North-West Front, Cassiobury, with Hounds and Huntsmen
10
after Joseph Mallord William Turner, 1775–1851
The Trout Stream
11
after Joseph Mallord William Turner, 1775–1851
Les Fetes de la Moisson
12
Print made by Thomas Goldsworth Dutton, 1819/20–1891
The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843
1843
13
Print made by Sir Frank Short, 1857–1945
Huntsmen in a Wood
1896
14
Print made by Sir Frank Short, 1857–1945
Huntsmen in a Wood
1891
15
James Mitan, 1776–1822
The Pavilion & Steyne at Brighton
1806
16
Print made by William Ward, 1766–1826
Henry Callender
1812
17
Print made by William Ward, 1766–1826
Filho da Puta and Sir Joshua
1818
18
Print made by Richard Earlom, 1743–1822
Bull Dogs and Badgers
1807
19
Print made by Thomas Higham, 1796–1844
Boulevards, Paris
1835
20
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot (first State)
1823
21
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot
1823
22
Print made by Richard Parkes Bonington, 1802–1828
Glenfinlas
1826
23
Print made by Frederick Christian Lewis the Elder, 1779–1856
Promenade on the Ramparts of Nantes
undated
24
Print made by Thomas Higham, 1796–1844
Boulevards, Paris
1835
25
Print made by Robert Wallis, 1794–1878
Margate, Kent
1831
26
Print made by William Radclyffe, 1780–1855
Blenheim, Oxfordshire
1833
27
Print made by William Radclyffe, 1780–1855
Blenheim, Oxfordshire
1833
28
Print made by James Tibbits Willmore, 1800–1863
Llandberis Lake, Wales
1834
29
Print made by James Tibbits Willmore, 1800–1863
Ullswater, Cumberland
1835
30
Print made by James Tibbits Willmore, 1800–1863
Powis Castle, Montgomery
1835
31
Print made by James Tibbits Willmore, 1800–1863
Powis Castle, Montgomery
1835
32
Print made by James Tibbits Willmore, 1800–1863
Powis Castle, Montgomery
1835
33
Print made by James Tibbits Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
34
Print made by James Tibbits Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
35
Print made by James Tibbits Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
36
Print made by James Tibbits Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
37
Print made by James Tibbits Willmore, 1800–1863
Richmond Terrace, Surrey
1838
38
Print made by James Tibbits Willmore, 1800–1863
Richmond Terrace, Surrey
1838
39
Print made by James Tibbits Willmore, 1800–1863
Richmond Terrace, Surrey
1838
40
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
41
unknown artist
The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
42
John Martin, 1789–1854
Archers Stalking a Stag
1821
43
James Pollard, 1792–1867
Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest
1820
44
Samuel William Reynolds, 1773–1835
Lord Glamis and Stag Hounds
1825
45
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
46
George Alken, 1794–active 1837
Exercising a Racehorse
undated
47
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
48
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
49
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
50
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
51
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
52
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
53
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
54
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
55
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
56
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
57
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
58
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
59
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
60
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
61
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
62
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
63
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
64
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
65
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
66
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
67
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
68
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
69
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
70
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
71
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
72
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
73
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
74
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
75
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
76
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
77
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
78
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
79
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
80
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
81
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
82
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
83
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
84
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
85
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
86
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
87
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
88
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
89
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
90
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
91
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
92
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
93
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
94
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
95
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
96
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
97
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
98
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
99
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
100
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home