attributed to Joseph Mallord William Turner, 1775–1851
The Hurries, Coal Boats Loading, North Shields
ca. 1795
2
Joseph Mallord William Turner, 1775–1851
Waterfall of Lodore, Cumberland
undated
3
Joseph Mallord William Turner, 1775–1851
Cricket on the Goodwin Sands
undated
4
Joseph Mallord William Turner, 1775–1851
Windsor Castle and Park with Deer
undated
5
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
6
Sir George Howland Beaumont seventh Baronet, 1753–1827
Between Llangollen and Oswestry
1790
7
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
8
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
9
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
10
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
11
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
12
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
13
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
14
Frederick Calvert, ca. 1785–1845
Carisbrook Castle, Isle of Wight
undated
15
Frederick Calvert, ca. 1785–1845
Ryde, Isle of Wight
undated
16
Frederick Calvert, ca. 1785–1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
17
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
18
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
19
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
20
Edward Dayes, 1763–1804
Haweswater, Westmoreland
ca. 1795
21
William Alfred Delamotte, 1775–1863
Merton College, Oxford
undated
22
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
23
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
24
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
25
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
26
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
27
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
28
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
29
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
30
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
31
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
32
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
33
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
34
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
35
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
36
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
37
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
38
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
39
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
40
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
41
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
42
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
43
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
44
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
45
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
46
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
47
William Alfred Delamotte, 1775–1863
Christ Church, Canon's Garden, Oxford
undated
48
Dr. William Crotch, 1775–1847
Tom Tower, Christ Church, Oxford
undated
49
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
50
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
51
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
52
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
53
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
54
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
55
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
56
James Moore, 1762–1799
Leiston Abbey, Suffolk England
1790
57
James Moore, 1762–1799
Bungay Castle
1790
58
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
59
James Moore, 1762–1799
Leiston Abbey, Suffolk, England
1790
60
James Moore, 1762–1799
Mettingham Castle, Suffolk, England
1790
61
James Moore, 1762–1799
Wingfield Castle
1790
62
James Moore, 1762–1799
Castle Acre Priory, Norfolk, England
1790
63
James Moore, 1762–1799
Wingfield Castle
1790
64
James Moore, 1762–1799
Thetford Priory, Norfolk, England
1790
65
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
66
James Moore, 1762–1799
Binham Priory, Norfolk, England
1790
67
James Moore, 1762–1799
Refectory of Walsingham
1790
68
James Moore, 1762–1799
Ely Cathedral
1790
69
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
70
unknown artist
Gloucester Cathedral
ca. 1795
71
Rooke, Hayman, 1722–1806
Descriptions and sketches of some remarkable oaks, in the park at Welbeck, in the county of Nottingham
MDCCXC [1790]
72
Christie, Mr. (James), 1730–1803
A catalogue of a genuine capital and valuable collection of pictures, late the property of Isaac Jemineau, Esq; deceased
[1790]
73
Greenwood, John, 1727–1792
A catalogue of a collection of modern pictures & drawings, chiefly consisting of the works and property of Mr. Serres, Junior, marine painter to His Royal Highness the Duke of Clarence going to Italy
[1790]
74
A catalogue of the exhibition of stained glass by Mr. Pearson, painter to His Royal Highness the Prince of Wales