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On-site Access Accessible by appointment in the Study Room

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Date 1822

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The Fish Ponds
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 × 7 1/16 inches (12.9 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ore Church and House
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Watercolor with pen and ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 13/16 inches (21.6 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windmill on the Sea Coast Near Hastings
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 7 1/2 inches (13.2 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bodiam Castle
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund