On-site Access: Accessible by appointment in the Study Room / Date: 1802 / Work Type: intaglio print

1. William Cowper, Author of "The Task"

Creator:: Print made by William Blake, 1757–1827
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Peasants' Nest: Cowper's tame Hares

Creator:: Print made by William Blake, 1757–1827
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

Date:: 1802
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Peasants Going to Market

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Line engraving and stipple engraving
Dimensions:: Sheet: 18 x 22in. (45.7 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1802
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Durham Cathedral

Creator:: Print made by S. Porter, active 1802
Date:: 1802
Materials & Techniques:: Line engraving, published state
Dimensions:: Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. View of the Pantheon, Paris

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. View of the Pantheon from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 17 5/16 inches (15 x 43.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816

Creator:: Pierre-Joseph Redouté, 1759–1840
Date:: between 1802 and 1816
Materials & Techniques:: Color-printed stipple engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 17 1/2 inches (58.4 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ira Brind and David Brind, Yale BA 2000

12. Henry Tresham, Esq, R.A.

Creator:: Print made by George Chinnery, 1774–1852
Date:: 1802
Materials & Techniques:: Etching, drypoint, and stipple engraving on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 9 7/16 × 7 3/16 inches (24 × 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. View of the City with the Louvre &c., taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Waterworks at Marli; and St. Germain en Laye seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Thomas Hardwick

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 11/16 x 9 11/16 inches (32.3 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Edmund Garvey, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 x 11 5/16 inches (43.2 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etching with gray, green, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 17 5/16 inches (14.9 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. James Northcote

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/16 × 14 3/16 inches (48.4 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. View of Thuilleries and Bridge taken from the Quay d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. View of the City with the Louvre &c. taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View of Pont St. Michel, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A General View of Paris taken from Chaillot

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Nathaniel Marchant, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/8 x 11 1/4 inches (43.5 x 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Henry Howard

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 15/16 x 11 1/8 inches (45.5 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. View of the Village of Chaillot &c., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Thomas Holles, Duke of Newcastle

Creator:: Print made by Edward Harding, 1755–1840
Date:: 1802
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

45. Thomas Holles, Duke of Newcastle

Creator:: Print made by Edward Harding, 1755–1840
Date:: 1802
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

46. Attacking Stag

Creator:: Print made by William Finden, 1787–1852
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

47. View in the Carse of Gowrie

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

48. Ruins of Castle-Gloom

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

49. Loch-vana-choir

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

50. Wemyss Castle

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

51. The Windings of the Forth

Creator:: Print made by Samuel Alken, 1756–1815
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

52. Inverkeithing Bay

Creator:: Print made by Samuel Alken, 1756–1815
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

53. Hill of Binion from the Lake

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

54. Loch-Lubnaig, West End

Creator:: Published by Longman, active 1804–1914
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

55. Loch-Kaitrin, East End

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

56. Kinloch Rannoch

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

57. Loch-Lubnaig, East End

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

58. Windings of the Tay, Looking toward the Mountains of Athol

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

59. Pass of Killicrankie

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

60. View from the Heights of Dunkeld

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

61. Loch Tay Looking toward Killin

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

62. Down Castle, Craigforth and Stirling in the Distance

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

63. Taymouth

Creator:: Print made by Samuel Alken, 1756–1815
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

64. Loch-tay, from Killin

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

65. Cori-nan-Urischin

Creator:: Print made by Samuel Alken, 1756–1815
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

66. Benledi

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

67. Loch-leven

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

68. Loch-erin-head

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

69. Fall of the Brahan

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

70. St. Andrews from the East

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

71. View on the Water of Lieth

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

72. The Distinguishing Characteristic of Masonry

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 23 x 28in. (58.4 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. He Was Wounded For Our Transgressions

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Landscape, with the Story of Europa

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

75. Inside View of the East End of Merton College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Francis Wheatley, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 15/16 x 11 5/16 inches (45.5 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Sir Charles Bingham, first Earl of Lucan

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 5 1/2 inches (22.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

78. The Snake in the Grass

Creator:: Print made by William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:: Sheet: 20 × 14 1/16 inches (50.8 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 10 1/4 x 14 1/8in. (26 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

80. "Hubert, let me not be bound!"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Vice Admiral Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 9/16 inches (39.4 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. "Then go, bid the huntsmen wake them with their horns"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Tiger Hunting in the East Indies

Creator:: Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Stipple engraving, mezzotint, and etching with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 29 1/8 inches (52.1 x 74 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Right Honourable The Countess of Euston

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1802
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 8 13/16 inches (28.1 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. The Right Honourable Lady Catherine Howard

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1802
Materials & Techniques:: Stipple engraving (proof without letters) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 8 7/8 inches (28.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. The Cottar's Door

Creator:: Print made by William Say, 1768–1834
Date:: 1802
Materials & Techniques:: Mezzotint, proof before all letters on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 15/16 × 29 inches (55.7 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Inn Yard at Calais

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Changing Horses Near Clermont

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. View of Pont St. Michel, Taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. View of the Tuileries and Bridge taken from the Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 22 3/4 inches (25.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. General James Stuart

Creator:: George Clint, 1770–1854
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/8 × 13 13/16 inches (49.2 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Sailors Conversation

Creator:: William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 22 15/16 inches (48.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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On-site Access Accessible by appointment in the Study Room

Date 1802

Work Type intaglio print

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1. William Cowper, Author of "The Task"

2. The Peasants' Nest: Cowper's tame Hares

3. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

4. Returning from a Review...Paris

5. Peasants Going to Market

6. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

7. Inside View of the East End of Merton College Chapel

8. Durham Cathedral

9. View of the Pantheon, Paris

10. View of the Pantheon from the Arsenal

11. Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816

12. Henry Tresham, Esq, R.A.

13. View of St. Cloud and Mount Calvary taken from Pont de Seve

14. View of the City with the Louvre &c., taken from Pont Marie

15. View of the Gate of St. Denis taken from the Suburbs

16. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

17. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

18. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

19. The Waterworks at Marli; and St. Germain en Laye seen in the distance

20. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

21. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

22. Thomas Hardwick

23. Edmund Garvey, R.A.

24. A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

25. James Northcote

26. View of Thuilleries and Bridge taken from the Quay d'Orsai

27. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

28. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

29. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

30. View of the City with the Louvre &c. taken from Pont Marie

31. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

32. View of Pont St. Michel, taken from Pont Neuf

33. A General View of Paris taken from Chaillot

34. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

35. A View of Pont Neuf, the Mint, &c.

36. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

37. View of the Gate of St. Denis taken from the Suburbs

38. View of the Palace and Village of Choisi on the Banks of the Seine

39. Nathaniel Marchant, R.A.

40. Henry Howard

41. View of the Pantheon taken from the Arsenal

42. View of the Village of Chaillot &c., taken from Pont de la Concorde

43. View of St. Cloud and Mount Calvary taken from Pont de Seve

44. Thomas Holles, Duke of Newcastle

45. Thomas Holles, Duke of Newcastle

46. Attacking Stag

47. View in the Carse of Gowrie

48. Ruins of Castle-Gloom

49. Loch-vana-choir

50. Wemyss Castle

51. The Windings of the Forth

52. Inverkeithing Bay

53. Hill of Binion from the Lake

54. Loch-Lubnaig, West End

55. Loch-Kaitrin, East End

56. Kinloch Rannoch

57. Loch-Lubnaig, East End

58. Windings of the Tay, Looking toward the Mountains of Athol

59. Pass of Killicrankie

60. View from the Heights of Dunkeld

61. Loch Tay Looking toward Killin

62. Down Castle, Craigforth and Stirling in the Distance

63. Taymouth

64. Loch-tay, from Killin

65. Cori-nan-Urischin

66. Benledi

67. Loch-leven

68. Loch-erin-head

69. Fall of the Brahan

70. St. Andrews from the East

71. View on the Water of Lieth

72. The Distinguishing Characteristic of Masonry

73. He Was Wounded For Our Transgressions