On-site Access: Accessible by appointment in the Study Room / Period: 18th century / Width [cm]: 64

James Barry, 1741–1806

The Phoenix or the Resurrection of Freedom

1776

William Nutter, 1754–1802

Sunday Morning, A Cottage Family Going to Church

1795

unknown artist

The Purple Heron (Ardea purpurea)

Undated

Marie C. Prestel, 1747–1794

A Country Churchyard. Verse from Gray's Elegy

1790

Peltro W. Tomkins, 1760–1840

Encampment at Fornham near St. Edmund's Bury

1782

James Ward, 1769–1859

A Boy Employed in Burning Weeds

1799

Thomas Ryder, 1746–1810

The Murder of James First, King of Scotland

1792

Francis Legat, 1755–1809

"King Lear", Act V, Scene III

1792

Peter Simon, 1750–1810

Taming Of The Shrew, Act III, Scene II

1795

Print made by John Dixon, ca. 1740–1811

Count Ugolino della Gherardesca and His Sons in Prison

1774

George Vertue, 1684–1756

King Edward VI presenting the Charter for Bridewell to Sir George Barnes

1750

William Ward, 1766–1826

Inside of a Country Alehouse

1797

Print made by Robert Dunkarton, 1744–1811

Joseph Sold by his Brethren

1782

Robert Adam, 1728–1792

Headfort House, Ireland: Saloon Ceiling

1772

Print made by Robert Pollard, 1755–1838

The Distress'd Situation of the Dutton East Indiaman

1796

William Woollett, 1735–1785

The Battle at La Hogue

1781

Robert Dodd, 1748–1816

The Royal Dockyard at Chatham

1789

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

William Ward, 1766–1826

Hay Makers

1793

John Murphy, ca. 1748–1820

The Encampment at Brighton

1797

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mount Cavalary taken from Pont de Seve

Charles Tomkins, 1757–1823

Encampment at Farnham near St. Edmund's Bury

1782

J. Wellis To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

J. Wellis, active 1799

To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

1799

Francis Jukes, 1747–1812

View of Jedburgh Abbey

1793

Samuel Middiman, ca. 1750–1831

Winter's Tale, Act III, Scene III

1794

Print made by Andrew Lawrence, 1708–1747

The Death of the Stag

1753

Francois Vivares, 1709–1780

The Lodge and Garden from the Great Lake

1772

James Mason, 1710–1783

The Lodge and Stables, &c. at Windsor Great Park

1772

Francois Vivares, 1709–1780

The Moat Island

1772

Print made by Joseph Collyer, 1748–1827

The Volunteers of the City and County of Dublin

1784

Samuel Middiman, ca. 1750–1831

Shakespeare's Winter Tale Act III Scene III

1794

James Wyatt, 1746–1813

Cobham Hall, Kent: Elevations of Stables

1790

James Wyatt, 1746–1813

Cobham Hall, Kent: New Passage by Butler's Pantry

ca. 1790

John Rocque, 1704?–1762

...Plan of Windsor Park

1738

John Russell, 1745–1806

John Collins of Devizes

1799

James Bruce, 1730–1794

Lower Arch at Mactor Modern Makther set in a Landscape

undated

James Bruce, 1730–1794

Ruins of Temples at Saltronza

ca. 1768

James Bruce, 1730–1794

Aquaduct at Cherchel

ca. 1768

James Bruce, 1730–1794

Drawing of Temple Ruins and Figures

ca. 1768

Print made by Jacob Hogg, active 1751

John Howard, Esq. Visiting and Relieving the Miseries of a Prison

1790

David Allan, 1744–1796

View of the High Street of Edinburgh and the Commissioner

1793

unknown artist

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style

ca. 1780-1790