The First Stage of Cruelty: First, Children Torturing Animals
1751
2
William Hogarth, 1697–1764
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
3
William Hogarth, 1697–1764
John Wilkes, Esq
1763
4
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
5
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
6
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
7
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
8
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
9
Print made by William Hogarth, 1697–1764
Marriage à la Mode, Plate 6
1745
10
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
11
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
12
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
13
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
14
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
15
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
16
Print made by William Blake, 1757–1827
The Ancient of Days; Frontispiece (Plate 1)
1794
17
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
18
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
19
Print made by William Blake, 1757–1827
Europe a Prophecy; Title Page (Plate 2)
1794
20
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
21
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
22
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
23
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
24
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
25
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
26
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
27
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
28
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
29
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
30
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
31
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
32
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
33
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
34
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
35
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
36
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
37
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
38
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
39
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
40
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
41
George Romney, 1734–1802
John Henderson as Falstaff
1780
42
Jacobus Houbraken, 1698–1780
Henry Bennet, 1st Earl of Arlington
1739
43
James Mason, 1710–1783
South East View of Netley Abbey, Near Southampton
1755
44
Print made by John Boydell, 1720–1804
A Calm
1754
45
Print made by John Boydell, 1720–1804
Noon
1753
46
George Townly Stubbs, 1748–1815
'Volunteer'
1794
47
William Woollett, 1735–1785
[Shooting] The Spanish Pointer
1768
48
Richard Earlom, 1743–1822
Labourers
1790
49
unknown artist
Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan
undated
50
unknown artist
Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
undated
51
Richard Earlom, 1743–1822
Game Keepers. To the Right Honorable. Lord Viscount Torrington
1790
52
Richard Earlom, 1743–1822
Game Keepers. To the Right Honorable. Lord Viscount Torrington
1790
53
William Woollett, 1735–1785
Shooting, Plate III
1770
54
William Woollett, 1735–1785
Shooting, Plate I
1769
55
William Woollett, 1735–1785
Shooting, Plate II
1770
56
William Woollett, 1735–1785
Shooting, Plate IV
1771
57
Print made by James Watson, 1740–1790
Richard, Lord Viscount Howe
1778
58
Print made by Elizabeth Judkins, active 1772–1775
Mrs. Abington
1772
59
Print made by James Watson, 1740–1790
Edmund Burke
1770
60
Print made by James Watson, 1740–1790
Jemima, Countess Cornwallis
1772
61
Print made by Joseph Grozer, ca. 1755–1798
Viscountess Duncannon
ca. 1785
62
Print made by John Raphael Smith, 1752–1812
The Honorable Frances Ingram
1780
63
Print made by John Young, 1755–1825
Eliza
1786
64
Print made by John Young, 1755–1825
Catherine, Viscountess Hampden
1786
65
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Charlotte Campbell
1799
66
Print made by James Watson, 1740–1790
The Musical Boy
1777
67
Print made by John Finlayson, 1730–1776
La Signora Zamperini in the Character of Cecchina
1769
68
Print made by Peltro W. Tomkins, 1760–1840
Sylvia
1786
69
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
70
Print made by John Jones, ca. 1745–1797
Mrs. Edwards
1780
71
Print made by unknown artist
The Bottle Companions
1775
72
Print made by unknown artist
Sal Dab giving Monsieur a Receipt in Full
1776
73
Print made by John Blackmore, active 1740–1780
Sigismonda
between 1769 and 1771
74
Print made by John Dixon, ca. 1740–1811
The Old Beau in an Extasy
1773
75
Print made by Johann Lorenz Haid, 1702–1750
S. Matthaeus
early 1750s
76
Print made by Johann Lorenz Haid, 1702–1750
S. Philippus
early 1750s
77
Print made by Johann Lorenz Haid, 1702–1750
S. Jacobus Minor
early 1750s
78
Print made by Johann Lorenz Haid, 1702–1750
S. Andreas
early 1750s
79
Print made by Johann Lorenz Haid, 1702–1750
S. Matthias
undated
80
Print made by Johann Lorenz Haid, 1702–1750
S. Petrus
early 1750s
81
Print made by Johann Lorenz Haid, 1702–1750
Portrait of Man
early 1750s
82
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Man
early 1750s
83
Print made by Johann Lorenz Haid, 1702–1750
Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis
undated
84
Print made by Johann Lorenz Haid, 1702–1750
Portrait of Boy and Dog
undated
85
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Boy with a Basket
undated
86
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Woman Holding Fruit
undated
87
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Boy with a Basket
undated
88
Print made by Johann Lorenz Haid, 1702–1750
L'Enseigne mor
undated
89
Print made by Johann Jacobus Haid, 1704–1767
Le garcon content
undated
90
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
91
James McArdell, ca. 1729–1765
Charles Saunders Esq
1748
92
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
93
Print made by E. J. Dumée, active 1790
The Discovery
1788
94
Print made by Philip Dawe, ca.1750–ca.1790
The Pretty Maid with Her Apron Before the Candle
1770
95
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."