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On-site Access Accessible by appointment in the Study Room

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Date 1796

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Height [cm] 26

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William Blake Pl. 15: `The Conjugal Union of Cupid'
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
William Blake Pl. 16: `Cupid & Psyche'
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
William Blake Pl. 18: `Iron Age'
William Blake, 1757–1827
Pl. 18: `Iron Age'
1796
William Blake Pl. 19: `Aristophanes Clouds. Scene I'
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
William Blake Pl. 23: `Anacreon Ode LII'
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
William Blake Pl. 12: 'Psyche Disobeys'
William Blake, 1757–1827
Pl. 12: 'Psyche Disobeys'
1796
William Blake Pl. 13: `Psyche Repents'
William Blake, 1757–1827
Pl. 13: `Psyche Repents'
1796
William Blake Pl. 14: `Venus Councels Cupid'
William Blake, 1757–1827
Pl. 14: `Venus Councels Cupid'
1796
R. Clamp John Taylor
Print made by R. Clamp, fl.1789–1798
John Taylor
1796
Thomas Watson Maria
Print made by Thomas Watson, 1743–1781
Maria
1796
William Dickinson Jane Gordon (née Maxwell), Duchess of Gordon
William Dickinson, 1746–1823
Jane Gordon (née Maxwell), Duchess of Gordon
1796
Isaac Cruikshank The Moment of Reflection or a Tale for Future Times!!!
Isaac Cruikshank, 1764–1811
The Moment of Reflection or a Tale for Future Times!!!
1796
Isaac Cruikshank The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!
Print made by Isaac Cruikshank, 1764–1811
The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!
1796
John Fairburn Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall
Print made by John Fairburn, active 19th century
Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
George Cumberland Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...
George Cumberland, 1754–1848
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796