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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomDate 1817
Remove constraint Date: 1817Work Type watercolor
Remove constraint Work Type: watercolorSearch Results
1
- Margate
- ca. 1822
2
- Vesuvius in Eruption
- between 1817 and 1820
3
- Rheinfels Looking to Katz and Gourhausen
- 1817
4
- Andernach
- 1817
5
- A View of Boppart, with Figures on the River Bank
- 1817
6
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
7
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
8
- Hogarth Declaring His Love to Miss Thornhill
- 1817
9
- Queen Anne Boleyn's Room, Windsor Castle
- undated
10
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
11
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
12
- The Smock Exposed
- 1817
13
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
14
- The Reconcilation
- 1817
15
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
16
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
17
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
18
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
19
- Honey-Badger
- 1817
20
- Polecat
- ca. 1817
21
- North American Lynx
- ca. 1817
22
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
23
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
24
- The Eleventh Hour
- 1817
25
- A Fruit Stall in a Market
- undated
26
- An Episode at the Battle of Waterloo
- 1817
27
- Interior of the Belfry, Bushey Church
- ca. 1822
28
- Lewes Bridge, Sussex
- undated
29
- Landscape at Boxhill, Surrey
- undated
30
- Stable Boy with Cart Horses
- undated
31
- Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
- ca. 1822
32
- The Keep and Gate, Ludlow Castle, Shropshire
- undated
33
- South East View of the Church and Palace at Croydon, Surrey
- 1817
34
- A Seascape
- undated
35
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
36
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
37
- A Christening
- undated
38
- Hogarth Drawing Sarah Malcolm
- 1817
39
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
40
- Hogarth Sitting to Roubiliac for His Bust
- 1817
41
- Porchester Castle
- undated
42
- Boxhill from West Humble Lane
- undated
43
- Classical Landscape
- undated
44
- Regent Street, Looking Toward Piccadilly From Waterloo Place
- undated
45
- The Footbridge
- undated
46
- A Tub Thumper
- between 1817 and 1820
47
- Courtyard of an Inn on the Thames
- undated
48
- Landscape with Windmills
- undated
49
- Terrace at St. Germain-en-Laye
- between 1817 and 1819
50
- Landscape with Castle, Waterfall and Stream in Foreground
- undated
51
- Landscape with a Temple and Figures by a River
- undated
52
- Valley of Rocks, Lynton, North Devon
- undated
53
- Cascatella, Tivoli, 1817
- 1817
54
- The Family Picture
- 1817
55
- An Irish Wolfhound
- undated
56
- The Vicar of Wakefield: Frontispiece
- 1817
57
- North East View of Harlaxton Manor House, Lincolnshire
- 1817
58
- North West View of Harlaxton Manor House, Lincolnshire
- 1817
59
- Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart
- 1817
60
- Samlesbury hall; Lancashire
- 1817
61
- North West view of Burleigh House The Seat of the Marquis of Exeter
- 1817
62
- South West View of Burleigh House
- 1817
63
- Plymouth Dock
- 1817
64
- Four Hooded Falcons
- undated
65
- A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
- undated
66
- South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
- 1817
67
- Interior View of the Hall at Rushton
- 1817
68
- North Front of Belton house Lincolnshire
- 1817
69
- Flower Garden at Belton, Lincolnshire
- 1817
70
- The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
- 1817
71
- Jealousy, Rage, Disappointment..
- 1817
72
- Mr. Michell's Picture Gallery, Grove House, Enfield 1817
- 1817
73
- Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
- 1817
74
- 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
- 1817
75
- Grisons/ Looking to Glarnisch (Switzerland) Mountains
- 1817
76
- "After Pinnelli" (Group of Peasants Outside a House)
- 1817
77
- After Pinnelli - Group of Peasants Outside a Church
- 1817
78
- Classical Landscape with Figures
- undated
79
- View of St. Catherine's Hill near Guildford
- undated
80
- Lord Craven's Yacht, July 23, 1817
- 1817
81
- Aldgate
- 1817
82
- Classical Scene
- undated
83
- Road Workers, near Lillebonne
- undated
84
- Abbey St-Amand, Rouen
- undated
85
- Ile de la Cite
- undated
86
- Drawings of England and India
- 1817-1852
87
- A tour in North Wales
- 1817
88
- Picturesque geography
- [1817?]
89
- Original drawings for A series of etchings illustrative of the architectural antiquities of Suffolk
- 1817-1828