Search Constraints
You searched for:
On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centurySubject Terms wings
Remove constraint Subject Terms: wingsSearch Results
1
- Tail Piece, or the Bathos
- 1764
2
- Paul Before Felix Burlesqued
- 1751
3
- The Angel (Plate 40)
- 1794
4
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
5
- Night (Plate 30)
- 1789
6
- Infant Joy (Plate 28)
- 1789
7
- Songs of Experience, Frontispiece (Plate 32)
- 1794
8
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
9
- 'O treacherous conscience!' (Page 27)
- ca. 1797
10
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
11
- The Christian Triumph; Title Page
- ca. 1797
12
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
13
- Aged Ignorance (Plate 13)
- 1793
14
- Spring (Plate 12)
- 1789
15
- The Little Boy Lost (Plate 16)
- 1789
16
- Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
- 1794
17
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
18
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
19
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
20
- The Descent of Odin, An Ode; Title Page
- between 1797 and 1798
21
- Ode for Music, Performed in the Senate-House; Title Page
- between 1797 and 1798
22
- Infant Joy (Plate 14)
- 1789
23
- Night (Plate 16)
- 1789
24
- The Little Boy Lost (Plate 20)
- 1789
25
- Spring (Plate 26)
- 1789
26
- The Lamb (Plate 8)
- 1789
27
- 'We censure nature for a span too short' (Page 23)
- 1797
28
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
29
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
30
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
31
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
32
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
33
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
34
- The Christian Triumph; Title Page
- 1797
35
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
36
- The Fatal Sisters, An Ode; Title Page
- between 1797 and 1798
37
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
38
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
39
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
40
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
41
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
42
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
43
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
44
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
45
- Miss Frances Greville and her Brother as 'Hebe' and 'Cupid'
- 1762
46
- Marchioness of Townshend and Child
- 1792
47
- The Enchantress
- 1786
48
- The Enchantress
- 1786
49
- Van Dyke in the Character of Icarus
- 1778
50
- Le Ete - Der Sommer
- undated
51
- Van Dyke in the Character of Icarus
- 1778
52
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
53
- Venus Childing Cupid
- 1784
54
- The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
- 1720
55
- The Ceiling in the Banqueting House at Whitehall
- ca. 1720
56
- West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
- 1785
57
- Lovelace in Prison
- 1788
58
- The Triumph of Galatea
- 1701
59
- Cupid and Psyche
- 1784
60
- Venus and Cupid
- 1766
61
- Vertumnus et Pomona
- undated
62
- Duchess of Manchester with Her Son George, Viscount Mandeville, as 'Diana and Cupid'
- 1769
63
- Hebe
- 1780
64
- Miss Morris as 'Hope Nursing Love'
- 1771
65
- Mrs. Sheridan as 'St. Cecilia'
- 1776
66
- Cupid in the Character of a Link Boy
- 1777
67
- Cupid in the Character of a Link Boy
- 1777
68
- Mercury
- 1777
69
- Guardian Angels
- 1786
70
- Venus and Cupid
- ca. 1768
71
- Shakespeare Sacrificed; or, The Offering to Avarice
- 1789
72
- Presages of the Millenium
- 1795
73
- Ticket: Walker's Lectures
- 1794
74
- Ticket: Mr. Cox's Museum
- 1772
75
- At the Minerva at Rome
- undated
76
- The Virgin
- 1778
77
- Venus Chiding Cupid
- 1784
78
- Ticket: For the Benefit of Mr. Salpietro
- 1799
79
- Ticket: For the Benefit of Mr. Salomon
- 1794
80
- Ticket to Westminster Abbey
- before 1791
81
- At Rome
- undated
82
- At the City of Albano
- undated
83
- One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
- 1731
84
- Hope Nursing Love
- 1771
85
- Britannia Allegory
- between 1743 and 1747
86
- Design after a Greek Vase
- undated
87
- Design for a Ceiling Decoration
- 1723
88
- Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)
- undated
89
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
90
- The Birth of Venus
- undated
91
- The Archangel Gabriel Awaiting Night
- ca. 1799
92
- Vulture and Lamb
- 1799
93
- Cupid and Cephisa: "One Day as I was Walking in the Woods..."
- 1789
94
- Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
- before 1797
95
- Victorious Hero Takes Occasion to Conclude Peace
- 1720
96
- Design after a Greek Vase
- undated
97
- The Oracle, Representing Britannia, Hibernia, Scotia and America
- 1774
98
- Sir Godfrey Kneller
- 1735
99
- Ticket to Westminster Abbey
- before 1791
100
- Ticket: For the Benefit of Mr. Salpietro
- 1799