'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
2
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
3
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
4
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
5
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
6
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
7
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
8
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
9
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
10
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
11
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
12
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
13
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
14
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
15
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
16
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
17
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
18
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
19
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
20
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
21
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
22
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
23
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
24
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
25
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
26
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
27
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
28
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
29
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
30
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
31
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
32
Print made by William Blake, 1757–1827
Pity
ca. 1795
33
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
34
Print made by Johann Philip Koch, ca. 1716–1796
Le Ete - Der Sommer
undated
35
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
36
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
37
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
38
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
39
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
40
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
41
Print made by John Baptist Jackson, 1701–1780
The Virgin in the Clouds and Six Saints
1742
42
Benjamin Smith, 1775–1833
The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
1799
43
Figures engraved by William Sharp, 1749–1824
Niobe
1792
44
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
45
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
46
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
47
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
48
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
49
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
50
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
51
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva