Inside of One of the Rooms Under the Hall, Bermondsey, Abbey
1820
102
unknown artist
Inside of a Room and Saxon Ornaments of Bermondsey Abbey
1820
103
Bartholomew Howlett, 1767–1827
A General View of the Remains of Bermondsey Abbey, Surry
1820
104
unknown artist
Southeast View of the Gateway of Bermondsey Abbey
1820
105
Bartholomew Howlett, 1767–1827
Facsimile from one of the Books of Indentures for the Foundation of King Henry VII's Chapel
1820
106
unknown artist
Inside of the Hall, Bermondsey Abbey
1820
107
John Linnell, 1792–1882
William Short
1820
108
George Barret Jr., 1767–1842
A View of London from Highgate
1820
109
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
110
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
111
Print made by George Cooke, 1781–1834
Lulworth Castle, Dorsetshire
1820
112
Print made by William Bernard Cooke, 1778–1855
Minehead, Somersetshire
1820
113
Print made by William Bernard Cooke, 1778–1855
Minehead, Somersetshire
1820
114
Print made by George Cooke, 1781–1834
Florence from the Chiesa al Monte
1820
115
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
116
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
117
Print made by Frederick Christian Lewis the Elder, 1779–1856
Frontispiece to Mr. Fawkes Catalogue
1820
118
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
119
Print made by John Wykeham Archer, 1808–1864
Richmondshire Castle and Town
1820
120
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
121
Cornelius Varley, 1781–1873
Remains of Purton Hall, Staffordshire
1820
122
James Hakewill, 1778–1843
Haughton Court, Hanover, Jamaica
between 1820 and 1821
123
Cornelius Varley, 1781–1873
Valle Crucis Abbey, Denbighshire
1820
124
Sir David Wilkie, 1785–1841
Study for "Reading the Will"
1820
125
Print made by Joseph Skelton, active 1820–1850
Christ Church from the Meadows
between 1820 and 1823
126
Print made by Joseph Skelton, active 1820–1850
Part of Balliol College Quadrangle
1820
127
Print made by Joseph Skelton, active 1820–1850
Christ Church Cathedral and Part of Corpus Christi College
1820
128
Print made by William Miller, 1796–1882
Plymouth Dock, from Mount Edgecumbe
1820
129
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
130
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
131
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
132
Print made by John Pye, 1782–1874
The Rialto, Venice
1820
133
James Sowerby, 1756–1822
Bantam Cock and Farmpails
1820
134
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
135
David Cox, 1783–1859
Greenwich Hospital from Woolwich Reach
1820s
136
Thomas Rowlandson, 1756–1827
Bodmin Moor
ca. 1825
137
Print made by Charles Golding Constable, 1821–1879
Woolwich
between 1820 and 1835
138
Print made by John Byrne, 1786–1847
Rome, from Monte Testaccio
1820
139
Unknown artist (Company style)
Widow with the Burning Corpse of her Husband Becoming a Sati, Patna
between 1820 and 1830
140
Unknown artist (Company style)
A Muslim Wedding Procession by Night, Patna
between 1820 and 1830
141
John Buckler FSA, 1770–1851
North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley
1820
142
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
143
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
144
Print made by George Cruikshank, 1792–1878
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
145
Print made by George Cruikshank, 1792–1878
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
146
Edward Hull, 1810–1877
Riding [a pair]: 2. Tilbury Fort
1820
147
John Romney, 1786–1863
Frontispiece to Rasselas' Tale by Dr. Johnson
1820
148
Samuel Freeman, 1773–1857
Samuel Johnson
1820
149
Samuel Freeman, 1773–1857
Rasselas, Prince of Abyssinia
1820
150
Engraved by Robert Havell, 1769–1832
A View of London taken from Greenwich Park
1820
151
Alfred Diston, active 1818–1829
The Convent and Part of the Town of Candelaria, on the south side of Tenerife
1820
152
Alfred Diston, active 1818–1829
View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward
1820
153
Alfred Diston, active 1818–1829
Huckster of Port Orotava, Tenerife
ca. 1825
154
Alfred Diston, active 1818–1829
View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward
1820
155
Richard Parkes Bonington, 1802–1828
Mademoiselle Rose Nue, Vue de Dos
1820
156
Mary Smirke, 1779–1853
Upnor Lodge
1820
157
unknown artist
View of the Coronation Procession of George IV
ca. 1821
158
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
159
George Hunt, active 1820–1840
Angling [a pair]: 1. Fly Fishing
undated
160
George Hunt, active 1820–1840
Angling [a pair]: 1. Fly Fishing
undated
161
Bradford Rudge, 1805–1885
"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin
undated
162
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty
1820
163
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty
1820
164
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat
1820
165
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall
1820
166
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog
1820
167
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home
1820
168
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive
1820
169
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Going to Cover
1820-1821
170
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Breaking Cover
1820-1821
171
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Tree-ing the Fox
1820-1821
172
William Whiston Barney, active 1805–1817
Fox Hunting: [Tom Oldaker on Pickle...]
1820
173
John Harris, 1811–1865
The Four-in- Hunt Club-Hyde Park
1820
174
unknown artist
Lambeth Marsh, 1670
1820
175
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Full Cry
1820-1821
176
Henry Thomas Alken, 1785–1851
Steeplechasing: Three Riders Taking a Brook
ca. 1825
177
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
178
Thomas Rowlandson, 1756–1827
Dr. Syntax Bound to a Tree by Highwaymen
1820
179
Thomas Rowlandson, 1756–1827
Dr Syntax Meditating on the Tombstones
1820
180
Thomas Rowlandson, 1756–1827
Dr. Syntax Attends the Execution
1820
181
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
182
Charles B. Newhouse, fl. c.1820–1836
The London-Dover Royal Mail, c. 1830-1840
undated
183
John Buckler FSA, 1770–1851
South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley
1820
184
John Buckler FSA, 1770–1851
North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
1820
185
John Buckler FSA, 1770–1851
South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
1820
186
John Buckler FSA, 1770–1851
The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield
1820
187
John Buckler FSA, 1770–1851
Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart
1820
188
John Buckler FSA, 1770–1851
Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart
1820
189
Print made by George Cooke, 1781–1834
Humphry Repton, Esq
1820
190
James Thomson, 1789–1850
Benjamin Robert Haydon
1820
191
Thomas Sutherland, ca. 1785–1838
Morning of the Gale, November 23 1824 in Catwater at Plymouth
ca. 1825
192
Print made by John Sell Cotman, 1782–1842
Church of L'Ery, near Pont-de-l'Arche
1820
193
James Pollard, 1792–1867
Easter Monday. 2. A View of Fair Mead Bottom Epping Forest
1820
194
James Pollard, 1792–1867
Royal Hunt in Windsor Park
1820
195
James Pollard, 1792–1867
Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest
1820
196
Print made by unknown artist
Sir Hildebrand Oakes
1820s
197
Print made by George Cruikshank, 1792–1878
Finding things not exactly what he expected - Plate 2
1820
198
Print made by George Cruikshank, 1792–1878
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
1820
199
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
200
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3