On-site Access: Accessible by appointment in the Study Room / Period: 18th century / Height [cm]: 41

1. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. After

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 16 × 12 3/4 inches (40.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

3. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Pity

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:: Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. David Playing the Harp

Creator:: George Romney, 1734–1802
Date:: ca. 1771
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 x 12 3/4 inches (41.3 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

41. Perspective View of the Bridge at Sion

Creator:: Edward Rooker, 1724–1774
Date:: 1768
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: After 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Society for the Encouragement of the Arts (2 copies)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Philoctetes in the Island of Lemnos

Creator:: James Barry, 1741–1806
Date:: 1777
Materials & Techniques:: Engraving
Dimensions:: Plate: 8 x 14 1/2in. (20.3 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Gates of the Alhambra: Puerta de los Siete Suelos

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, black ink, gray wash, black wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 3/16 inches (41.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Court of the Lions in the Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 3/16 inches (41.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Landscape of Buildings Along a Cliff

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Castle of Elmo &c.

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Theatre of Sagunto, Spain

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Albano

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Near Guadix

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Carmona

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Mürzzuschlag, Austria

Creator:: Henry Swinburne, 1743–1803
Date:: 1779
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Málaga

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Landscape with Figure, Standing on Large Rock

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. View of an Inn

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Mountain Landscape View of a River Flowing through a Town

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/16 × 11 1/8 inches (40.8 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A Waterfall

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Valencia, Spain

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Leoben, Austria

Creator:: Henry Swinburne, 1743–1803
Date:: 1779
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Sketch of a Walled City

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Sketch of a Villiage Set in in Hilly Landscape

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Tynemouth Castle and Priory, England

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Paladi Pontine da Velletri

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Bay of Naples

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Gray wash, and graphite, on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Capuchins of Our Lady of Médoux

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Brindisi from the HIll South of the New Channel

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1780
Materials & Techniques:: Pen and brown ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Isle of Capri Seen on the South

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Gray wash, graphite, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Villeneuve-lès-Maguelone, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Palestrina, Italy

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Lang House Farm

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Krieglach, Austria

Creator:: Henry Swinburne, 1743–1803
Date:: 1779
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Ruins of a Circular Stone Keep

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Stone Bridge

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Château de Chaumont

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 9 5/16 inches (41.4 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Personalized Design

Creator:: Henry Swinburne, 1743–1803
Date:: 1776
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 inches (41.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Landscape, with River and Church in the Distance

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 inches (41.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Cynanchum altiscandens and Tacazzea venosa

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 16 x 12 1/8 inches (40.6 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A French Petit Maître and His Valet

Creator:: Charles Grignion, 1717–1810
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper, pasted on medium, moderately textured, cream Asian paper
Dimensions:: Mount: 16 1/4 x 11 5/16 inches (41.3 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Drummer

Creator:: Francis David Soiron, Born 1764
Date:: ca. 1791
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 16 1/4 x 11 1/2in. (41.3 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Gardens of Carleton House with Neapolitan Ballad Singers

Creator:: William Dickinson, 1746–1823
Date:: 1784
Materials & Techniques:: Stipple engraving, brown ink
Dimensions:: Sheet: 16 x 24 7/16in. (40.6 x 62cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Magicians Marching off After the Success of their Incantations

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Sharke

Creator:: George Townly Stubbs, 1748–1815
Date:: 1794
Materials & Techniques:: Stipple with etching first state
Dimensions:: Sheet: 16 1/4 x 20in. (41.2 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. 'Volunteer'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1794
Materials & Techniques:: Etching with stipple, first state
Dimensions:: Sheet: 15 15/16 x 19 7/8in. (40.5 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Anvil

Creator:: Print made by George Townly Stubbs, 1748–1815
Date:: 1794
Materials & Techniques:: Stipple engraving with hand coloring in watercolor
Dimensions:: Sheet: 16 x 20in. (40.6 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A Shepherd Boy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1781
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 11/16 x 11 15/16 inches (42.4 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Miss Julia Bosville

Creator:: Print made by James Watson, 1740–1790
Date:: 1775
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/8 × 12 1/16 inches (41 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe

Creator:: Print made by Giuseppe Marchi, ca. 1735–1808
Date:: 1770
Materials & Techniques:: Mezzotint (state al) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 21 inches (45.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Mrs. Henry Bunbury

Creator:: Print made by James Watson, 1740–1790
Date:: 1778
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 7/16 × 14 5/16 inches (49.4 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Viscountess Duncannon

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: ca. 1785
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/16 x 11 11/16 inches (41.4 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Mrs. William Hope of Amsterdam

Creator:: Print made by Charles Howard Hodges, 1764–1837
Date:: 1788
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 7/8 × 16 3/8 inches (53 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Right Hon. John Hely Hutchinson, LL.D.

Creator:: Print made by James Watson, 1740–1790
Date:: 1778
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 18 1/8 × 13 1/16 inches (46 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. Samuel Johnson, L. L. D.

Creator:: Print made by William Doughty, 1757–1782
Date:: 1779
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/8 x 13 11/16 inches (46.1 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Miss Frances Kemble

Creator:: Print made by John Jones, ca. 1745–1797
Date:: ca. 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 × 11 15/16 inches (40.6 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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On-site Access Accessible by appointment in the Study Room

Period 18th century

Height [cm] 41

Search Results

1. Hogarth Painting the Comic Muse

2. After

3. 'Tis greatly wise to talk with our past hours' (Page 31)

4. 'Teaching, we learn; and giving, we retain' (Page 35)

5. 'Love, and love only, is the loan for love' (Page 37)

6. 'Angels should paint it, angels ever there' (Page 40)

7. 'One radiant mark, – the death-bed of the just' (Page 41)

8. Night the Third. Narcissa; Title Page

9. 'Where sense runs savage broke from reason's chain' (Page 46)

10. 'Disease invades the chastest temperence' (Page 10)

11. 'The present moment terminates our sight' (Page 13)

12. 'Emblem of that which shall awake the dead' (Page 19)

13. 'O treacherous conscience!' (Page 27)

14. 'As if the sun could envy, check'd his beam' (Page 49)

15. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

16. 'This King of Terrors is the Prince of Peace' (Page 63)

17. 'Till death, that mighty hunter, earths them all' (Page 70)

18. 'Oft bursts my song beyond the bounds of life' (Page 16)

19. 'Emblem of that which shall awake the dead' (Page 19)

20. 'Behold him, when past by; what then is seen' (Page 25)

21. 'O treacherous conscience! while she seems to sleep" (Page 27)

22. 'Tis greatly wise to talk with our past hours' (Page 31)

23. 'Like that, the dial speaks; and points to thee' (Page 33)

24. 'Love, and love only, is the loan for love' (Page 37)

25. 'Angels should paint it, angels ever there' (Page 40)

26. 'One radiant mark, – the death-bed of the just' (Page 41)

27. Night the Third. Narcissa; Title Page

28. 'As if the sun could envy, check'd his beam' (Page 49)

29. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

30. 'This King of Terrors is the Prince of Peace' (Page 63)

31. 'Till at Death's toll, whose restless iron tongue' (Page 7)

32. 'Death! great proprietor of all! 'tis thine' (Page 8)

33. 'Disease invades the chastest temperence' (Page 10)

34. 'The present moment terminates our sight' (Page 13)

35. 'Teaching, we learn; and giving, we retain' (Page 35)

36. 'The longest night though longer far, would fail' (Page 15)

37. Pity

38. 'Till at Death's toll, whose restless iron tongue' (Page 7)

39. 'The longest night though longer far, would fail' (Page 15)

40. David Playing the Harp

41. Perspective View of the Bridge at Sion

42. His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

43. A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

44. Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)

45. The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)

46. The Society for the Encouragement of the Arts (2 copies)

47. The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

48. Philoctetes in the Island of Lemnos

49. Gates of the Alhambra: Puerta de los Siete Suelos

50. Court of the Lions in the Alhambra of Granada

51. Landscape of Buildings Along a Cliff

52. Castle of Elmo &c.

53. Theatre of Sagunto, Spain

54. Albano

55. Near Guadix

56. Carmona

57. Mürzzuschlag, Austria

58. Málaga

59. Landscape with Figure, Standing on Large Rock

60. View of an Inn

61. Mountain Landscape View of a River Flowing through a Town

62. A Waterfall

63. Valencia, Spain

64. Leoben, Austria

65. Sketch of a Walled City

66. Sketch of a Villiage Set in in Hilly Landscape

67. Tynemouth Castle and Priory, England

68. View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought

69. Paladi Pontine da Velletri

70. Bay of Naples

71. Capuchins of Our Lady of Médoux

72. Brindisi from the HIll South of the New Channel

73. Isle of Capri Seen on the South