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Credit Line Yale Center for British Art, Paul Mellon Fund
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon FundSearch Results
301
- Figure Study 2
- undated
302
- Figure Composition Study 21 with a Face
- undated
303
- Figure Composition Study 26
- undated
304
- Figure Composition Study 30
- undated
305
- Male Head 2
- undated
306
- Study of Two Seated Figures
- undated
307
- Study of a Standing Figure
- undated
308
- Figure Study 4
- undated
309
- Figure Composition Study 44
- undated
310
- Figure Composition Study 45
- undated
311
- Figure Composition Study 46
- undated
312
- Figure Composition Study 48
- 1793
313
- Figure Composition Study 49
- undated
314
- Figure Composition Study 50
- undated
315
- Study of Two Figures and a Face
- undated
316
- Figure Study 10
- undated
317
- Figure Study of a Woman
- undated
318
- Figure Study Eleven
- undated
319
- Figure Study Thirteen
- undated
320
- Figure Composition Study 31
- undated
321
- Figure Composition Study 34
- undated
322
- Study of Three Women
- undated
323
- Female Figure
- undated
324
- Figure Composition Study 50
- undated
325
- Figure Study 6
- undated
326
- Manuscript Notes
- 1773
327
- Manuscript Notes
- 1773
328
- Manuscript Notes
- 1773
329
- Manuscript Notes
- 1773
330
- Manuscript Notes
- 1773
331
- Manuscript Notes
- 1773
332
- Manuscript Notes
- 1773
333
- Manuscript Notes
- 1773
334
- Manuscript Notes
- 1773
335
- Manuscript Notes
- 1773
336
- Manuscript Notes
- 1773
337
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
338
- Figure Study 1
- undated
339
- Figure Study 7
- undated
340
- Figure Composition Study 5
- undated
341
- Figure Composition Study 7
- undated
342
- Figure Study 8
- undated
343
- Male Head 1
- undated
344
- Figure Composition Study 2
- undated
345
- Figure Composition Study 3
- undated
346
- Figure Composition Study 4
- 1793
347
- Figure Composition Study 6
- undated
348
- Figure Composition Study 8
- undated
349
- Figure Composition Study 9
- undated
350
- Rev. John Caspar Lavater (1787-1801)
- 1800
351
- Spring, from Songs of Innocence
- ca. 1795
352
- The Shepherd, from Songs of Innocence
- ca. 1795
353
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
354
- Copy of the Laocoön, for Rees's Cyclopædia
- 1815
355
- London from Greenwich
- 1811
356
- Italian Sketchbook
- 1773
357
- Manuscript Notes
- 1773
358
- Sketchbook Drawing
- 1773
359
- Sketchbook Drawing
- 1773
360
- Sketchbook Drawing
- 1773
361
- Sketchbook Drawing
- 1773
362
- Sketchbook Drawing
- 1773
363
- Sketchbook Drawing
- 1773
364
- Sketchbook Drawing
- 1773
365
- Sketchbook Drawing
- 1773
366
- Sketchbook Drawing
- 1773
367
- Sketchbook Drawing
- 1773
368
- Sketchbook Drawing
- 1773
369
- Sketchbook Drawing
- 1773
370
- Sketchbook Drawing
- 1773
371
- Sketchbook Drawing
- 1773
372
- Sketchbook Drawing
- 1773
373
- Sketchbook Drawing
- 1773
374
- Sketchbook Drawing
- 1773
375
- Sketchbook Drawing
- 1773
376
- Sketchbook Drawing
- 1773
377
- Sketchbook Drawing
- 1773
378
- Sketchbook Drawing
- 1773
379
- Sketchbook Drawing
- 1773
380
- Sketchbook Drawing
- 1773
381
- Sketchbook Drawing
- 1773
382
- Sketchbook Drawing
- 1773
383
- Sketchbook Drawing
- 1773
384
- Sketchbook Drawing
- 1773
385
- Sketchbook Drawing
- 1773
386
- Sketchbook Drawing
- 1773
387
- Sketchbook Drawing
- 1773
388
- Sketchbook Drawing
- 1773
389
- Sketchbook Drawing
- 1773
390
- Sketchbook Drawing
- 1773
391
- Sketchbook Drawing
- 1773
392
- Sketchbook Drawing
- 1773
393
- Sketchbook Drawing
- 1773
394
- Sketchbook Drawing
- 1773
395
- Sketchbook Drawing
- 1773
396
- Sketchbook Drawing
- 1773
397
- Sketchbook Drawing
- 1773
398
- Sketchbook Drawing
- 1773
399
- Sketchbook Drawing
- 1773
400
- Sketchbook Drawing
- 1773