Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
4
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
5
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
6
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
7
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
8
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
9
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
10
Samuel William Reynolds, 1773–1835
Meditation
1827
11
Henry Harris Lines, 1801–1899
Album of 50 sketches made in the years 1827 and 1828 for H.C
1827-1828
12
Thomas D. W. Dearn, 1777–1853
Woman by a Fence outside a Thatched Cottage
1827
13
George Hunt, active 1820–1840
1st of September
1827
14
George Hunt, active 1820–1840
1st of October
1827
15
George Hunt, active 1820–1840
1st of October
1827
16
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
1827
17
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
1827
18
George Alken, 1794–active 1837
Set of Four - Racing: Running
1827
19
George Alken, 1794–active 1837
Set of Four - Racing: Coming In
1827
20
Frederick Rosenberg, active 1816–1832
Coaching: The Mail Coach in a Flood
1827
21
George Alken, 1794–active 1837
Set of Four - Racing: Exercising
1827
22
after Henry Thomas Alken, 1785–1851
Fox Hunting: Leicestershire - Getting Away
1827
23
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
1827
24
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
1827
25
George Alken, 1794–active 1837
Set of Four - Racing: Preparing to Start
1827
26
Print made by Charles Turner, 1774–1857
Robert Dundas, second Viscount Melville
1827
27
Print made by Charles Turner, 1774–1857
Robert Dundas, second Viscount Melville
1827
28
unknown artist
Vine Cottage
1827
29
Print made by unknown artist
The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery
1827
30
Print made by Charles Williams, active 1796–1830
Tears of Repentance. Cabinet In's and Out's
1827
31
Print made by John Phillips, active 1840–1852
Removing Rubbish. Cabinet In's and Out's
1827
32
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827
33
Print made by Thomas Jones, active 1828
Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing
1827
34
Print made by unknown artist
Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!
1827
35
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
36
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans
1827
37
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
38
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
39
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
40
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
41
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
42
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
43
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
44
Frederick Tatham, 1805–1878
Life of Blake
ca. 1832
45
John Martin, 1789–1854
Illustrations to Milton's 'Paradise Lost'
1827
46
Richard James Lane, 1800–1872
Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
1827
47
Richard James Lane, 1800–1872
Don Quixote and Sancho Panza (Volume of 102 lithographs)
1827
48
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
49
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827
50
Richard James Lane, 1800–1872
Girl and Parrot (Volume of 102 lithographs)
1827
51
Richard James Lane, 1800–1872
La Rosa Parlante (Volume of 102 lithographs)
1827
52
Richard James Lane, 1800–1872
Modesty/ Modestie (Volume of 102 lithographs)
1827
53
Richard James Lane, 1800–1872
Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)
1827
54
Richard James Lane, 1800–1872
A Girl at her Devotions (Volume of 102 Lithographs)
1827
55
Richard James Lane, 1800–1872
The Orphans (Volume of 102 Lithographs)
1827
56
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
57
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
58
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
59
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
1827
60
Octavius Oakley, 1800–1867
Agnes and Emma Coke and Sarah Salmond in a Park
1827
61
George Hunt, active 1820–1840
1st of September
1827
62
George Hunt, active 1820–1840
Stage Coach
1827
63
Charles Hunt, 1803–1877
[Coaching]: Royal Mails, starting from the Post Office, Lombard Street
1827
64
Frost, Charles, 1781?-1862
Notices relative to the early history of the town and port of Hull
1827
65
Crowquill, Alfred
Absurdities
1827
66
Mulready, William, 1786–1863
An historical antiquarian and picturesque account of Kirkstall Abbey
1827
67
Christie, James, 1773–1831
A catalogue of the very choice collection of modern pictures, which have constituted the very distinguished and universally admired gallery of that accomplished and truly spirited patron of the arts, the Rt. Hon. Lord de Tabley, deceased, at no. 24, Hill Street, Berkely Square
[1827]
68
Huggins, William John, 1781–1845
Greek marine views
1827
69
Lowth, Robert, 1761 or 1762–1822
Billesdon Coplow
[ca. 1827]
70
Kilmorey, Francis Jack Needham, Earl of, 1787–1880
Travelling memorandum book,
1827
71
Cumberland, George, 1754–1848
An essay on the utility of collecting the best works of the ancient engravers of the Italian school;
1827
72
King, Philip Parker, 1793–1856
Narrative of a survey of the intertropical and western coasts of Australia,
1827
73
Chapuy, Nicolas-Marie-Joseph, 1790–1858
Vues pittoresques de la cathédrale de Strasbourg
1827
74
Clark, John Heaviside, ca. 1770–1863
A series of practical instructions in landscape painting in water colours
1827
75
Cruikshank, George, 1792–1878
Illustrations of time
[1827]
76
Barlow, J. H
The art and method of hatching and rearing all kinds of domestic poultry and game birds by steam
1827
77
Egan, Pierce, 1772–1849
Anecdotes of the turf, the chase, the ring, and the stage
78
Paris, John Ayrton, 1785–1856
Philosophy in sport made science in earnest
1827
79
Alken, Henry Thomas, 1784–1851
A few ideas
1829
80
Parry, J. D. (John Docwra), -1833?
Select illustrations, historical and topographical, of Bedfordshire
MDCCCXXVII [1827]
81
Nicholson, George, 1760–1825
Eight select views in the County of Caernarvon, drawn from nature, and on stone
[1827]
82
Smith, George, architect
A practical explanation of the elements of architecture
1827
83
Burnet, John, 1784–1868
Practical hints on colour in painting
1827
84
[Views of Windsor Castle]
85
Stowe
1827
86
Le Brun, Charles, Sir, 1619–1690
A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation
1827
87
A panorama of Falmouth,
[1827]
88
Hunt, Thomas Frederick, 1791–1831
Architettura campestre
1827
89
Harding, James Duffield, 1798–1863
Hullmandel's lithographic drawing book for 1827
1827
90
Switzerland
1827
91
Egerton, M., active 1824–1827
Olla Podrida
1827
92
Sickelmore's select views of Brighton
[1827]
93
Mackenzie, E. (Eneas), 1778–1832
A descriptive and historical account of the town and county of Newcastle upon Tyne
1827
94
Boid, Edward
Travels through Sicily and the Lipari islands, in the month of December, 1824
1827
95
Phillips, H., -1840
Catalogue of the genuine and important collection of valuable pictures, of high class, the entire and genuine property of R. Westall, esq., R.A. .
[1827]
96
Mather, John, fl. 1827
Plans of estates situate in the county of Lancaster belonging to the Right Honorable Lord George Cavandish
circa 1827?
97
Curtis, Aza
Flowers
1827
98
Milton, John, 1608–1674
The Paradise lost of Milton
MDCCCXXVII [1827]
99
Christie, James, 1773–1831
A catalogue of the valuable and very pleasing collection of Italian, French, Flemish, and Dutch pictures of His Royal Highness the Duke of York, deceased