Speed's Monument in the Chancel of St. Giles, Cripplegate
1791
104
unknown artist
Pye Corner, Smithfield
1791
105
Print made by John Jones, ca. 1745–1797
The Roguish Boy
1791
106
John Jones, ca. 1745–1797
Admiral Edward Vernon
1791
107
John Jones, ca. 1745–1797
Rear Admiral Sir Charles Douglas
1791
108
Page, fl. 1784–1803
Taming...Act III, Scene I
1791
109
John Jones, ca. 1745–1797
The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ..
1791
110
George Townly Stubbs, 1748–1815
Warren Hastings on his Arabian Horse
ca. 1796
111
George Morland, 1763–1804
Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc
1791-1795
112
George Morland, 1763–1804
Set of Five: Studies of Children, a Dog, a Cat, etc
1791-1795
113
George Morland, 1763–1804
Set of Five: Five studies of Peddlers
1791-1795
114
George Morland, 1763–1804
Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc
1791-1795
115
George Morland, 1763–1804
Set of Five: Studies of Laborers
1791-1795
116
Print made by John Keyse Sherwin, c.1751–1790
Mary Isabella, Duchess of Rutland
1791
117
Print made by John Raphael Smith, 1752–1812
Madona col Bambino
1791
118
unknown artist
William, Earl of Craven
1791
119
John Chapman, active ca. 1792–1823
Black-George
1791
120
Philip Dawe, ca.1750–ca.1790
Evening at Rest
1791
121
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
122
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
123
Published by William Holland, 1757–1815
Good News from Madras
1791
124
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
125
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
126
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
127
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
128
Thomas Rowlandson, 1756–1827
A Dutch Packet in a Rising Breeze
1791
129
unknown artist
Sion Lodge
1791
130
Isaac Cruikshank, 1764–1811
Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National
1791
131
Isaac Cruikshank, 1764–1811
Getting the Length of the Duchess's Foot
1791
132
James Gillray, 1756–1815
A Uniform Whig ---
1791
133
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
134
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
135
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
136
Robert Dighton, 1752–1814
Pheasant Shooting
before 1801
137
Print made by Francesco Bartolozzi, 1728–1815
Miss Gunning
ca. 1796
138
Print made by Marino Bovi, Italian, 1758–ca.1805
Lady Sinclair
1791
139
Francesco Bartolozzi, 1728–1815
Concert Ticket: Grand Professional Concert
1791
140
Isaac Cruikshank, 1764–1811
The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho
1791
141
Capt. Francis Grose, 1731–1791
Pershore Abbey, Worcestershire
1791
142
Isaac Cruikshank, 1764–1811
The Pleasure of Being Kick'd Out of Company
1791
143
Print made by Isaac Cruikshank, 1764–1811
Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes
1791
144
Isaac Cruikshank, 1764–1811
Bachelor's Hall
1791
145
Isaac Cruikshank, 1764–1811
The Fruition of Nantes or the Vision Interpreted
1791
146
Print made by unknown artist
Malbrouke
1791
147
Isaac Cruikshank, 1764–1811
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree
1791
148
Isaac Cruikshank, 1764–1811
The Quornites Disturb'd or Startling the Game
1791
149
Isaac Cruikshank, 1764–1811
The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)
1791
150
Isaac Cruikshank, 1764–1811
A Royal Salute
1791
151
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
152
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
153
James Gillray, 1756–1815
Patience on a Monument
1791
154
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
155
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
156
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
157
Print made by John Raphael Smith, 1752–1812
The Slave Trade
1791
158
Thomas Rowlandson, 1756–1827
Bardolph Badger'd Or the Portland Hunt
1791
159
Print made by Frederick George Byron, 1764–1794
The Volcano of Opposition
1791
160
Attributed to Thomas Rowlandson, 1756–1827
(The) A Grand Battle between the Famous English Cock and Russian Hen!
1791
161
Print made by John Raphael Smith, 1752–1812
African Hospitality
1791
162
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
163
Etched by Thomas Rowlandson, 1756–1827
English Barracks
1791
164
John William Edy, 1760–1820
A View of Albion Mill on Fire
1791
165
unknown artist
London Stone in Cannon Street
1791
166
unknown artist
A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens
1791
167
unknown artist
London Stone in Cannon Street
1791
168
Francesco Bartolozzi, 1728–1815
Contemplation
1791
169
Francesco Bartolozzi, 1728–1815
Hebe
1791
170
Francesco Bartolozzi, 1728–1815
George, Prince of Wales
1791
171
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
172
Bastiaen Stopendael, 1636/7–c.1708
Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Published 1791
173
Joseph Grozer, ca. 1755–1798
William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations
1791
174
Francesco Bartolozzi, 1728–1815
St. Paul
1791
175
Francesco Bartolozzi, 1728–1815
The Departure of Hagar
1791
176
unknown artist
Pye Corner, Smithfield
1791
177
unknown artist
Monmouth House, Soho Square
1791
178
unknown artist
A Specimen of Ancient Building (Old houses in King Street)
1791
179
unknown artist
A Curious House at Stepney
1791
180
unknown artist
Samuel Cooper's Monument in St. Pancras Church
1791
181
unknown artist
Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
1791
182
John Thomas Smith, 1766–1833
Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
1791
183
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
184
Francesco Bartolozzi, 1728–1815
A Sacrifice To Diana The Goddess Of Hunting
1791
185
George Isham Parkyns, 1749/50–c.1820
Gateway of the Old Palace at Richmond
1791
186
unknown artist
Rosamond's Pond
1791
187
John William Edy, 1760–1820
A View of Westminster Bridge, the Abbey and Church