On-site Access: Accessible by appointment in the Study Room / Period: 19th century / Height [cm]: 33

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer, 1805–1881

Tintern Abbey at Sunset

1861

Robert Polhill Bevan, 1865–1925

Horses Threshing, Pont Aven

1893

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

Print made by Abraham Raimbach, 1784–1868

Prince Amgiad and Prince Assad

1802

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Edward Duncan, 1803–1882

H.M.S. Warspite 50 Guns

Print made by Charles Turner, 1774–1857

Norham Castle, on the River Tweed

1824

Print made by Thomas Goff Lupton, 1791–1873

Warkworth Castle on the River Coquet

1823 to 1827

Joseph Nash, 1808–1878

Levens, Westmoreland, The Small Drawing Room

1873

Print made by George H. Phillips, active 1819–1825

Miss Murray

1839

Print made by William Ward, 1766–1826

Her Royal Highnes the Princess Elizabeth

1801

Print made by William Ward, 1766–1826

Mrs. Pope as Juliet

ca. 1804

Print made by George H. Phillips, active 1819–1825

Miss Fanny Ayton

1828

Print made by Richard Parkes Bonington, 1802–1828

Campos sur les bords du Rio das Velhas

1827

Print made by Richard Parkes Bonington, 1802–1828

Croix de Moulin les Planches

1827

Print made by Richard Parkes Bonington, 1802–1828

Rue du Gros Horloge

1824

Print made by Richard Parkes Bonington, 1802–1828

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

Godefroy Engelmann, 1788–1839

Aloys Senefelder

1819

Print made by Raphael Lamar West, 1769–1850

Study of a Tree

1802, published 1807

Print made by John Hill, 1770–1850

West Front, Cassiobury

1816

B. Pym, active 1793–1805

Henry James Pye, Esq

1801

unknown artist

The London Workhouse, Bishopsgate Street

1819

Bartholomew Howlett, 1767–1827

Clerks-Well

1822

Thomas Sutherland, ca. 1785–1838

View of Blackfriars Bridge and St. Paul's

1803

Edward William Cooke, 1811–1880

The Southwark End of Old London Bridge

1831

Edward William Cooke, 1811–1880

London Bridge--- Demolition

1832

Edward William Cooke, 1811–1880

Demolition of Old London Bridge

1832

Edward William Cooke, 1811–1880

The Old and New London Bridge

1830

Print made by unknown artist

The Young Roscius

1804

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Print made by James Ward, 1769–1859

William Henry West Betty

1805

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

1805

John Summerfield, active 1817?

Sleeping Boy

1812

Print made by Sir Frank Short, 1857–1945

Water Mill

1885

Sir Robert Smirke the younger, 1781–1867

Doric Order Septastyle Temple

between 1802 and 1804

Samuel William Reynolds, 1773–1835

James Hare

1804

Print made by Elizabeth Christiana Fanshawe, 1778–1856

Elizabeth Alexander

1806

James Watson, 1740–1790

Mary Bertie (née Panton) Duchess of Ancaster and Kesteven

1801

Charles Turner, 1774–1857

Dugald Stewart Esq

1808

Sir Robert Smirke the younger, 1781–1867

Castel Sant' Angelo

1802-1804

Print made by William Miller, 1796–1882

New Abbey, near Dumfries

1834

Augustus Welby Northmore Pugin, 1812–1852

Twenty Designs for Gothic Friezes

1830

Capt. Thomas Hastings, 1778–1854

Within Carisbrooke Castle Grounds, Isle of Wight

between 1826 and 1830

Capt. Thomas Hastings, 1778–1854

Crewkerne Abbey, 24 May 1833

1833

John Saddler, 1813–1892

The Interior of the Transepts of the Crystal Palace

1851

Bartholomew Howlett, 1767–1827

Interior of the Choir of St. Barts the Great

1822

unknown artist

Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

1820

unknown artist

Inside of a Room and Saxon Ornaments of Bermondsey Abbey

1820

unknown artist

Inside of the Hall, Bermondsey Abbey

1820

Print made by Sir David Young Cameron, 1865–1945

Veronica [North Italian Set: No. 2]

1895

Henri Charles Guérard, 1846–1897

Portrait of Whistler

1888

Print made by John Franklin, c.1800–1868

Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

ca. 1825

Print made by Sir David Young Cameron, 1865–1945

The Rialto

1900

unknown artist

Gateway of the Priory of the Holy Trinity, called Christchurch near Aldgate

1825

unknown artist

Rush Memorial in Clapham Church

undated

unknown artist

Brooke and Crofford Memorial in Clapham Church

undated

William Gauci, active 1825–1854

Monuments and Tablets in St. Dunstan's Church

unknown artist

Nevil Memorial in Fulham Church

undated

Henri Charles Guérard, 1846–1897

Portrait of Whistler

ca. 1888

Henri Charles Guérard, 1846–1897

Portrait of Whistler

ca. 1888

Print made by Charles Turner, 1774–1857

Children Crying Forfeits

1826

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

George Hunt "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

George Hunt, active 1820–1840

"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ..

1836

Print by John Scott, 1774–1828

[Shooting] The Pointer

1831

Print made by Charles Turner, 1774–1857

Age of Innocence

1836

John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith, 1766–1833

Hogarth Sitting to Roubiliac for His Bust

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817