Castle above a Lake with Distant Mountain under Stormy Sky
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Rev. William Gilpin, 1724–1804
Mountainous Landscape with Trees - High Crags to the Right
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Rev. William Gilpin, 1724–1804
View Through the Trees
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Rev. William Gilpin, 1724–1804
Mountain View
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unknown artist
Cumberland Landscape
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Rev. William Gilpin, 1724–1804
Wooded Landscape Overlooking an Estuary
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Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
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Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
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Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
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Rev. William Gilpin, 1724–1804
Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
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Rev. William Gilpin, 1724–1804
The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)
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Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 24)
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Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 25)
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Rev. William Gilpin, 1724–1804
A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
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Rev. William Gilpin, 1724–1804
The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
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Rev. William Gilpin, 1724–1804
The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
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Rev. William Gilpin, 1724–1804
The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
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Rev. William Gilpin, 1724–1804
Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
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Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)
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Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
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Rev. William Gilpin, 1724–1804
The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
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Rev. William Gilpin, 1724–1804
The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)
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Rev. William Gilpin, 1724–1804
The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
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Rev. William Gilpin, 1724–1804
The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
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Rev. William Gilpin, 1724–1804
The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
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Rev. William Gilpin, 1724–1804
As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
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Rev. William Gilpin, 1724–1804
The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
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Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
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Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
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William Hoare, 1706/7–1792/99
Alexander Pope (1688-1744)
after 1739-40
131
Francois Vivares, 1709–1780
Two Men, One Seated, Beside Classical Ruined Arch with Statue in Distance
1739
132
Francois Vivares, 1709–1780
Man with Stick Walking Along Lane Past Rustic Buildings
1739
133
Francois Vivares, 1709–1780
Classical Ruins with Columns and Arches
1739
134
Francois Vivares, 1709–1780
Man with Dog Shooting Ducks in a River. Building Beside River. Two Boats on River
1739
135
Francois Vivares, 1709–1780
Artist Drawing Classical Ruins
1739
136
Francois Vivares, 1709–1780
Man Shewing Woman Classical Ruins
1739
137
Francois Vivares, 1709–1780
Classical Ruins
1739
138
Francois Vivares, 1709–1780
Two Men Looking at Classical Ruins with Obelisk in Center
1739
139
Francois Vivares, 1709–1780
Man with Basket and Staff Beside Classical Ruins
1739
140
Francois Vivares, 1709–1780
Two boats being rowed across river, one full of Kegs. Six arched bridge crossing river. Three fisherman on near bank beside a tower
1739
141
Francois Vivares, 1709–1780
Herdsman with two cows approaching buildings with a square tower
1739
142
Francois Vivares, 1709–1780
Traveller watching horseman and pedestrian approaching rambling houise within a walled garden
1739
143
Francois Vivares, 1709–1780
Man with dog and goat resting outside Inn with walled garden. Horse drinking through to right of entrance to Inn
1739-1747
144
Francois Vivares, 1709–1780
Man Playing Pipe to Shepherdess Beside River and Shack
1739
145
Francois Vivares, 1709–1780
Landscape with a man driving a mule
1739
146
Francois Vivares, 1709–1780
Coastal Scene with Lovers, Man and Dog Beside Ruin Overlooking Bay with Sailing Boats in Distance
1739-1750
147
Francois Vivares, 1709–1780
Women with Basket Walking Along Road Past Three Houses and a Dovecot
1739
148
Francois Vivares, 1709–1780
Man Punting Along River Beside Huts. Woman and Child Sitting on Bank
1739
149
Francois Vivares, 1709–1780
Horseman and Dog Leaving Stableyard of Inn and Riding Along Road Towards Village
1739
150
Francois Vivares, 1709–1780
Two Clerics Wandering Amongst Monastic Ruins Beside Sea or Lake
1739-1750
151
Francois Vivares, 1709–1780
Man Watering House in River in Front of Gateway with Tower, Village with Church in Distance
1739
152
Francois Vivares, 1709–1780
Windmill Beside Winding River with Two Buildings on Opposite Bank
1739
153
Francois Vivares, 1709–1780
Man and Woman with Bundle Looking at a Classical Ruin
1739
154
Francois Vivares, 1709–1780
Two Men Looking at Classical Ruins, a Tomb (?) to the Right
1739
155
Francois Vivares, 1709–1780
Three Men and a Woman Looking at Classical Ruins
1739
156
Francois Vivares, 1709–1780
Man with Staff Walking Along Lane Towards Houses and Ruins
1739
157
Francois Vivares, 1709–1780
Man Making Haystack Being Cottage. Two Buildings in Distance
1739
158
Francois Vivares, 1709–1780
Gateway and Farmyard either side of River with Two Men Rowing a Boat
1739
159
Francois Vivares, 1709–1780
Woman and Three Men Looking at Classical Ruins
1739
160
Francois Vivares, 1709–1780
Woman Spinning Beside a Well and Group of Buildings
1739
161
Francois Vivares, 1709–1780
Man Rowing Boat on River, Boy Fishing from Riverbank, House and Outbuildings Beside River
1739
162
Francois Vivares, 1709–1780
Woman, Cowherd and Two Cows on River Bank, Buildings on Opposite River Bank
1739
163
Francois Vivares, 1709–1780
Woman on River Bank with Sailing Boat on River, Buildings on Opposite Bank, Windmill in Distance
1739
164
Francois Vivares, 1709–1780
Two Men Beside Ruined Arch Observing Farmyard Scene with Man Driving Horse and Wagon along Lane
1739-1750
165
Francois Vivares, 1709–1780
Three Arched Bridge over River with Town Along Riverbank. Three Men in Rowing Boat on River
1739-1750
166
Francois Vivares, 1709–1780
Horseman Crossing Three Arched Bridge over River. Ruins in the Distance
1739
167
Francois Vivares, 1709–1780
Two Men and a Grazing Horse in Front of a windmill and a Horse
1739
168
Francois Vivares, 1709–1780
Shepherd with Flock Beside Which Winds under a Bridge Beside a Ruined Tower
1739-1750
169
Francois Vivares, 1709–1780
Horseman About to Cross a Two Arched Bridge with Gateway and Buildings on Opposite Bank
1739
170
Francois Vivares, 1709–1780
Classical Ruin with Pillars and Steps, on River Bank with Buildings in Distance
1739
171
Francois Vivares, 1709–1780
Lovers in a Classical Ruin
1739
172
Francois Vivares, 1709–1780
Water Wheel and Buildings Beside Weir on River
1739
173
Francois Vivares, 1709–1780
Man Crossing Footbridge over Creek Beside Ruined Castle. Large Sailing Ship in Bay
1739
174
Francois Vivares, 1709–1780
Two Men Looking at Classical Ruin Beside River. Two Men Rowing Boat in Distance
1739
175
Francois Vivares, 1709–1780
Two Fishermen on River Bank Beside Ruined Inn. Buildings in Distance on Opposite Bank
1739
176
Francois Vivares, 1709–1780
Three Men in Sailing Boat on River Beside Classical Ruin. House in Distance on Opposite Bank
1739
177
Francois Vivares, 1709–1780
Horseman and Shepherd and Flock Beside Tree and in Front of Buildings and Dovecote
1739
178
Francois Vivares, 1709–1780
Two Fisherman on Riverbank with Round Dovecote on Opposite Bank. Buildings in the Distance
1739
179
Francois Vivares, 1709–1780
Man on Two Path Pulling Covered Boat Along River. Ruin on Opposite Side
1739
180
Francois Vivares, 1709–1780
Plate 4: Horseman, Shepherd and Flock Travelling on Road in Front of Classical Ruin
1739
181
Francois Vivares, 1709–1780
Plate 6: Man Standing in Archway of Classical Ruin. House Behaind and to Left of Ruin
1739
182
Francois Vivares, 1709–1780
Shepherd and Flock Travelling on Past Church and House. Village And Windmill in Distance
1739
183
Francois Vivares, 1709–1780
Cow Standing on River Bank. Buildings on Opposite Bank. Windmill in Distance
1739
184
Francois Vivares, 1709–1780
Man Rowing Across River. Buildings on Both Banks
1739
185
Francois Vivares, 1709–1780
Fisherman on River Bank in Front of House and Round Dovecote
1739
186
Francois Vivares, 1709–1780
Traveller and Galloping Horseman on Road in Front of Church
1739
187
Francois Vivares, 1709–1780
Men Feeding Horse Beside Tree Stump. Travellers on Road Beside River. Ruins in the Distance
1739
188
Francois Vivares, 1709–1780
Travellers on road approching cottage with smoking chimney. Cow herd with two grazing cows on roiver bank. Church and village on opposite bank
1739
189
Francois Vivares, 1709–1780
Man and woman in a rowing boat with five arched bridge in distance and buildings on opposite bank
1739
190
Francois Vivares, 1709–1780
Fisherman on river bank, rowing boat on river and buildings on oppposite bank
1739
191
Francois Vivares, 1709–1780
Man crossing bridge over river to building with a bell tower on roof
1739
192
Francois Vivares, 1709–1780
Man rowing a boat along river. Buildings with a round tower and walled garden on opposite bank
1739
193
Francois Vivares, 1709–1780
Fisherman on river bank by a fence and tree. Buildings with a round and smoking chimney on opposite bank
1739
194
Francois Vivares, 1709–1780
Man rowing a boat along river. Buildings with a round tower and walled garden on opposite bank
1739
195
Francois Vivares, 1709–1780
Fisherman on river bank by a fence and tree. Buildings with a round tower and smoking chimney on opposite bank
1739
196
Francois Vivares, 1709–1780
Shepherd, Woman and two sheep in front of cottage with steps up to doorway
1739
197
Francois Vivares, 1709–1780
Shepherd, woman and two sheep in front of cottage with steps up to doorway
1739
198
Francois Vivares, 1709–1780
Windmill and tree on left bank of river, house on right bank, wooden bridge in between
1739
199
Francois Vivares, 1709–1780
Windmill and tree on left bank of river, house on the right bank, wooden bridge in between
1739
200
Francois Vivares, 1709–1780
Cow being milked beside shed on river bank, cottage on oposite side. Church Tower in distance