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Credit Line Yale Center for British Art
Remove constraint Credit Line: Yale Center for British ArtPeriod 18th century
Remove constraint Period: 18th centurySearch Results
101
- Prussian Bobadils, Returning to Berlin!!!!!!!
- 1792
102
- Arming in the Defence of the French Princes or the Parting of Hector and Andromache
- 1792
103
- Louis Dethron'd; or Hell Broke Loose in Paris
- 1792
104
- The Libertine Reclaim'd or John Bull Bullied
- 1792
105
- The Duke of Brunswick Attacking the Rear of the Sans Culottes
- 1792
106
- Friar Bacon and His Brazen Head
- 1794
107
- Evacuation of Holland, or, Fire and Water Too Much for Dumourier
- 1793
108
- The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain
- 1786
109
- Le Roi Esclave on Les Sujets Rois Female Patriotism
- 1789
110
- Tears of Sensibility - Sympathy a Poem - Let's All be Unhappy Together - i.e. - The Wig Club in Distress etc. etc
- 1797
111
- The Westminster Mountebank, or Palace Yard Pranks
- 1795
112
- A Brace of Blessings
- 1796
113
- Essay on Duelling - Anglice Doing = Him!
- 1789
114
- The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers
- 1791
115
- Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!
- ca. 1796
116
- The Messenger of Peace
- 1796
117
- A Brace of Blessings
- 1796
118
- The Grand Review on Sydenham Common
- 1792
119
- Saint Catharine and St. George
- 1791
120
- Symptoms of Affection, Or - A Specimen of Martial Prowess
- 1791
121
- Resignation the Greatest of all Virtues
- 1792
122
- One of the Family!
- 1795
123
- The Rape of Helen
- 1792
124
- Opening the Sluices, Or, - Hollands Last Shift
- 1794
125
- The Rival Pigs
- 1795
126
- A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament
- 1795
127
- The Present State of Europe, Or - John Bull on his Last Legs
- 1795
128
- The Political Locust
- 1795
129
- The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes
- 1792
130
- An Inside View of the Choir of the Cathedral Church of Canterbury, (plate no. 9)
131
- The Entrance to the Antient Chapter House Belongong to Westminster Abbey
- 1782
132
- Frontispiece to the Second Volume of Specimens of Ancient Sculpture and Paintings
- 1787
133
- An Exact Plan of ye Royal Vault in King Henry the seventh Chapel
- 1751
134
- Bass Reliefs on Henry VIIth's Tomb in Westminster
- 1784
135
- Bass Reliefs on Henry VIIth's Tomb in Westminster Abbey - North Side
- 1784
136
- Tomb and Window Painting in Westminster Abbey
- 1785
137
- Classical Scene
- 1793
138
- The Wards of Coleman Street and Bassishaw
- undated
139
- Pulpit Extravaganzas - for Modes of Faith let Graceless Zealots Fight, His Can't be Wrong whose Life is in the Right (12 vignettes)
- 1789
140
- 19th-century English frame
- 18th century
141
- 18th-century English neo-classical frame
- ca. 1775
142
- English gilded frame with original gilding
- ca. 1780
143
- 18th-century English frame
- ca. 1780
144
- Early 18th-century English frame
- early 18th century
145
- 18th-century English frame
- 18th century
146
- British, Palladian frame
- late 18th century
147
- British, Louis XIV frame
- 1st quarter of 18th century
148
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
149
- British or Irish (?), Provincial Louis XIV frame
- 18th century
150
- Continental Europe, Louis XV frame
- 2nd and 3rd quarters of 18th century
151
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
152
- British, Louis XIV- Régence style frame
- 2nd quarter of 18th century
153
- British, 'Hogarth' frame
- 1st half of 18th century
154
- British Louis XIV style frame
- 2nd quarter of 18th century
155
- British, Provincial Rococo frame
- mid-18th century
156
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
157
- French, Louis XV frame
- mid-18th century
158
- British, Rococo frame
- mid-18th century
159
- British, Louis XIV style frame
- 1st half of 18th century
160
- British, Baroque frame
- 2nd quarter of 18th century
161
- British, Neoclassical frame
- 4th quarter of 18th century
162
- British Louis XV style frame
- 2nd and 3rd quarters of 18th century
163
- British, Neoclassical frame
- 2nd half of 18th century
164
- British, Rococo frame
- mid-18th century
165
- British, Louis XIV style frame
- 2nd quarter of 18th century
166
- British, Palladian frame
- 3rd quarter of 18th century
167
- British, Palladian frame
- 3rd quarter of 18th century
168
- British or Irish (?), Rococo frame
- 3rd quarter of 18th century
169
- British, Rococo frame
- mid-18th century
170
- British, Palladian, 'William Kent' frame
- 18th century
171
- British, Baroque frame
- 1st half of 18th century
172
- British, Louis XIV style frame
- 2nd quarter of 18th century
173
- British, Palladian frame
- mid-18th century
174
- British, Louis XIV style frame
- 2nd quarter of 18th century
175
- British, Neoclassical frame
- 3rd quarter of 18th century
176
- British, 'Carlo Maratta' frame
- 3rd quarter of 18th century
177
- British, Palladian frame
- mid-18th century
178
- British, Louis XIV style frame
- mid-18th century
179
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
180
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
181
- British Louis XIV style frame
- 2nd quarter of 18th century
182
- British, Louis XIV style frame
- 2nd quarter of 18th century
183
- British, Louis XV style frame
- 2nd and 3rd quarters of 18th century
184
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
185
- British, Louis XIV style frame
- 2nd quarter of 18th century
186
- British, Neoclassical frame
- 3rd quarter of 18th century
187
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
188
- British, Neoclassical frame
- 3rd quarter of 18th century
189
- British, Rococo frame
- mid-18th century
190
- British, Rococo frame
- 3rd quarter of 18th century
191
- British, 'Carlo Maratta' - NeoClassical variant frame
- 4th quarter of 18th century
192
- British, Louis XIV style frame
- 2nd and 3rd quarters of 18th century
193
- British, 'Carlo Maratta' - NeoClassical Variant frame
- 4th quarter of 18th century
194
- British, Louis XIV style frame
- 2nd and 3rd quarters of 18th century
195
- British, Louis XIV style frame
- mid-third of 18th century
196
- British, Neoclassical frame
- 4th quarter of 18th century
197
- British 'Carlo Maratta' frame
- last third of 18th century
198
- British or Irish (?), Provincial variant Neoclassical frame
- 2nd half of 18th century
199
- British Neoclassical, 'Dowman' variant frame
- 4th quarter of 18th century
200
- British, Louis XIV style frame
- 1st half of 18th century