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Credit Line Yale Center for British Art
Remove constraint Credit Line: Yale Center for British ArtPeriod 18th century
Remove constraint Period: 18th centurySearch Results
101
- Crops Going to Quod
- 1791
102
- French Discernment; or, a Bumling Discovery!
- 1791
103
- The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite
- 1791
104
- The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm
- 1792
105
- Contributing to the Sinking Fund
- 1792
106
- A Visit to the R---l Cole Pit
- 1791
107
- Political Boxing; or an Attack, at the Woolsack
- 1792
108
- The Libertine Reclaim'd or John Bull Bullied
- 1792
109
- Louis Dethron'd; or Hell Broke Loose in Paris
- 1792
110
- Prussian Bobadils, Returning to Berlin!!!!!!!
- 1792
111
- Friar Bacon and His Brazen Head
- 1794
112
- The Duke of Brunswick Attacking the Rear of the Sans Culottes
- 1792
113
- Arming in the Defence of the French Princes or the Parting of Hector and Andromache
- 1792
114
- The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain
- 1786
115
- Le Roi Esclave on Les Sujets Rois Female Patriotism
- 1789
116
- The Grand Review on Sydenham Common
- 1792
117
- Symptoms of Affection, Or - A Specimen of Martial Prowess
- 1791
118
- The Present State of Europe, Or - John Bull on his Last Legs
- 1795
119
- The Political Locust
- 1795
120
- A Peace Offering to the Genius of Liberty and Equality
- 1794
121
- The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated
- 1792
122
- Bless Thee Bottom, Bless Thee-Thou Art Translated
- 1794
123
- A Delitanti Performance of Midas at Turnbridge Wells, October 1792
- 1792
124
- How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water
- 1793
125
- A Lack Water Canal
- 1794
126
- The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes
- 1792
127
- John Bull Humbugg'd alias Both-ear'd
- 1794
128
- Sedition, Levelling and Plundering
- 1792
129
- The Entrance to the Antient Chapter House Belongong to Westminster Abbey
- 1782
130
- Frontispiece to the Second Volume of Specimens of Ancient Sculpture and Paintings
- 1787
131
- An Exact Plan of ye Royal Vault in King Henry the seventh Chapel
- 1751
132
- Bass Reliefs on Henry VIIth's Tomb in Westminster
- 1784
133
- Bass Reliefs on Henry VIIth's Tomb in Westminster Abbey - North Side
- 1784
134
- Tomb and Window Painting in Westminster Abbey
- 1785
135
- Classical Scene
- 1793
136
- The Wards of Coleman Street and Bassishaw
- undated
137
- An Inside View of the Choir of the Cathedral Church of Canterbury, (plate no. 9)
138
- Pulpit Extravaganzas - for Modes of Faith let Graceless Zealots Fight, His Can't be Wrong whose Life is in the Right (12 vignettes)
- 1789
139
- British, Louis XV frame
- 2nd and 3rd quarters of 18th century
140
- British, Palladian frame
- 2nd quarter of 18th century
141
- British, 'Carlo Maratta' frame
- mid-18th century
142
- British, 'Carlo Maratta' frame
- mid-18th century
143
- British, 'Carlo Maratta' frame
- mid-18th century
144
- British, 'Carlo Maratta' frame
- mid-18th century
145
- British, 'Carlo Maratta' frame
- mid-18th century
146
- British, Louis XIV frame
- 2nd quarter of 18th century
147
- British, Baroque frame
- mid-18th century
148
- British, 'Carlo Maratta' style frame
- late 18th century
149
- British, 'Carlo Maratta' frame
- late 18th century
150
- British, Neoclassical frame
- 18th century
151
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
152
- British Louis XIV style frame
- 1st half of 18th century
153
- British, Neoclassical frame
- 4th quarter of 18th century
154
- British, Neoclassical frame
- 4th quarter of 18th century
155
- British, Neoclassical frame
- 4th quarter of 18th century
156
- British, Neoclassical frame
- 4th quarter of 18th century
157
- British, Neoclassical frame
- 4th quarter of 18th century
158
- British, Neoclassical frame
- 4th quarter of 18th century
159
- Irish Provincial Rococo frame
- 3rd quarter of 18th century
160
- British Neoclassical frame
- 2nd half of 18th century
161
- British, Provincial Rococo frame
- mid-18th century
162
- British Louis XIV frame
- 2nd and 3rd quarters of 18th century
163
- British (?), Rococo frame
- mid-18th century
164
- British, Rococo frame
- 3rd quarter of 18th century
165
- British, Rococo frame
- mid-18th century
166
- British, Louis XIV style frame
- 2nd quarter of 18th century
167
- British, Louis XIV style frame
- 2nd quarter of 18th century
168
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
169
- Continental Europe, Louis XV frame
- 2nd and 3rd quarters of 18th century
170
- British, Rococo frame
- mid-18th century
171
- British, Rococo frame
- mid-18th century
172
- British, Louis XIV style frame
- mid-18th century
173
- British, Louis XV style frame
- mid-18th century
174
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
175
- British, Louis XIV frame
- 2nd quarter of 18th century
176
- British Neoclassical frame
- 2nd half of 18th century
177
- British, Rococo frame
- mid-18th century
178
- British, Rococo frame
- mid-18th century
179
- British, Louis XIV- Régence style frame
- mid-18th century
180
- British, Rococo frame
- 18th century
181
- British, Louis XIV frame
- 1st quarter of 18th century
182
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
183
- British, Rococo frame
- 2nd quarter of 18th century
184
- British, Neoclassical frame
- 2nd half of 18th century
185
- British, Provincial Louis XIV frame
- 1st half of 18th century
186
- British Louis XIV style frame
- 2nd and 3rd quarters of 18th century
187
- British, Neoclassical frame
- 3rd quarter of 18th century
188
- British (?), Neoclassical frame
- 4th quarter of 18th century
189
- British, Rococo frame
- 3rd quarter of 18th century
190
- British, Louis XIV style frame
- 1st half of 18th century
191
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
192
- British, Neoclassical, 'Wright of Derby' frame
- 4th quarter of 18th century
193
- British, Neoclassical, 'Wright of Derby' frame
- 4th quarter of 18th century
194
- British, Rococo frame
- mid-18th century
195
- British, Louis XIV- Régence style frame
- 1st half of 18th century
196
- British 'Carlo Maratta' - Neoclassical variant frame
- 4th quarter of 18th century
197
- British, Neoclassical frame
- 4th quarter of 18th century
198
- British, Neoclassical frame
- late 18th century
199
- British, Neoclassical frame
- 4th quarter of 18th century
200
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century