Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
2
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
3
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
4
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
5
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
6
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
7
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
8
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
9
unknown artist
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
10
Richard Earlom, 1743–1822
The Exhibition of the Royal Academy of Painting 1771
1772
11
Print made by James Smith, active 1733–1759
A View of St. James's Park, taken near the Stable Yard
12
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
13
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
14
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
15
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
16
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
17
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
18
Print made by Pietro Antonio Martini, 1738–1797
Exhibition of Royal Academy
1787
19
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
20
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
21
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
22
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
23
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
24
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
25
Samuel Scott, ca. 1702–1772
The Thames with Montagu House and Westminster Bridge
undated
26
Samuel Scott, ca. 1702–1772
Westminster Bridge under Construction
undated
27
John Maurer, active 1713–1761
A Perspective View of Whitehall
28
unknown artist
The Royal Palace of St. James's next the Park
29
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
30
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
31
John Boydell, 1720–1804
St. Clement Danes
1751
32
Thomas Bowles III, ca. 1712–1767
The Inside of St. Martin's Church in the Fields
33
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
34
Thomas Bowles III, ca. 1712–1767
The Inside of Westminster Abby
35
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
36
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
37
Thomas Bowles III, ca. 1712–1767
A South View of Westminster Abby & St. Margarets Church
38
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
39
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
40
unknown artist
A view of the inside of Westminster Hall
ca. 1700
41
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
42
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
43
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
44
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
45
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
46
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
47
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
48
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
49
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
50
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
51
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
53
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
54
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
55
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
56
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
58
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
65
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
66
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
67
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
68
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
69
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
70
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
71
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
72
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
73
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
74
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
75
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
76
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
77
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
78
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
79
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
80
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
81
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
82
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
83
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
84
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
85
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
86
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
87
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
88
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
89
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
90
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
91
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
92
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
93
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
94
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
96
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
97
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch