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Credit Line Yale Center for British Art, Paul Mellon Fund
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon FundSearch Results
301
- Study of Two Seated Figures
- undated
302
- Study of a Standing Figure
- undated
303
- Figure Composition Study 42
- undated
304
- Figure Composition Study 41
- undated
305
- Figure Study 4
- early 1790s
306
- Figure Composition Study 43
- undated
307
- Figure Composition Study 44
- undated
308
- Figure Composition Study 45
- undated
309
- Figure Composition Study 46
- undated
310
- Figure Composition Study 47
- undated
311
- Figure Composition Study 48
- 1793
312
- Figure Composition Study 49
- undated
313
- Figure Composition Study 50
- undated
314
- Study of Two Figures and a Face
- undated
315
- Study of a Seated Woman
- undated
316
- Figure Composition Study 1
- 1794
317
- Figure Study 10
- undated
318
- Composition of Two Figures
- undated
319
- Figure Study Eleven
- undated
320
- Figure Study Twelve
- undated
321
- Figure Study Thirteen
- undated
322
- Female Figure
- undated
323
- Figure Composition Study 50
- undated
324
- Figure Study 5
- early 1790s
325
- Figure Study 6
- 1790s
326
- Figure Study of a Woman
- undated
327
- Figure Composition Study 7
- ca. 1794
328
- Figure Composition Study 8
- 1770s
329
- Figure Study 8
- ca. 1779
330
- Figure Composition Study 9
- 1770s
331
- Male Head 1
- mid- to late 1790s
332
- Figure Composition Study 11
- 1770s
333
- Figure Composition Study 12
- mid-1790s
334
- Figure Composition Study 13
- mid- to late 1790s
335
- Study of a Horse's Forelegs
- undated
336
- Figure Composition Study 14
- early 1770s
337
- Figure Study 16
- mid-1790s
338
- Figure Composition Study 17
- 1770s
339
- Figure Composition Study 18
- undated
340
- Figure Study 9
- 1770s
341
- Figure Composition Study 20
- mid-1790s
342
- Figure Study 2
- mid- to late 1790s
343
- Figure Composition Study 22
- undated
344
- Figure Composition Study 23
- undated
345
- Figure Composition Study 24
- undated
346
- Landscape
- undated
347
- Figure Composition Study 25
- undated
348
- Figure Composition Study 21 with a Face
- undated
349
- King Lear in the Storm
- ca. 1761
350
- Manuscript Notes
- 1773
351
- Manuscript Notes
- 1773
352
- Manuscript Notes
- 1773
353
- Manuscript Notes
- 1773
354
- Manuscript Notes
- 1773
355
- Manuscript Notes
- 1773
356
- Manuscript Notes
- 1773
357
- Manuscript Notes
- 1773
358
- Manuscript Notes
- 1773
359
- Manuscript Notes
- 1773
360
- Manuscript Notes
- 1773
361
- Italian Sketchbook
- 1773
362
- Manuscript Notes
- 1773
363
- Manuscript Notes
- 1773
364
- Manuscript Notes
- 1773
365
- Manuscript Notes
- 1773
366
- Sketchbook Drawing
- 1773
367
- Manuscript Notes
- 1773
368
- Sketchbook Drawing
- 1773
369
- Manuscript Notes
- 1773
370
- Sketchbook Drawing
- 1773
371
- Sketchbook Drawing
- 1773
372
- Sketchbook Drawing
- 1773
373
- Sketchbook Drawing
- 1773
374
- Sketchbook Drawing
- 1773
375
- Sketchbook Drawing
- 1773
376
- Sketchbook Drawing
- 1773
377
- Sketchbook Drawing
- 1773
378
- Sketchbook Drawing
- 1773
379
- Sketchbook Drawing
- 1773
380
- Sketchbook Drawing
- 1773
381
- Sketchbook Drawing
- 1773
382
- Sketchbook Drawing
- 1773
383
- Sketchbook Drawing
- 1773
384
- Sketchbook Drawing
- 1773
385
- Sketchbook Drawing
- 1773
386
- Sketchbook Drawing
- 1773
387
- Sketchbook Drawing
- 1773
388
- Sketchbook Drawing
- 1773
389
- Sketchbook Drawing
- 1773
390
- Sketchbook Drawing
- 1773
391
- Sketchbook Drawing
- 1773
392
- Sketchbook Drawing
- 1773
393
- Sketchbook Drawing
- 1773
394
- Sketchbook Drawing
- 1773
395
- Sketchbook Drawing
- 1773
396
- Sketchbook Drawing
- 1773
397
- Sketchbook Drawing
- 1773
398
- Sketchbook Drawing
- 1773
399
- Sketchbook Drawing
- 1773
400
- Sketchbook Drawing
- 1773