Henry VI, Part I: Act II, Scene IV, London. The Temple Garden
1803
102
Charles Gauthier Playter, died 1809
Henry VI, Part II: Act I, Scene iv, Mother Jourdaine, Himi---
1803
103
John Ogborne the Elder, 1755–1795
Henry VI, Part III: Act II, Scene V, A Field of Battle near Towton . .
1803
104
Isaac Taylor, 1759–1829
Henry VIII, Act I, Scene IV, York Place--Cardinal Wolsey, etc
1803
105
Jean B. Michel, active 1803
Henry VI, Part III: Act IV, Scene V, A Park Near Middlham Castle in Yorkshire
1803
106
Robert Thew, 1758–1802
Henry VIII: Act III, Scene I, A Room in the Queen's Apartments
1803
107
And Johann G. Facius, 1750–after 1802
Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . .
1803
108
James Caldwall, 1739–1819
Coriolanus, Act IV, Scene III, Coriolanus, etc
1803
109
Thomas Ryder, 1746–1810
Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc
1803
110
Joseph Collyer, 1748–1827
Henry VIII, Act V, Scene IV, The Palace
1803
111
Robert Thew, 1758–1802
Timon of Athens, Act IV, Scene III, A Wood--Timon, Phyrma, etc
1803
112
Print made by Thomas Ryder, 1746–1810
Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc
1803
113
Robert Thew, 1758–1802
Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc
1803
114
Thomas Kirk, 1765–1797
Titus Andromicus, Act IV, Scene I, Titus' House
1803
115
Print made by Francis Legat, 1755–1809
Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc
1803
116
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
117
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
118
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
119
Print made by Francis Legat, 1755–1809
Hamlet: Act IV, Scene V, Elsinore -- King, Queen, Laertes, Ophelia, etc
1803
120
Thomas Ryder, 1746–1810
King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff
1803
121
Robert Thew, 1758–1802
Hamlet, Prince of Denmark: Act I, Scene iv, Platform before the Palace of Elsineur--Hamlet, Horatio, Marcellus and the Ghost
1803
122
William Ward, 1766–1826
A Vegetable Market
1803
123
Print made by William T. Annis, active 1798–1811
Returned from Market
1803
124
Print made by William T. Annis, active 1798–1811
At Market
1803
125
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame
1803
126
George Moutard Woodward, ca. 1760–1809
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
127
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
128
George Chinnery, 1774–1852
A River in Ceylon
between 1803 and 1825
129
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
130
James Girtin, ca. 1780–after 1820
Title page for: A Selection of the most Picturesque Views in Paris and its environs
1803
131
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
132
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
133
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
134
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
135
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
136
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
137
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
138
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
139
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
140
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
141
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
142
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
143
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
144
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
145
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
146
Print made by Thomas Trotter, ca. 1750–1803
MacBeth, Act I, Scene III: "A Heath"
1803
147
Benjamin West, 1738–1820
King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."
1803
148
Robert Thew, 1758–1802
MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"
1803
149
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
150
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
151
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
152
James Parker, 1750–1805
MacBeth, Act I, Scene V: "Inverness. A Room in MacBeth's Castle"
1803
153
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
154
Robert Thew, 1758–1802
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
155
William S. Leney, 1769–1831
Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"
1803
156
Print made by Francesco Bartolozzi, 1728–1815
Earth
1803
157
unknown artist
Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front; and Project for a monument to Charles James Fox
c.1803
158
Print made by Caroline Watson, 1760–1814
Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber
1803
159
Francesco Bartolozzi, 1728–1815
Mary Stuart, Queen Of Scotland
1803
160
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
161
Print made by William Byrne, 1743–1805
Wickham, from the Marlow Road
1803
162
Cornelius Varley, 1781–1873
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
163
Print made by William Daniell, 1769–1837
Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
1803
164
William Ridley, 1764–1838
George Romney
1803
165
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
166
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
167
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
168
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
169
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
170
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
171
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
172
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
173
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
174
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
175
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
176
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
177
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
178
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
179
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
180
unknown artist
View of the Freemason's School, with the Adjacent Buildings from the Asylum, to the Toll Gate, near the Royal Circus
1803
181
Print made by Thomas Barker, 1769–1847
Boy Seated
1803
182
William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
183
John Landseer, 1769–1852
Twickenham Meadows
1803
184
William Green, 1760–1823
View of Lakes Buttermere and Crummock Water
1803
185
John Samuel Hayward, 1778–1822
Liverpool: The Windmill on the Edge of the Quarry
1803
186
George Jones, 1786–1869
Fire on the Thames
ca. 1808
187
Edward Hawke Locker, 1777–1849
Reading Abbey Gateway
1803
188
Frederick Mackenzie, 1788–1854
The West Door, Rochester Cathedral, Kent
undated
189
Frederick Mackenzie, 1788–1854
Charts Edge, Kent
undated
190
Cornelius Varley, 1781–1873
Mountain Panorama in Wales, Cader Idris
1803
191
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
192
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
193
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; From the Braid Hills
1803
194
Amos Green, 1735–1807
Trossacs
1803
195
Amos Green, 1735–1807
Views in England, Scotland and Wales: Ruins of Dunbar Castle, HG/Tour in Scotland
1803
196
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch van-a-char, with the moutain called Benvenue
1803
197
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling
1803
198
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs
1803
199
Amos Green, 1735–1807
Loch Katterine
1803
200
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs, with Benvenue