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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomDate 1821
Remove constraint Date: 1821Period 19th century
Remove constraint Period: 19th centurySearch Results
1
- At Hailsham, Sussex: a Storm Approaching
- 1821
2
- Harvest under a Crescent Moon
- ca. 1826
3
- Ship in a Storm
- ca. 1826
4
- Illustrations of Imitation of Eclogue I, Page 17
- 1821
5
- Illustrations of Imitation of Eclogue I, Page 18
- 1821
6
- Illustrations of Eclogue I, Introductory, The Giant Polypheme
- 1821
7
- Epicurus
- 1821
8
- Theocritus
- 1821
9
- Octavius Augustus Cæsar
- 1821
10
- From Antique Coins
- 1821
11
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
12
- Illustrations of Imitation of Eclogue I, Page 15
- 1821
13
- Illustrations of Imitation of Eclogue I, Page 14
- 1821
14
- Caius Julius Cæsar
- 1821
15
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
16
- Publius Virgilius Maro
- 1821
17
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
- 1821, reprinted 1977
18
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
- 1821, reprinted 1977
19
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
- 1821, reprinted 1977
20
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
- 1821, reprinted 1977
21
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
- 1821, reprinted 1977
22
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
- 1821, reprinted 1977
23
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
- 1821, reprinted 1977
24
- Each creature, Thenot, to his task is born
- 1821, reprinted 1977
25
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
- 1821, reprinted 1977
26
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
- 1821, reprinted 1977
27
- Or blasting winds o'er blossom'd hedge-rows pass
- 1821, reprinted 1977
28
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
- 1821, reprinted 1977
29
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
- 1821, reprinted 1977
30
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
- 1821, reprinted 1977
31
- My sheep quite spent through travel and ill fare
- 1821, reprinted 1977
32
- And now behold the sun's departing ray
- 1821, reprinted 1977
33
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
- 1821, reprinted 1977
34
- Description of the Celebrated Suspended Wooden Bridge
- 1821
35
- The Three Swords
- 1821
36
- Boston Church, Lincolnshire
- 1821
37
- Plymouth Citadel
- 1821
38
- Aske Hall
- 1821
39
- Fall of the Tees
- 1821
40
- Fall of the Tees
- 1821
41
- Brignall Church
- 1821
42
- Weathercote Cave when Half Filled with Water
- 1821
43
- Weathercote Cave when Half Filled with Water
- 1821
44
- Weathercote Cave when Half Filled with Water
- 1821
45
- Coutances Cathedral
- undated
46
- View of Gibraltar
- undated
47
- Mr. Thomas Hope's Picture Gallery, Duchess Street, London
- 1821
48
- Mansion of Thomas Hope Esqr. Flemish Picture Gallery
- 1821
49
- Mansion of Thomas Hope Esqr. Flemish Picture Gallery
- 1821
50
- Hay Barge in a Calm Sea
- undated
51
- Anne Page and Slender
- 1821
52
- Prospero and Ariel
- 1821
53
- St. Pancras New Church
- 1821
54
- St. Pancras New Church
- 1821
55
- Plan of Westminster Abbey and Environs for the Coronation of George IV
- 1821
56
- Enfield Church, Middlesex, Outer Suburb North
- 1821
57
- The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey
- 1821
58
- Admission Card to the Coronation of George IV
- 1821
59
- Part of the Choir wiith the remains of the South Transept of St. Barts the Great
- 1821
60
- A General Ground Plan of the Church Cloisters etc, of the Priory of St. Barts the Great
- 1821
61
- A Picnic on Richmond Hill
- undated
62
- An unidentified Gothic Mansion: Side View of the House with Garden
- undated
63
- Torbay from Brixham
- 1821
64
- Parnassus
- 1821
65
- Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
- 1821
66
- Addingham Mill on the Warfe
- 1821
67
- Crook of the Lune, Looking towards Hornby Castle
- 1821
68
- Weathercote Cave when Half Filled with Water
- 1821
69
- Weathercote Cave when Half Filled with Water
- 1821
70
- View of Mont St. Michel with Figures on the Beach
- undated
71
- Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
- 1821
72
- A Market Scene in Venice
- undated
73
- Travelers on a Road above a River
- 1821
74
- Plymouth Sound
- 1821
75
- Portia and Bassanio
- ca. 1826
76
- The Church of St. Laurent
- undated
77
- Dr Syntax outside the Halfway House
- 1821
78
- Dr Syntax & Dairymaid
- 1821
79
- Cavalrymen, etc
- 1821
80
- Interior View of the hall at Longleat; the Seat of the Marquis of Bath
- 1821
81
- Design for Bridge over Great Western Road
- ca. 1826
82
- Cavalrymen, etc
- 1821
83
- Cavalrymen, etc
- 1821
84
- Cavalrymen, etc
- 1821
85
- Cavalrymen, etc
- 1821
86
- Cavalrymen, etc
- 1821
87
- Cavalrymen, etc
- 1821
88
- Castle at Tancarville
- 1821
![James Pollard Racing [set of four]: 3. Preparing to Start](https://media.collections.yale.edu/thumbnail/ycba/15dea068-c60c-45d4-82e0-d2ffc4b30ab7)
89
- Racing [set of four]: 3. Preparing to Start
- 1821
90
- Set of six: 2. Cart Horse
- 1821
91
- Set of six: 3. Hunter
- 1821
92
- Set of six: 6. Hack
- 1821
93
- The Botanical Garden near Port Orotava, Tenerife
- 1821
94
- Culver Cliff, Isle of Wight
- undated
95
- Old Men O'War
- undated
96
- View from Stokenchurch Hill, Buckinghamshire
- 1821
97
- View from part of Port Orotava, Tenerife from La Caldeva, near Sancho
- 1821
98
- Realejo de arriba, Tenerife
- 1821
99
- Walnut Tree
- ca. 1826
100
- Tree Study with Ivy Clinging to Stump
- ca. 1826