619
Date:
undated
Materials & Techniques:
Watercolor, bodycolor, gold and silver on vellum mounted on playing card
Dimensions:
Overall: 4 5/16 × 3 9/16 inches (11 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Bay Racehorse with a Groom
Creator:
Shaikh Muhammad Amir of Karraya, active 1830s–1840s
Date:
ca. 1842
Materials & Techniques:
Watercolor, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:
Image: 13 1/4 × 19 1/8 inches (33.7 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Breadnut (Artocarpus camansi)
Creator:
Unknown artist (Company style)
Date:
ca. 1820
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 19 1/4 inches (38.1 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Friday Mosque, Gulbarga, India
Creator:
Langlands & Bell, since 1978
Date:
1996
Materials & Techniques:
Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Great Indian Fruit Bat or Flying Fox (Pteropus giganteus)
Creator:
Bhawani Das, active 18th century
Date:
1778 to 1782
Materials & Techniques:
Pen and ink, watercolor, gum arabic, and white gouache on watermarked paper
Dimensions:
Sheet: 17 7/8 × 27 inches (45.4 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Great Mosque, Cordoba, Spain
Creator:
Langlands & Bell, since 1978
Date:
1996
Materials & Techniques:
Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Great Mosque, Kairouan, Tunisia
Creator:
Langlands & Bell, since 1978
Date:
1996
Materials & Techniques:
Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mosque of Al-Hassan, Rabat, Morocco
Creator:
Langlands & Bell, since 1978
Date:
1996
Materials & Techniques:
Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Great Mosque, Abu Dulaf, Iraq
Creator:
Langlands & Bell, since 1978
Date:
1996
Materials & Techniques:
Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Great Mosque, Seville, Spain
Creator:
Langlands & Bell, since 1978
Date:
1996
Materials & Techniques:
Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Great Mosque, Samarra, Iraq
Creator:
Langlands & Bell, since 1978
Date:
1996
Materials & Techniques:
Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mosque of the Prophet, Medina, Saudi Arabia
Creator:
Langlands & Bell, since 1978
Date:
1996
Materials & Techniques:
Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Qal'a of the Banu Hammad, Algeria
Creator:
Langlands & Bell, since 1978
Date:
1996
Materials & Techniques:
Blind embossed print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Enclosure and Identity Title Page
Creator:
Langlands & Bell, since 1978
Date:
1996
Materials & Techniques:
Title page to portfolio of 10 blind embossed prints on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3468. A Water Rail

A Water Rail
Creator:
Isaac Spackman, died 1771
Date:
undated
Materials & Techniques:
Watercolor and gouache on vellum
Dimensions:
Sheet: 11 x 8 3/8in. (27.9 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3469. A Starling

A Starling
Creator:
Isaac Spackman, died 1771
Date:
undated
Materials & Techniques:
Watercolor and gouache on vellum
Dimensions:
Sheet: 10 15/16 x 8 5/8in. (27.8 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Enclosure and Identity Colophon
Creator:
Langlands & Bell, since 1978
Date:
1996
Materials & Techniques:
Colophon to portfolio of 10 blind embossed prints on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3471. A Finch

A Finch
Creator:
Isaac Spackman, died 1771
Date:
undated
Materials & Techniques:
Gouache, watercolor, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 8 3/8 inches (27 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:
Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Princes in the Tower
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hamlet and the Ghost
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Macbeth and the Apparition of the Armed Head
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for 'Elijah'
Creator:
Peter DeWint, 1784–1849
Date:
1828
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 11 inches (18.1 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Macbeth and the Witch
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper, laid down on thick, slightly textured, beige wove paper with drawn border
Dimensions:
Sheet: 16 1/4 × 25 1/8 inches (41.3 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Holt Heath, near Norwich
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium slightly textured cream wove paper
Dimensions:
Sheet: 6 5/8 x 11 3/8 inches (16.8 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sketch for the Passions: Love
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sketch for the Passions: Jealousy
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 x 10 1/8 inches (35.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Fredegonda at the Deathbed of Praetextatus
Creator:
Sir Lawrence Alma-Tadema, 1836–1912
Date:
ca. 1864
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 3/8 inches (21.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for Battledore and Shuttlecock
Creator:
Albert Joseph Moore, 1841–1893
Date:
ca. 1871
Materials & Techniques:
Black chalk, white chalk, and graphite on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 9 1/4 x 14 1/2 inches (23.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper
Dimensions:
Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper, stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 15/16 × 8 15/16 inches (17.6 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:
Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:
Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:
Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Theatrical Figures About a Throne
Creator:
Richard Westall, 1765–1836
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 23 3/4 inches (48.3 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
La Halle au Lin, Dieppe
Creator:
Walter Richard Sickert, 1860–1942
Date:
1902
Materials & Techniques:
Black chalk and watercolor over a ground on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 10 7/8 x 8 5/8 inches (27.6 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Fluellen Forcing Pistol to Eat His Leek
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 14 × 10 1/8 inches (35.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cafe Concert, Dieppe
Creator:
Walter Richard Sickert, 1860–1942
Date:
ca. 1920
Materials & Techniques:
Pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 x 8 3/8 inches (27.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Alcibiades and Timon
Creator:
Richard Westall, 1765–1836
Date:
ca. 1805
Materials & Techniques:
Watercolor with gouache and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Reverend Anthony Stephen Mathew
Creator:
John Flaxman, 1755–1826
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 6 inches (19.1 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Italian Landscape (after Titian)
Creator:
John Evelyn, 1620–1706
Date:
1656
Materials & Techniques:
Pen and brown ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 11 7/8 inches (19.4 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund