The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky
1798
2
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
3
James Bruce, 1730–1794
Elevation and Plan of Arch at Makther
ca. 1768
4
James Bruce, 1730–1794
XLX Lower Arch at Makther Details of Cornice
undated
5
James Bruce, 1730–1794
Architectural detail of column at Assuras
undated
6
James Bruce, 1730–1794
Elevation and Plan of the Arch at Zanfour
undated
7
James Bruce, 1730–1794
Elevation of Pedestal Entableature of the Arch at Tripoli
undated
8
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
9
William Emmett, 1671–1736
The Front or West End of the Cathedral Church of St. Pauls, London
1702
10
James Bruce, 1730–1794
Architectural detail of Column of Arch at Tripoli
undated
11
James Bruce, 1730–1794
Architectural detail of Plaque above Niches in Arch at Tripoli
undated
12
James Bruce, 1730–1794
Elevation of Arch at Tripoli
undated
13
James Bruce, 1730–1794
Aquaduct at Carthage
undated
14
James Bruce, 1730–1794
Architectural Details of Pedestal Column and Entablature and Pediment Makther
undated
15
James Bruce, 1730–1794
Tucca Terebinthina; Title Page
undated
16
Print made by John Raphael Smith, 1752–1812
Mrs. Carnac
1778
17
Mary Hoare, 1744–1820
Prospero and Miranda
1781
18
James Gillray, 1756–1815
Junction of Parties
1783
19
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
20
James Gillray, 1756–1815
Duke William's Ghost
1799
21
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
22
James Gillray, 1756–1815
The Injured Countess
1786-1788
23
James Gillray, 1756–1815
Sawney in the Bog-House
1779
24
James Gillray, 1756–1815
The Fall of Phaeton
1788
25
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
26
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
27
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
28
James Gillray, 1756–1815
Patience on a Monument
1791
29
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
30
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
31
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
32
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
33
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
34
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
35
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
36
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
37
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
38
James Gillray, 1756–1815
Wha Wants Me?
1792
39
James Gillray, 1756–1815
National Conveniences
1796
40
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
41
James Gillray, 1756–1815
Fashionable Jockeyship
1796
42
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
43
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
44
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
45
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
46
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
47
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
48
James Gillray, 1756–1815
The Grand - Signior retiring
1796
49
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
50
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
51
James Gillray, 1756–1815
The Castle in the Moon
1782
52
James Gillray, 1756–1815
Wouski
1788
53
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
54
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
55
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
56
unknown artist
Design after a Greek Vase
undated
57
unknown artist
Design after a Greek Vase
undated
58
Francesco Bartolozzi, 1728–1815
The Death of Chatham
1788
59
Print made by Thomas Watson, 1743–1781
Elizabeth Lady Melbourne with Her Son, the Honourable. Peniston Lamb
1775
60
Print made by John Raphael Smith, 1752–1812
Lady Caroline Montagu as 'Winter'
1777
61
Print made by John Jones, ca. 1745–1797
Caleb Whitefoord, F.R.S., F.S.A
1793
62
Print made by John Dixon, ca. 1740–1811
Mary, Duchess of Ancaster
between 1765 and 1771
63
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
64
Isaac Weld, 1774–1856
View of Niagara Falls with the Falls in the Background, Right, and Landscape with Houses in the Foreground
between 1795 and 1797
65
Print made by Thomas Watson, 1743–1781
Catherine, Lady Bampfylde
1779
66
Print made by William Dickinson, 1746–1823
Diana, Viscountess Crosbie
ca. 1779
67
Print made by James Watson, 1740–1790
Charles James Fox, with Lady Sarah Lenox and Lady Susan Strangways
1762
68
unknown artist
An Asian Openbill Stork (Anastomus oscitans)
undated
69
Print made by Thomas Cheesman, 1760–1834/35
General Washington
1796
70
Print made by Thomas Cheesman, 1760–1834/35
General Washington
1796
71
Print made by Richard Earlom, 1743–1822
Bathsheba Bringing Abishag to David
1779
72
Print made by Johann Jacobé, 1733–1797
The Honorable Miss Monckton
1779
73
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
74
Print made by John Raphael Smith, 1752–1812
Colonel Tarleton
1782
75
Print made by John Jones, ca. 1745–1797
The Honble Mrs. Tollemache, in the Character of Miranda
1786
76
Print made by James Walker, 1748–1808
Lady Isabella Hamilton
1782
77
Print made by Richard Earlom, 1743–1822
George Augustus Elliot Lord Heathfield
1788
78
Thomas Watson, 1743–1781
Mrs. Theresa (née Robinson) Parker
1773
79
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
80
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
1785
81
William Ward, 1766–1826
Industry and Economy
1794
82
James Gillray, 1756–1815
Evacuation Before Resignation
1782
83
Valentine Green, 1739–1813
Georgiana Duchess of Devonshire
1780
84
Print made by Valentine Green, 1739–1813
Countess of Salisbury
1781
85
Print made by Valentine Green, 1739–1813
The Salutation
1778
86
Print made by Valentine Green, 1739–1813
Georgiana, Duchess of Devonshire as 'Cynthia'
1783
87
William Dickinson, 1746–1823
Diana Viscountess Crosbie
1779
88
James Watson, 1740–1790
Charles James Fox with Lady Sarah Bunbury and Lady Susan Strangways
1762
89
James Watson, 1740–1790
Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville
1770
90
Print made by Valentine Green, 1739–1813
Georgiana, Duchess of Devonshire
1780
91
Print made by Robert Thew, 1758–1802
First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)