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On-site Access Accessible by appointment in the Study Room

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Period 18th century

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Subject Terms man

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George Stubbs Study for the Self-portrait in Enamel
George Stubbs, 1724–1806
Study for the Self-portrait in Enamel
ca. 1781
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Hogarth Hymen
William Hogarth, 1697–1764
Hymen
ca. 1748
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1794
William Hogarth Paul Before Felix
Print made by William Hogarth, 1697–1764
Paul Before Felix
1752
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Poems by Mr. Gray; Title Page
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake Epitaph on Mrs. Clarke; Title Page
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
William Blake Elegy Written in a Country Church-Yard; Title Page
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Ode on a Distant Prospect of Eton College; Title Page
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake Ode on the Spring; Title Page
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake Ode to Adversity; Title Page
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake The Bard, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
George Romney Study of a Male Figure
George Romney, 1734–1802
Study of a Male Figure
undated
George Romney Bolingbroke and Head of a Fiend
George Romney, 1734–1802
Bolingbroke and Head of a Fiend
undated
George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
mid- to late 1770s
George Romney Man and Horse
George Romney, 1734–1802
Man and Horse
undated
George Romney Man (Unidentified Subject)
George Romney, 1734–1802
Man (Unidentified Subject)
undated
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
early 1770s
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Back View of a Standing Classical Male Figure
George Romney, 1734–1802
Back View of a Standing Classical Male Figure
1773-1775
George Romney Classical Male Nude
George Romney, 1734–1802
Classical Male Nude
undated
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
1773-1774
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
George Romney Ladies in Waiting
George Romney, 1734–1802
Ladies in Waiting
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney Laocoön
George Romney, 1734–1802
Laocoön
ca. 1773
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Borghese Gladiator
George Romney, 1734–1802
Borghese Gladiator
undated
George Romney Horseman of Montecavallo
George Romney, 1734–1802
Horseman of Montecavallo
between 1773 and 1774
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
John Webber A Man of the Sandwich Islands
John Webber, 1752–1793
A Man of the Sandwich Islands
ca. 1784
James McArdell Thomas Ashton D.D.
James McArdell, ca. 1729–1765
Thomas Ashton D.D
1756
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
William Nutter Sunday Morning, A Cottage Family Going to Church
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
Charles Grignion A Macarony at a Sale of Pictures
Charles Grignion, 1717–1810
A Macarony at a Sale of Pictures
1771
James Caldwall A Ladies Maid Purchasing a Leek
Print made by James Caldwall, 1739–1819
A Ladies Maid Purchasing a Leek
1772
Agostino Brunias Free Natives of Dominica
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
James Bretherton Every Sous Begad!
Print made by James Bretherton, ca. 1730–1806
Every Sous Begad!
1799
James Bretherton The Fish-Street Macaroni
Print made by James Bretherton, ca. 1730–1806
The Fish-Street Macaroni
1772
James Bretherton The Full Blown Macaroni
Print made by James Bretherton, ca. 1730–1806
The Full Blown Macaroni
1772
James Bretherton The Houndsditch Macaroni
Print made by James Bretherton, ca. 1730–1806
The Houndsditch Macaroni
1772
James Bretherton Inimitable Mr. James Moss
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
Henry William Bunbury The Judgment of Paris
Print made by Henry William Bunbury, 1750–1811
The Judgment of Paris
1771
James Bretherton John Jehu L'Inghilterra
Print made by James Bretherton, ca. 1730–1806
John Jehu L'Inghilterra
1772
James Bretherton Man with a Walking Stick in a Landscape
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
James Bretherton A Modern Spread Eagle
Print made by James Bretherton, ca. 1730–1806
A Modern Spread Eagle
1782
James Bretherton Monsieur Le Fouet, La Francia
Print made by James Bretherton, ca. 1730–1806
Monsieur Le Fouet, La Francia
1772
Charles Bretherton Postiglione Germanico
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
Charles Bretherton Postiglione Inglese
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
James Bretherton The St. James's Macaroni
Print made by James Bretherton, ca. 1730–1806
The St. James's Macaroni
1772
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790
Benjamin West A Farm near Windsor
Benjamin West, 1738–1820
A Farm near Windsor
1789
William Doughty Samuel Johnson, L. L. D.
Print made by William Doughty, 1757–1782
Samuel Johnson, L. L. D
1779
William Doughty The Honorable Augustus Keppel, Admiral of the Blue
Print made by William Doughty, 1757–1782
The Honorable Augustus Keppel, Admiral of the Blue
1779
John Condé His Royal Highness George Prince of Wales
Print made by John Condé, 1765–1794
His Royal Highness George Prince of Wales
1794
John Dixon Flute Player
Print made by John Dixon, ca. 1740–1811
Flute Player
between 1765 and 1771
Richard Earlom William Shakespeare
Print made by Richard Earlom, 1743–1822
William Shakespeare
ca. 1770
John Faber the Younger Tomo Chachi Mico, or King of Yamacraw, and Tooanahowi [sic], His Nephew
Print made by John Faber the Younger, ca. 1695–1756
Tomo Chachi Mico, or King of Yamacraw, and Tooanahowi [sic], His Nephew
ca. 1734
Philip Dawe Theodosius
Print made by Philip Dawe, ca.1750–ca.1790
Theodosius
1780
Philip Dawe Courtship for Money
Print made by Philip Dawe, ca.1750–ca.1790
Courtship for Money
1771
John Faber the Younger St. Paul
Print made by John Faber the Younger, ca. 1695–1756
St. Paul
1741