On-site Access: Accessible by appointment in the Study Room / Date: 1802

501. View of the Village of Chaillot &c., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

502. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

503. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

504. Proclamation of Peace at the Royal Exchange, London, April 29th, 1802

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

505. View of London, taken from Albion Place, Blackfryar Bridge

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

506. A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

Creator:: Paul Sandby, 1731–1809
Date:: 1802
Materials & Techniques:: Gouache and watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 x 30 1/2 inches (55.9 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

507. The Thames at Isleworth

Creator:: John Glover, 1767–1849
Date:: ca. 1807
Materials & Techniques:: Watercolor and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 26 7/8 x 40 1/8 inches (68.3 x 101.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

508. A Regency Pair

Creator:: James Hook, ca. 1772–1828
Date:: 1802
Materials & Techniques:: Watercolor, graphite, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 11 3/8 × 10 1/4 inches (28.9 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

509. A Regency Pair: Man with Walking Stick

Creator:: James Hook, ca. 1772–1828
Date:: 1802
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 11 1/2 × 10 inches (29.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

510. The Poor House, Hadley, Hertfordshire

Creator:: Thomas Hearne, 1744–1817
Date:: 1802
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 9 1/2 inches (17.8 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

511. Cloud Study

Creator:: Patrick Nasmyth, 1787–1831
Date:: undated
Materials & Techniques:: Chalk and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 3/8 × 8 1/4 inches (13.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

512. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

513. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

514. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

515. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

516. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, pink laid paper
Dimensions:: Sheet: 3 3/16 × 7 3/8 inches (8.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

517. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 3 1/2 inches (10.2 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

518. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

519. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, sligihtly textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 4 1/2 inches (12.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

520. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

521. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

522. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 9 1/4in. (20.3 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

523. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 8 5/8in. (26.2 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

524. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/8in. (18.1 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

525. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

526. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 x 7 13/16in. (24.4 x 19.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

527. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 8 1/16in. (25.1 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

528. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 7 7/8in. (25.2 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

529. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10in. (18.1 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

530. The Abbey Barn, Abbotsbury

Creator:: John William Upham, 1772–1828
Date:: 1802
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 7/16 inches (23.2 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

531. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire II, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

532. Durham Cathedral

Creator:: Print made by S. Porter, active 1802
Date:: 1802
Materials & Techniques:: Etching and engraving; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

533. Farmhouse

Creator:: Edward Francis Burney, 1760–1848
Date:: 1802
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 3/4 inches (14 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

534. Carnarvon

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Watercolor with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 19 1/4 inches (25.7 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

535. Views in England, Scotland and Wale: View near Bolton Abbey

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

536. Views in England, Scotland and Wales: Landscape with Stream

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

537. Views in England, Scotland and Wales: Watenlath, August 30, 1802

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

538. Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

539. Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

540. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

541. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

542. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

543. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

544. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

545. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

546. Dunloh Castle, Killarney, Ireland

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1807
Materials & Techniques:: Pen and brown ink, brown wash, over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 19 3/16 inches (30.2 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

547. Windsor Castle from the Brocas

Creator:: Henry Edridge, 1769–1821
Date:: 1802
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

548. Killarney (Ireland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1807
Materials & Techniques:: Watercolor, graphite white gouache, and gum arabic on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 18 5/8 inches (29.8 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

549. Studies of Haymakers

Creator:: Robert Hills, 1769–1844
Date:: ca. 1807
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 8 3/4 inches (29.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

550. View of the Pantheon, Paris

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

551. View of Chepstow Castle, Monmouthshire, from Under the Bridge

Creator:: John Varley, 1778–1842
Date:: 1802
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 11 9/16 x 20 1/16 inches (29.4 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

552. View of the Pantheon from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 17 5/16 inches (15 x 43.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

553. Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

Creator:: Samuel De Wilde, 1748–1832
Date:: 1802
Materials & Techniques:: Graphite, red chalk, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 13 1/16 inches (23 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

554. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/16 x 9 7/16in. (18.9 x 24cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

555. Netley Abbey

Creator:: Patrick Nasmyth, 1787–1831
Date:: undated
Materials & Techniques:: Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 x 10 13/16in. (17.9 x 27.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

556. Tygwyn Ferry

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 x 14 1/2 inches (22.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

557. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

558. Cori-nan-Urischin

Creator:: Print made by Samuel Alken, 1756–1815
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

559. Loch-erin-head

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

560. Two Travellers Watering Three Horses

Creator:: Print made by Joseph Samuel Alpenny, 1787–1858
Date:: undated
Materials & Techniques:: Etching with hand coloring on thick, slightly textured, beige card
Dimensions:: Sheet: 8 9/16 x 10 1/2 inches (21.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

561. Cross Examination

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 11in. (23.5 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

562. The Union Club Masquerade

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

563. Between Two Stools The Bottom Goes to the Ground

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

564. The Balance of Justice

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 14 3/4in. (23.8 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

565. The City Combat, or the Desperate Attack at The English Baron

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 14 7/8in. (22.9 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

566. A New Bravura with a Duett Affettuoso

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 14 1/8in. (23.8 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

567. Prize Beef or Luxury in the Nineteenth Century

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 14 7/8in. (25.1 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

568. A Peep into Totenham Street or Dillitanti Performers in Training

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 13/16 x 13 1/2in. (24.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

569. The Doctor Administering His Gilded Pill

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/8 x 8 1/4in. (28.9 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

570. John Bull and the A-assa-r!!

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 11 7/8in. (21.6 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

571. Taking Leave

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 11 13/16in. (21.6 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

572. The Upholsterer Turn'd Candidate

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 1/8 x 9 1/8in. (30.8 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

573. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 5/8 × 18 1/4 inches (16.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

574. The Imperial Dilly!!

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/16 x 12 3/4in. (21.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

575. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Graphite tracing on thin, brown, laid paper
Dimensions:: Sheet: 6 1/2 × 18 inches (16.5 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

576. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 18 5/8 × 27 inches (47.3 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

577. View of the Tuilleries and Bridge, taken from the Quai d'Orsay

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 9 1/2 × 20 1/2 inches (24.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

578. View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 7 × 18 inches (17.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

579. A Peaceable Pipe; or, A Consular Visit to John Bull!!

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

580. A Peep in the City - or Spoil'd Children

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 11/16 x 12 3/4in. (22.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

581. John Bull and His Favourite Statue of Bronze!!

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 15/16 x 9 1/8in. (32.9 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

582. Billy and a Few Select Friends Celebrating his Birth Day!

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 11/16 x 13in. (22.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

583. The Consular Warehouse, Or - A Great Man Nail'd to the Counter!

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 15/16 x 13 1/8in. (22.7 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

584. An Unexpected Application to John Bull !!

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

585. Bound Volume of 152 Drawings of Isle of Wight, Canterbury, Hampstead, etc. [spine is numbered vol. 6]

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1802 to 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Spine: 16 1/2in. (41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

586. Sandsend, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

587. The Brazen Image Erected on a Pedestal Wrought by Himself

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 15 1/4 x 9 3/8in. (38.7 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

588. The Tractors

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

589. A Brighton Breakfast or Morning Comforts

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

590. The Norwich Bull-Bait

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

591. Two Pair of Candidates Proposed to the Independant Electors of Middlesex

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

592. English Patriots Bowing at the Shrine of Despotism

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 13 1/8in. (22.5 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

593. Close Shaveing, or The Will Our Own Way

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13in. (21.9 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

594. A View of the East-India House, Leadenhall Street, London

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

595. The Last Effort and Fall of Tippoo Sultaun

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1802
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

596. The Surrender of the Sons of Tippoo Sultaun

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1802
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

597. Close Shaveing or the will our own way

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

598. A Zebra

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1807
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 × 12 3/4 inches (40.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

599. Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home

Creator:: Samuel Howitt, 1756–1822
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

600. Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check

Creator:: Samuel Howitt, 1756–1822
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1802

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501. View of the Village of Chaillot &c., taken from Pont de la Concorde

502. View of St. Cloud and Mount Calvary taken from Pont de Seve

503. View of St. Cloud and Mount Calvary taken from Pont de Seve

504. Proclamation of Peace at the Royal Exchange, London, April 29th, 1802

505. View of London, taken from Albion Place, Blackfryar Bridge

506. A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

507. The Thames at Isleworth

508. A Regency Pair

509. A Regency Pair: Man with Walking Stick

510. The Poor House, Hadley, Hertfordshire

511. Cloud Study

512. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

513. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

514. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

515. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

516. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

517. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

518. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

519. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

520. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

521. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

522. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

523. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

524. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

525. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

526. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

527. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

528. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

529. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

530. The Abbey Barn, Abbotsbury

531. Inside View of the East End of Merton College Chapel

532. Durham Cathedral

533. Farmhouse

534. Carnarvon

535. Views in England, Scotland and Wale: View near Bolton Abbey

536. Views in England, Scotland and Wales: Landscape with Stream

537. Views in England, Scotland and Wales: Watenlath, August 30, 1802

538. Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802

539. Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802

540. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

541. View of the City with the Louvre & Taken from Pont Marie

542. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

543. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

544. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

545. View of St. Cloud and Mt. Calvary taken from Pont de Seve

546. Dunloh Castle, Killarney, Ireland

547. Windsor Castle from the Brocas

548. Killarney (Ireland)

549. Studies of Haymakers

550. View of the Pantheon, Paris

551. View of Chepstow Castle, Monmouthshire, from Under the Bridge

552. View of the Pantheon from the Arsenal

553. Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

554. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

555. Netley Abbey

556. Tygwyn Ferry

557. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

558. Cori-nan-Urischin

559. Loch-erin-head

560. Two Travellers Watering Three Horses

561. Cross Examination

562. The Union Club Masquerade

563. Between Two Stools The Bottom Goes to the Ground

564. The Balance of Justice

565. The City Combat, or the Desperate Attack at The English Baron

566. A New Bravura with a Duett Affettuoso

567. Prize Beef or Luxury in the Nineteenth Century

568. A Peep into Totenham Street or Dillitanti Performers in Training

569. The Doctor Administering His Gilded Pill

570. John Bull and the A-assa-r!!

571. Taking Leave

572. The Upholsterer Turn'd Candidate

573. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal

574. The Imperial Dilly!!