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On-site Access Accessible by appointment in the Study Room

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Date 1804

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Height [cm] 51

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Plate VIII, Human Body, Posterior View
Creator:
Print made after George Stubbs, 1724–1806
Date:
1804
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George and Olga Kenney
Plate VII, Human Body, Lateral View
Creator:
Print made after George Stubbs, 1724–1806
Date:
1804
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George and Olga Kenney
Plate VI, Human Body, Frontal View
Creator:
Print made after George Stubbs, 1724–1806
Date:
1804
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George and Olga Kenney
Plate X, Fowl Body, Lateral View
Creator:
Print made after George Stubbs, 1724–1806
Date:
1804
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George and Olga Kenney
Plate I: London from Greenwich Park
Creator:
Engraved by William Daniell, 1769–1837
Date:
1804
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Plate: 18 1/2 x 28 1/8in. (47 x 71.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spottiswoode Ox
Creator:
Print made by James Ward, 1769–1859
Date:
1804
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 25 1/2 inches (51.4 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund