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Credit Line Yale Center for British Art
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301
- The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain
- 1786
302
- Le Roi Esclave on Les Sujets Rois Female Patriotism
- 1789
303
- The Grand Review on Sydenham Common
- 1792
304
- Symptoms of Affection, Or - A Specimen of Martial Prowess
- 1791
305
- The Present State of Europe, Or - John Bull on his Last Legs
- 1795
306
- The Political Locust
- 1795
307
- A Peace Offering to the Genius of Liberty and Equality
- 1794
308
- The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated
- 1792
309
- Bless Thee Bottom, Bless Thee-Thou Art Translated
- 1794
310
- A Delitanti Performance of Midas at Turnbridge Wells, October 1792
- 1792
311
- How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water
- 1793
312
- A Lack Water Canal
- 1794
313
- The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes
- 1792
314
- John Bull Humbugg'd alias Both-ear'd
- 1794
315
- Sedition, Levelling and Plundering
- 1792
316
- Lowther Arcade
- undated
317
- New College to be built at Lampeter in Cardiganshire
318
- Parsonage House at Great Brington
319
- Meer Hall, Worcestershire
- undated
320
- Westminster
- 1814
321
- Return of their Majesties from the Ceremony of their Coronation
- 1831
322
- The Entrance to the Antient Chapter House Belongong to Westminster Abbey
- 1782
323
- Frontispiece to the Second Volume of Specimens of Ancient Sculpture and Paintings
- 1787
324
- Various Memorials - Westminster Abbey
- 1812
325
- Alter in the Chapel of St. Blase at Westminster Abbey
- 1821
326
- An Exact Plan of ye Royal Vault in King Henry the seventh Chapel
- 1751
327
- Tomb of Queen Elizabeth
- undated
328
- Bass Reliefs on Henry VIIth's Tomb in Westminster
- 1784
329
- Bass Reliefs on Henry VIIth's Tomb in Westminster Abbey - North Side
- 1784
330
- Tomb and Window Painting in Westminster Abbey
- 1785
331
- Architectural sketch
332
- Architectural sketch
333
- Architectural sketch
334
- Architectural sketch
335
- The Cathedral Church of Worcester
336
- Classical Scene
- 1793
337
- Cupid with Two Bacchantes
338
- Carriage
339
- Carriage
340
- Untitled
341
- Doorway of the Hall of Eltham Palace
- ca. 1852
342
- Medieval Map of the Old Water Supply of the London Charterhouse
- ca. 1880
343
- The Wards of Coleman Street and Bassishaw
- undated
344
- A Map of Deptford, 1623
345
- Ye Plot of ye Graye Friers
346
- Hampstead in Saxon Times
347
- An Inside View of the Choir of the Cathedral Church of Canterbury, (plate no. 9)
348
- Various Engravings of York Cathedral
- 1813
349
- Lady Flogan's House and Monument
350
- Charles the Second's House, Worcester
351
- Vanity Fair - Businessmen and Empire Builders. 'telephones'. Mr. James Brand. 26 May 1888
- 1888
352
- Abbey Gate at Evesham
353
- Untitled
- 1977
354
- Great Baddow Church and school
355
- Pulpit Extravaganzas - for Modes of Faith let Graceless Zealots Fight, His Can't be Wrong whose Life is in the Right (12 vignettes)
- 1789
356
- Castle Arce Priory, Yorkshire
- 1811
357
- St. Andrew's Church, Holborn Hill, London
358
- Burnham Thorpe, Norfolk, the Birthplace of Admiral Lord Nelson
359
- Boscobel House (reproduction)
360
- Sir Robert Russel, Strensham Church, Worcestershire
361
- British, Late Louis XV style frame
- 20th century
362
- British, Neoclassical frame
- 2nd and 3rd quarters of 19th century
363
- British, Louis XV frame
- 2nd and 3rd quarters of 18th century
364
- British, 'Lely' frame
- 2nd half of 17th century
365
- British Louis XIV style frame
- last 3rd quarter of 17th century
366
- British, Palladian frame
- 2nd quarter of 18th century
367
- British, 'Carlo Maratta' frame
- mid-18th century
368
- British, 'Carlo Maratta' frame
- mid-18th century
369
- British, 'Carlo Maratta' frame
- mid-18th century
370
- British, 'Carlo Maratta' frame
- mid-18th century
371
- British, 'Carlo Maratta' frame
- mid-18th century
372
- British, Cabinetmaker's frame
- 20th century
373
- British, Louis XIV frame
- 2nd quarter of 18th century
374
- British, Baroque frame
- mid-18th century
375
- British, Louis XIV style frame
- 20th century
376
- British, 'Carlo Maratta' style frame
- 20th century
377
- British, Neoclassical frame
- late 18th to early 19th century
378
- British, Tudor-Stuart style frame
- 20th century
379
- British architectural Baroque frame
- 20th century
380
- British, Tudor-Stuart style frame
- 20th century
381
- British, Neoclassical frame
- early 19th century
382
- British, Tudor-Stuart frame
- 2nd half of 16th century
383
- British, Tudor-Stuart style frame
- 20th century
384
- British, Louis XV Revival frame
- 1st half of 19th century
385
- British, 'Carlo Maratta' style frame
- late 18th century
386
- French Provincial Louis XIV frame
- late 17th to early 18th century
387
- British, 'Carlo Maratta' frame
- late 18th century
388
- British, Neoclassical frame
- 18th century
389
- British, 'Carlo Maratta' style frame
- mid-19th century
390
- British, Baroque moulding frame
- 20th century
391
- British, 'Carlo Maratta' frame
- 2nd half of 18th century
392
- French (or German?) commercial stock moulding frame
- 4th quarter of 19th century
393
- British (?) Cassetta frame
- 20th century
394
- British, Louis XIV Revival frame
- 2nd quarter of 19th century
395
- British Louis XIV style frame
- 1st half of 18th century
396
- British Neoclassical style frame
- 20th century
397
- British, Neoclassical frame
- 4th quarter of 18th century
398
- British, Neoclassical frame
- 4th quarter of 18th century
399
- British, Neoclassical frame
- 4th quarter of 18th century
400
- British, Neoclassical frame
- 4th quarter of 18th century