On-site Access: Accessible by appointment in the Study Room / Date: 1776

101. Evening - Landscape with a Ruined Castle

Creator:: John Laporte, 1761–1839
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Morning - River Scene with Figures near a Cottage

Creator:: John Laporte, 1761–1839
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. A View of the Prince's House at Kew

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 9/16 × 10 1/16 inches (19.2 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

104. N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 10 1/8 inches (19.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

105. Edgar's Tower at Worcester

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Dudley Priory in Worcestershire, Plate 2

Creator:: M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. The Welch Bridge at Shrewsbury

Creator:: Print made by Benjamin Green, ca. 1736–ca. 1800
Date:: 1776
Materials & Techniques:: Etching and line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 10 1/16 inches (19.4 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

108. Edwinsford, the Seat of R. Banks Hodgkinson Esqr.

Creator:: Print made by William Watts, 1752–1851
Date:: 1776
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 9 7/8 inches (18.7 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

109. Lady Gertrude, Marchioness of Halifax

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1776
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 5 5/8 inches (15.2 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. The Blessed Effects of Venality

Creator:: Print made by unknown artist
Date:: 1776
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

117. An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross

Creator:: Print made by unknown artist
Date:: 1776
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

118. Caricature of Matthew Darly

Creator:: Print made by Matthew Darly, active 1754–1778
Date:: 1776
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 4 13/16 × 4 inches (12.3 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Lady Gertrude, Marchioness of Halifax

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1776
Materials & Techniques:: Line engraving and stipple engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 6 7/8 × 6 1/4 inches (17.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Shakespeare

Creator:: Thomas Cook, 1744–1818
Date:: 1776
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 10 1/2 x 8 1/8in. (26.7 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

122. Isola Madre, Lago Maggiore

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1781
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper, laid down on original mount
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Portrait of a Divine Called Reverend John Wesley

Creator:: John Downman, 1750–1824
Date:: ca. 1781
Materials & Techniques:: Black and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Mount: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. A View of Tivoli Looking Towards Rome

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1781
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 20 1/2 x 32 inches (52.1 x 81.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Interlaken

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Watercolor, brown wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Between Chamonix and Martigny

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Pen and black ink, watercolor, graphite, gray wash and brown wash on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 12 15/16 x 17 11/16 inches (32.8 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. The Falls of the Reichenbach

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Pen and black ink with gray wash and green wash on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/8 x 7 1/8 inches (24.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Upon the Aare between Unterseen and the Lake of Brientz

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Watercolor, blue wash, gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The Lake of Geneva from the Canton of Berne

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Watercolor, gray wash, brown wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 14 inches (24.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. The Apparition of the Armed Head: Macbeth

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Ferdinand and Ariel

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Ophelia's Death

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:: Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:: Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Kennington Common

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1776
Materials & Techniques:: Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Lydia

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 15/16 × 13 1/8 inches (30.3 × 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

139. Agrippina

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 × 28 1/2 inches (54 × 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

140. The Horse Race at Rome During the Carnival

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:: Mount: 15 3/8 x 22 5/16 inches (39.1 x 56.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Bacchus

Creator:: John Raphael Smith, 1752–1812
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 3/4 × 17 3/4 inches (60.3 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Miss Harriet Powell

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Marchioness of Wharton

Creator:: Richard Earlom, 1743–1822
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 11 3/8in. (40.3 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Stallion and Mare

Creator:: George Townly Stubbs, 1748–1815
Date:: 1776
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 3/4 x 22 3/4in. (47.6 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Master Wynn in the Character of St. John

Creator:: Print made by John Dean, 1754–1798
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 17 13/16 inches (34.6 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

146. Lydia

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 13 3/4 inches (31.8 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

147. Design for a Doorway

Creator:: John Yenn, 1750–1821
Date:: ca. 1781
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 20 7/8 × 15 inches (53 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend

Creator:: Thomas Watson, 1743–1781
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/4 × 27 1/8 inches (56.5 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Miss Shuttle-Cock / Ladies like Shuttlecocks are now array'd, The tail is Cork'd & feather'd is the Head.

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 5/8 x 14in. (24.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Erasistratus, the Physician, discovers the love of Antiochus for Sratonice

Creator:: Valentine Green, 1739–1813
Date:: 1776
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. The Entrance of Warwick Castle from the Lower Court

Creator:: Paul Sandby, 1731–1809
Date:: 1776
Materials & Techniques:: Aquatint, printed in brown ink
Dimensions:: Sheet: 12 5/8 x 17 3/4in. (32.1 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Warwick Castle from the Lodge Hill

Creator:: Paul Sandby, 1731–1809
Date:: 1776
Materials & Techniques:: Sepia
Dimensions:: Sheet: 11 3/4 x 17 3/4in. (29.8 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. View near Sheffield

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Trinity Church, Sheffield

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. South View of the Manor near Sheffield

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. West View of Sheffield Manor

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. View of Heaton Mill, near Newcastle

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. View of Chinsura from the River

Creator:: William Hodges, 1744–1797
Date:: ca. 1781
Materials & Techniques:: Gray wash, pen and black/grey wash and graphite on laid paper, laid down on 19th century wash mount
Dimensions:: Sheet: 19 7/16 x 26 1/2in. (49.4 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Roche Abbey, near Sandbeck

Creator:: Thomas Beilby, 1747–1826
Date:: 1776
Materials & Techniques:: Watercolor and pen and ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 7 1/2in. (11.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Design for a Doorway

Creator:: John Yenn, 1750–1821
Date:: ca. 1781
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 21 × 11 3/4 inches (53.3 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Landscape with Cattle

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 3 3/8 inches (24.1 x 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

162. Temple of Peace

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Circus of Caracalla

Creator:: Print made by Edward Rooker, 1724–1774
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Baths of Dioclesian

Creator:: Print made by James Gandon, 1742–1823
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Torre Delle Grotte near Naples

Creator:: Print made by William Hodges, 1744–1797
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Banks of the Tiber

Creator:: Print made by James Gandon, 1742–1823
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Temple of Romulus and Remus

Creator:: Print made by James Gandon, 1742–1823
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Bridge of Augustus at Rimini

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. In the Strada Nomentana

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Pompey's Bridge at Terni

Creator:: Print made by James Gandon, 1742–1823
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. In the Villa Adriana

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Villa of Mæcenus at Tivoli

Creator:: Print made by Michael "Angelo" Rooker, 1746–1801
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Castle of Ischia

Creator:: Print made by James Gandon, 1742–1823
Date:: 1776
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Campi Phlegraei : observations on the volcanos of the Two Sicilies, as they have been communicated to the Royal Society of London / by Sir William Hamilton, K.B. F.R.S., His Britannic Majesty's Envoy Extraordinary, and Plenipotentiary at the Court of Naples ; to which, in order to convey the most precise idea of each remark, a new and accurate map is annexed, with 54 plates illuminated from drawings taken and colour'd after nature, under inspection of the author, by the editor, Mr. Peter Fabris = Observations sur les volcans des Deux Siciles, telles qu' elles ont été communiquées à la Société royale de Londres / par le chevalier Hamilton ... auxquelles pour donner une idée plus précise de chaque observation, on a ajouté une carte nouvelle & très exacte avec 54 planches enluminées d'après les desseins faits & coloriés sur la nature même, sous l'inspection de l'auteur, par l'éditeur le sieur Pierre Fabris.

Campi Phlegraei : observations on the volcanos of the Two Sicilies, as they have been communicated to the Royal Society of London / by Sir William Hamilton, K.B. F.R.S., His Britannic Majesty's Envoy Extraordinary, and Plenipotentiary at the Court of Naples ; to which, in order to convey the most precise idea of each remark, a new and accurate map is annexed, with 54 plates illuminated from drawings taken and colour'd after nature, under inspection of the author, by the editor, Mr. Peter Fabris = Observations sur les volcans des Deux Siciles, telles qu' elles ont été communiquées à la Société royale de Londres / par le chevalier Hamilton ... auxquelles pour donner une idée plus précise de chaque observation, on a ajouté une carte nouvelle & très exacte avec 54 planches enluminées d'après les desseins faits & coloriés sur la nature même, sous l'inspection de l'auteur, par l'éditeur le sieur Pierre Fabris.

Creator:: Hamilton, William, Sir, 1730–1803
Date:: MDCCLXXVI [1776]
Physical Description:: 2 volumes : color illustrations (engravings), 1 color map (engraving) ; 47 cm (fol.)
Collection:: Rare Books and Manuscripts

175. An Act more effectually to prevent the stealing of deer, and to repeal several former statutes made for the like purpose.

Creator:: Great Britain
Date:: 1776
Physical Description:: [2], 839-854 p. ; 30 cm.
Collection:: Rare Books and Manuscripts

176. An abstract of the act of Parliament made in the fourteenth year of the reign of His present Majesty, King George III. intitled, An act for the further and better regulation of buildings and party-walls, and for the more effectually preventing mischief by fire, within the cities of London and Westminster ... Calculated for the use of builders, and workmen in general.

Creator:: Matthews, John, 1748–
Date:: 1776
Physical Description:: viii, 76, [12] p. 3 fold. plates. 20 cm.
Collection:: Rare Books and Manuscripts

177. Taylor & Skinner's Survey and maps of the roads of North Britain or Scotland / George Taylor, Andrew Skinner.

Creator:: Taylor, George (Geographer), active 1778
Date:: 1776
Physical Description:: 1 atlas ([3], 61 p., 1 folded leaf of plates) : 62 maps ; 22 x 53 cm. folded to 22 x 15 cm.
Collection:: Rare Books and Manuscripts

178. A new display of the beauties of England, or, A description of the most elegant or magnificent public edifices, royal palaces, noblemen's and gentlemen's seats, and other curiosities, natural or artificial, in different parts of the kingdom.

Date:: 1776
Physical Description:: 2 v. : ill. ; 22 cm. (8vo)
Collection:: Rare Books and Manuscripts

179. A new treatise on the method of breeding, breaking, and training, horses / by William Ward ...

Creator:: Ward, William, active 1776
Date:: 1776
Physical Description:: xvi, 200 p. : 4 fold. pl. (incl. front.) ; 23 cm.
Collection:: Rare Books and Manuscripts

180. Travels through Italy, in the years 1771 and 1772 : described in a series of letters to Baron Born, on the natural history, particularly the mountains and volcanoes of that country / by John James Ferber ... ; translated from the German ; with explanatory notes, and a preface on the present state and future improvement of mineralogy by R. E. Raspe.

Creator:: Ferber, Johann Jakob, 1743–1790
Date:: 1776
Physical Description:: xxxiii, [1], 377, [2] p. ; 22 cm.
Collection:: Rare Books and Manuscripts

181. De anima brutorum commentaria.

Creator:: Soldini, Francesco Maria
Date:: anno MDCCLXXVI [1776]
Physical Description:: [10], 256 p., [8] leaves of plates : ill. ; 22 cm.
Collection:: Rare Books and Manuscripts

182. [Selections from a new book of landskips].

Date:: [1776]
Physical Description:: [16] leaves, [9] leaves of plates : chiefly ill. ; 23 cm.
Collection:: Rare Books and Manuscripts

183. An election ball : in poetical letters from Mr. Inkle, at Bath, to his wife at Glocester : with a poetical address to John Miller, Esq. at Batheaston villa / by the Author of the New Bath guide.

Creator:: Anstey, Christopher, 1724–1805
Date:: 1776
Physical Description:: 64 p. : ill. ; 24 cm.
Collection:: Rare Books and Manuscripts

184. Le antiche camere delle terme di Tito e le loro pitture restituite al pubblico da Ludovico Mirri Romano, delineate, incise, dipinte, col prospetto, pianta inferiore e superiore e loro spaccati, descritte dall' abate Giuseppe Carletti Romano ...

Creator:: Carletti, Giuseppe
Date:: 1776
Physical Description:: xcvi, [4] p. 32 cm. & atlas of 61 plates (8 fold.) 65 x 77 cm.
Collection:: Rare Books and Manuscripts

185. Journal dédié a Monsieur frere du roi : table generale des journaux anciens et modernes, contenant les jugemens des jounalistes sur les principaux ouvrages en tout genre : suivie d'observations impartiales, & de planches en taille-douce ou en colour : par un société de gens de lettres.

Physical Description:: v. ; 18 cm
Collection:: Rare Books and Manuscripts

186. A catalogue of pictures, composed and painted chiefly by the most admired masters of the Roman, Florentine, Parman, Bolognese, Venetian, Flemish, and French schools : in which many of the most capital are illustrated by descriptions and critial remarks / humbly offered to the impartial examination of the public by Robert Foulis.

Creator:: Foulis, Robert, 1707–1776
Date:: 1776
Physical Description:: 3 v. in 1 ; 16 cm.
Collection:: Rare Books and Manuscripts

187. The works of Alexander Pope, esq. In six volumes complete. With his last corrections, additions, and improvements; together with all his notes, as they were delivered to the editor a little before his death: printed verbatim from the octavo edition of Mr. Warburton.

Creator:: Pope, Alexander, 1688–1744
Date:: 1776
Physical Description:: 6 v. front., plates. 18 cm.
Collection:: Rare Books and Manuscripts

188. Traité des édifices, meubles, habits, machines et ustensils des chinois : gravé sur les originaux dessinés a la Chine / par M. Chambers, architecte anglois ; compris une description de leurs temples, maisons, jardins, &c.

Creator:: Chambers, William, Sir, 1723–1796
Date:: MDCCLXXVI [1776]
Physical Description:: 30 p., XX leaves of plates : ill. ; 28 cm.
Collection:: Rare Books and Manuscripts

189. An account of a newly invented beautiful green paint. Lasting in the open air, and daily improving by the winds, sunshine and rains. Prepared by Francis Armstrong ...

Creator:: Armstrong, Francis
Date:: 1776
Physical Description:: 2 p.., 31 p. 24 cm.
Collection:: Rare Books and Manuscripts

190. A treatise on building in water : in two parts : Part I. : particularly relative to the repair and re-building of Essex-Bridge, Dublin ... : Part II : concerning an attempt to contrive and introduce quick and cheap methods ... : illustrated with sixty-three copper-plates / by George Semple ...

Creator:: Semple, George, 1700?-1782?
Date:: 1776
Physical Description:: 4 p. l., 157 p., [63] leaves of plates : ill. ; 27 cm.
Collection:: Rare Books and Manuscripts

191. Ugbrooke Park: a poem.

Creator:: Reeve, Joseph, 1733–1820
Date:: 1776
Physical Description:: 3 p.., [5]-29 p. 26 cm.
Collection:: Rare Books and Manuscripts

192. A key to civil architecture, or, The universal British builder : containing the principles and properties of building clearly demonstrated with illustrations and definitions, both theoretical and practical ... : to which is added a treatise of arithmetic ... / by Thomas Skaife.

Creator:: Skaife, Thomas
Date:: 1776
Physical Description:: iv, [8]-387 p., [2] leaves of plates (some folded) : ill. ; 22 cm.
Collection:: Rare Books and Manuscripts

193. Die drey reiche der natur.

Creator:: Heppe, Johann Christoph, 1745–1806
Date:: 1776-1780
Physical Description:: 3 volumes : illustrations ; 23 cm
Collection:: Rare Books and Manuscripts

194. A compleat treatise on perspective, in theory and practice; on the true principles of Dr. Brook Taylor. Made clear, in theory, by various moveable schemes, and diagrams; and reduced to practice ... Containing diagrams, views, and original designs, in architecture, &c. ... All originals; invented, delineated, and, great part, engraved by the author, Thomas Malton.

Creator:: Malton, Thomas, 1726–1801
Date:: 1776
Physical Description:: 2 p. l., viii, [8], 284 p. front., XLVI fold. pl. (incl. diagrs.) 38 cm. (4to)
Collection:: Rare Books and Manuscripts

195. An inquiry into the nature and causes of the wealth of nations / by Adam Smith, LL. D. and F.R.S., formerly professor of moral philosophy in the University of Glasgow ; in two volumes.

Creator:: Smith, Adam, 1723–1790
Date:: MDCCLXXVI [1776]
Physical Description:: 2 volumes ; 29 cm (4to)
Collection:: Rare Books and Manuscripts

196. Viaggiana, or, Detached remarks on the buildings, pictures, statues, inscriptions, &c. of ancient and modern Rome.

Creator:: Weston, Stephen, 1747–1830
Date:: [1776]
Physical Description:: iv, 176 p. ; 18 cm.
Collection:: Rare Books and Manuscripts

197. A catalogue of that capital collection of pictures, of Edward Ravenell, Esq., deceased : formed by Sir Peter Killegrew in the reign of Charles I : consisting of the works of Rubens, Rembrandt, Vandyke, Poussin, Ostade, Wouvermans, Carlo Dolci, Barroccio, Wynants, Deneef, S. Rosa, Tintoret, Vanderveldt, Zuchero, Titian, &c.: in this collection there are also a most beautiful picture of a Dutch fair, by Wouvermans : an original portrait of Thomas Killegrew, the Jester, by Vandyck : a sea view by Vanderveldt : Venus and Adonis, by Netscher : and two elegant Porphyry Busts with Jasper Draperies, on beautiful variegated Pedestals : which (by order of the executor,) will be sold by auction, by Mess. Langford, at their house in the Great Piazza, Covent Garden, on Saturday the 24th of this Instant February 1776 : the said collection may be viewed on Thursday the 22nd, and till the time of sale, which will begin punctually at twelve o'clock : catalogues of which may be had gratis on the days of viewing, at Mess. Langford's aforesaid : conditions of sale as usual.

Creator:: Mess. Langford (Firm)
Date:: [1776]
Physical Description:: 3, [1] pages ; 28 cm
Collection:: Rare Books and Manuscripts

198. Rei nauticæ incrementa.

Creator:: Lowth, Thomas Henry, 1753 or 1754–1778
Date:: [1776]
Physical Description:: 1 preliminary leaf, 10 pages 28 cm
Collection:: Rare Books and Manuscripts

199. The artist's vade-mecum : being the whole art of drawing taught in a new work : elegantly engraved on one hundred folio copper plates : containing great variety of examples in every branch of that noble art : as parts of the face, heads, hands, feet, academy, antiques, and groups of figures, beasts, birds, insects, flowers, fruit, shells, ornaments, buildings, landscapes ... / collected from the works of the greatest masters ; to which is prefixed an essay on drawing ; with introductory rules for the use of learners ; in which the first principles of that useful and noble art are explained in such manner that it may be attained in a short time without a master.

Date:: 1776 [i.e. 177-?]
Physical Description:: 8 p., [100] leaves of plates : chiefly ill. ; 29 cm.
Collection:: Rare Books and Manuscripts

200. The American atlas, or, A geographical description of the whole continent of America : wherein are delineated at large, its several regions, countries, states, and islands, and chiefly the British colonies, composed from numerous surveys, several of which were made by order of government / by Capt. Holland, Capt. Carver, Lewis Evans, William Scull, Henry Mouzon, Lieut. Ross, J. Cook, Michael Lane, Joseph Gilbert, Gardner, Hillock, &c. &c. ; engraved on forty-eight copper-plates by the late Mr. Thomas Jefferys, geographer to the king, and others.

Creator:: Jefferys, Thomas, -1771
Date:: MDCCLXXVI [1776]
Physical Description:: 1 atlas ([2] leaves, [58] leaves of plates (some folded)) : 29 maps ; 54 cm (fol.)
Collection:: Rare Books and Manuscripts

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Date 1776

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101. Evening - Landscape with a Ruined Castle

102. Morning - River Scene with Figures near a Cottage

103. A View of the Prince's House at Kew

104. N.W. View of Wakefield Lodge, the Seat of his Grace the Duke of Grafton

105. Edgar's Tower at Worcester

106. Dudley Priory in Worcestershire, Plate 2

107. The Welch Bridge at Shrewsbury

108. Edwinsford, the Seat of R. Banks Hodgkinson Esqr.

109. Lady Gertrude, Marchioness of Halifax

110. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

111. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

112. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

113. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

114. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

115. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

116. The Blessed Effects of Venality

117. An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross

118. Caricature of Matthew Darly

119. Lady Gertrude, Marchioness of Halifax

120. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

121. Shakespeare

122. Isola Madre, Lago Maggiore

123. Portrait of a Divine Called Reverend John Wesley

124. A View of Tivoli Looking Towards Rome

125. Interlaken

126. Between Chamonix and Martigny

127. The Falls of the Reichenbach

128. Upon the Aare between Unterseen and the Lake of Brientz

129. The Lake of Geneva from the Canton of Berne

130. The Apparition of the Armed Head: Macbeth

131. Lear and Cordelia

132. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

133. Ferdinand and Ariel

134. Ophelia's Death

135. Lear and Cordelia

136. Antigonus Disposing of Perdita

137. Kennington Common

138. Lydia

139. Agrippina

140. The Horse Race at Rome During the Carnival

141. Bacchus

142. Miss Harriet Powell

143. Marchioness of Wharton

144. Stallion and Mare

145. Master Wynn in the Character of St. John

146. Lydia

147. Design for a Doorway

148. The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend

149. Miss Shuttle-Cock / Ladies like Shuttlecocks are now array'd, The tail is Cork'd & feather'd is the Head.

150. Erasistratus, the Physician, discovers the love of Antiochus for Sratonice

151. The Entrance of Warwick Castle from the Lower Court

152. Warwick Castle from the Lodge Hill

153. View near Sheffield

154. Trinity Church, Sheffield

155. South View of the Manor near Sheffield

156. West View of Sheffield Manor

157. View of Heaton Mill, near Newcastle

158. View of Chinsura from the River

159. Roche Abbey, near Sandbeck

160. Design for a Doorway

161. Landscape with Cattle

162. Temple of Peace

163. Circus of Caracalla

164. Baths of Dioclesian

165. Torre Delle Grotte near Naples

166. Banks of the Tiber

167. Temple of Romulus and Remus

168. Bridge of Augustus at Rimini

169. In the Strada Nomentana

170. Pompey's Bridge at Terni

171. In the Villa Adriana

172. Villa of Mæcenus at Tivoli

173. Castle of Ischia

175. An Act more effectually to prevent the stealing of deer, and to repeal several former statutes made for the like purpose.