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Date 1780

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101. Banditti (no.7 of 10)

Banditti (no.7 of 10)
Creator:
Joseph Haynes, 1760–1829
Date:
1780
Materials & Techniques:
Etching
Dimensions:
Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Free Natives of Dominica

Free Natives of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1780
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 × 8 1/4 inches (30.2 × 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. A Perspective View of the Town and Fortifications of Malta

A Perspective View of the Town and Fortifications of Malta
Creator:
Thomas Bowles III, ca. 1712–1767
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. A View of Rotterdam, and the River Maese with Variety of Shipping

A View of Rotterdam, and the River Maese with Variety of Shipping
Creator:
Print made by unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket

A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Creator:
Print made by John Couse, active 1753–1764
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. A Perspective View of Venice

A Perspective View of Venice
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. A View of the Palace of Triano towards the Flower Garden

A View of the Palace of Triano towards the Flower Garden
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 9 3/4 × 16 1/4 inches (24.8 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. A View of Little St. Mark's Place at Venice to the Sea

A View of Little St. Mark's Place at Venice to the Sea
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. The City of Dresden

The City of Dresden
Creator:
Print made by Francis Patton, active 1740–1770
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Creator:
Print made by Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. A View of the Ruins of the Temple of Jupiter Olympius at Athens

A View of the Ruins of the Temple of Jupiter Olympius at Athens
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Creator:
Print made by Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. The Remains of the Great Temple in Palmira seen from the West. ...

The Remains of the Great Temple in Palmira seen from the West. ...
Creator:
Print made by unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. The Entrance into the Temple of the Sun in Palmira from the East

The Entrance into the Temple of the Sun in Palmira from the East
Creator:
Print made by unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Sleeping Monsters

Sleeping Monsters
Creator:
John Hamilton Mortimer, 1740–1779
Date:
1780
Materials & Techniques:
Etching
Dimensions:
Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Medallions of F. Hutcheson and L. Natter

Medallions of F. Hutcheson and L. Natter
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Mezzotint, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 10 7/16 inches (36.9 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. A View of Amsterdam on each side the Old Rampart as seen from the Harbor

A View of Amsterdam on each side the Old Rampart as seen from the Harbor
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. A View of the City of Oporto

A View of the City of Oporto
Creator:
Print made by unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Skating in Hyde Park

Skating in Hyde Park
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Angelica Kauffman

Angelica Kauffman
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving, mezzotint, and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 13/16 x 10 13/16 inches (35.1 x 27.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Two Women and a Man (no.9 of 10)

Two Women and a Man (no.9 of 10)
Creator:
Joseph Haynes, 1760–1829
Date:
1780
Materials & Techniques:
Etching
Dimensions:
Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Revengeful Monsters

Revengeful Monsters
Creator:
John Hamilton Mortimer, 1740–1779
Date:
1780
Materials & Techniques:
Etching
Dimensions:
Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Winged Monster (no.10 of 10)

Winged Monster (no.10 of 10)
Creator:
Joseph Haynes, 1760–1829
Date:
1780
Materials & Techniques:
Etching
Dimensions:
Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Cupid's Manufactory

Cupid's Manufactory
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Paris and Oenone

Paris and Oenone
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 x 9 7/16 inches (30.2 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Sir Henry Clinton

Sir Henry Clinton
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving on thin, smooth, cream laid paper, laid on contemporary mount made of medium, slightly textured, cream wove paper
Dimensions:
Mount: 7 7/8 x 6 7/16 inches (20 x 16.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Sir Henry Clinton

Sir Henry Clinton
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/16 x 7 1/2 inches (25.9 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Sir Henry Clinton

Sir Henry Clinton
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 7 15/16 inches (27.6 x 20.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Concert Ticket: Benefit Night of Luigi Borghi

Concert Ticket: Benefit Night of Luigi Borghi
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 6 5/8 inches (19.1 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Concert Ticket: Benefit Night of Luigi Borghi

Concert Ticket: Benefit Night of Luigi Borghi
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 6 1/2 inches (21 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. John Bull Triumphant

John Bull Triumphant
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 13 1/8in. (21.3 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. The Triumphant Britons

The Triumphant Britons
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...

A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 3/4 x 6 1/4in. (19.7 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Ah, Grant A Me Von Letel Bite

Ah, Grant A Me Von Letel Bite
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 3/8 x 5 3/8in. (13.7 x 13.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Nap in the Country - Nap in Town

Nap in the Country - Nap in Town
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Views in the Levant: View From a Hillside Over Looking a Seaside Village in Turkey

Views in the Levant: View From a Hillside Over Looking a Seaside Village in Turkey
Creator:
Attributed to Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 13/16 × 24 3/4 inches (37.6 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Views in the Levant: A Ruined Byzantine Church

Views in the Levant: A Ruined Byzantine Church
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 13 5/16 inches (23.5 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Views in the Levant: Place of Worship with Three Bell Towers with Crosses

Views in the Levant: Place of Worship with Three Bell Towers with Crosses
Creator:
Workshop of Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 13/16 × 14 3/16 inches (24.9 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Views in the Levant: View of a Harbour and Town From the Sea, Turkey

Views in the Levant: View of a Harbour and Town From the Sea, Turkey
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 14 1/8 inches (19.1 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 13/16 × 18 1/4 inches (32.5 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall

Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 11/16 × 9 3/4 inches (32.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Views in the Levant: Study of a Woman Wearing Turkish Costume

Views in the Levant: Study of a Woman Wearing Turkish Costume
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 7 11/16 inches (34.4 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

Views in the Levant: Corner of a Stone Building with Palm Tree at Right
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea

Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/16 × 24 1/4 inches (33.2 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)

Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 28 5/8 inches (22.2 × 72.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Views in the Levant: A Camel

Views in the Levant: A Camel
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea

Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 13 1/16 inches (21.9 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Views in the Levant: Study of Figures From a Frieze or Panel

Views in the Levant: Study of Figures From a Frieze or Panel
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Views in the Levant: Back View of the Head of the Sphinx

Views in the Levant: Back View of the Head of the Sphinx
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 × 12 5/16 inches (25.1 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps

Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 16 7/8 inches (26.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head

Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 8 1/4 inches (29.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea

Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 11 inches (16.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Views in the Levant: Study of Man with Long-stemmed Pipe

Views in the Levant: Study of Man with Long-stemmed Pipe
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 5 7/16 inches (18.1 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands

Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and black ink, gray ink, brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 13/16 × 7 7/16 inches (12.2 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Views in the Levant: Men Loading a Small Sailing Boat With a View of Building and Large Moored Boat

Views in the Levant: Men Loading a Small Sailing Boat With a View of Building and Large Moored Boat
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and black ink, gray ink, brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 13/16 × 7 7/16 inches (12.2 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Views in the Levant: Men Sailing Small Boat with Cabin Past Buildings and a Camel

Views in the Levant: Men Sailing Small Boat with Cabin Past Buildings and a Camel
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and brown ink, black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 15/16 × 7 1/2 inches (12.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Views in the Levant: Ruined Flat Archway

Views in the Levant: Ruined Flat Archway
Creator:
Attributed to Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 × 8 11/16 inches (34.8 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Views in the Levant: Men Sailing Small Boat With Canopy Past Buildings and Many Palm Trees

Views in the Levant: Men Sailing Small Boat With Canopy Past Buildings and Many Palm Trees
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and black ink, gray ink, brown ink, graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 7 7/16 inches (12.4 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Views in the Levant: Man on Horseback Approaching Gateway to a Town

Views in the Levant: Man on Horseback Approaching Gateway to a Town
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and black ink, pen and gray ink, graphiite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 5 5/8 inches (19.1 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Views in the Levant: Landscape With Sea, Town and Hills

Views in the Levant: Landscape With Sea, Town and Hills
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 18 7/8 inches (23.5 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Views in the Levant: Harbour Town Surrounded by Windmills

Views in the Levant: Harbour Town Surrounded by Windmills
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 15/16 × 18 11/16 inches (22.7 × 47.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Views in the Levant: Rome with Ruins seen Through an Archway

Views in the Levant: Rome with Ruins seen Through an Archway
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Views in the Levant: Stormy Landscape with Rockfall at Right, Viewed From the Sea

Views in the Levant: Stormy Landscape with Rockfall at Right, Viewed From the Sea
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream
Dimensions:
Sheet: 7 3/8 × 23 3/16 inches (18.7 × 58.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10

I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Three Putti And A Goat

Three Putti And A Goat
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Three Cupids With Bows & Arrows, And Two Doves

Three Cupids With Bows & Arrows, And Two Doves
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background

Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Sir Henry Clinton, K.B.

Sir Henry Clinton, K.B.
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Vide Howard On Prisons

Vide Howard On Prisons
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Vignette: Angel Holding Medallion Of Composer. G.F. Handel

Vignette: Angel Holding Medallion Of Composer. G.F. Handel
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Miniature Of Elizabeth Farren, Countess Of Derby

Miniature Of Elizabeth Farren, Countess Of Derby
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Mrs. Anne Warren

Mrs. Anne Warren
Creator:
Charles Howard Hodges, 1764–1837
Date:
between 1780 and 1837
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 19 3/4 x 13 5/8in. (50.2 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Group Of Four Children

Group Of Four Children
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Sophia, Honour, and the Chambermaid

Sophia, Honour, and the Chambermaid
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

180. Lavinia, The Milk Maid

Lavinia, The Milk Maid
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. His Ego Ne Metas Rerum, Nec Tempora Pono:...

His Ego Ne Metas Rerum, Nec Tempora Pono:...
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Sir Anthony Van Dyck

Sir Anthony Van Dyck
Creator:
William Dickinson, 1746–1823
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 13/16 × 9 7/8 inches (35.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Vignette: Monk Giving Letter to a Pregnant Woman in a Cell

Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Procession of the Protestant Association to Westminster

Procession of the Protestant Association to Westminster
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Portrait of a Gentleman

Portrait of a Gentleman
Creator:
Charles Wilson Peale, 1741–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor on ivory
Dimensions:
Frame: 2 3/8 x 1 5/8 x 1/4 inches (6 x 4.1 x 0.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

186. Views in the Levant: View of a Walled Town and Harbour with Towers Seen From the Sea

Views in the Levant: View of a Walled Town and Harbour with Towers Seen From the Sea
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 14 5/16 inches (16.8 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Che L'uom Trae Dal Sepolgro E A Morte Fura

Che L'uom Trae Dal Sepolgro E A Morte Fura
Creator:
Francesco Bartolozzi, 1728–1815
Date:
c.1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)

Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Socrates

Socrates
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Illustration From Bell's Edition of The Poets of Great Britain

Illustration From Bell's Edition of The Poets of Great Britain
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca. 1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill

Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond

Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC

Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Cipriani's Daughter

Cipriani's Daughter
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Time and Beauty

Time and Beauty
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Concert Ticket: Benefit Night of Luigi Borghi

Concert Ticket: Benefit Night of Luigi Borghi
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Diana of Ephesus Being Unveiled by Cupid and Mercury

Diana of Ephesus Being Unveiled by Cupid and Mercury
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Ticket to Mr. Fierville's Ball

Ticket to Mr. Fierville's Ball
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Sir Joshua Reynolds

Sir Joshua Reynolds
Creator:
Valentine Green, 1739–1813
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Plate: 19 x 15in. (48.3 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble

The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection