Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
8
Joseph Mallord William Turner, 1775–1851
Lulworth Castle, Dorset
ca. 1820
9
Edward Lear, 1812–1888
Peppering, Oct. 3-1834
1834
10
Edward Lear, 1812–1888
North Stoke. Oct. 21.1834
1834
11
Edward Lear, 1812–1888
Bassenthwaite
1836
12
Edward Lear, 1812–1888
Derwentwater
1836
13
Edward Lear, 1812–1888
Derwentwater, September 1836
1836
14
Edward Lear, 1812–1888
Parham, Sept. 30, 1834
1834
15
Edward Lear, 1812–1888
Villa d'Este
1866
16
Print made by Edward Calvert, 1799–1883
The Sheep of His Pasture
ca. 1828
17
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
18
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
19
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
20
Print made by unknown artist
A Large Christmas Card
1895
21
Newton Limbird Smith Fielding, 1799–1856
Hare in a Landscape
1827
22
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
23
Print made by Richard Corbould, 1757–1831
Old Trees with Old Man, a Girl and a Dog
1802, published 1806
24
Print made by Edward Calvert, 1799–1883
The Bride
1828
25
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
26
Print made by Thomas Shotter Boys, 1803–1874
Buckingham Palace from St. James's Park
1842
27
John Varley, 1778–1842
The Thames at Windsor
ca. 1830
28
Print made by Sir David Young Cameron, 1865–1945
Glasgow Cathedral
1889
29
Francis Towne, 1740–1816
Houses near Plymouth
1810
30
Henry Morton, ca. 1807–1825
Windmill on the Sea Coast Near Hastings
undated
31
unknown artist
Church Interior
undated
32
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
33
George Sidney Shepherd, 1784–1862
Wandshorst Church Surrey
undated
34
unknown artist
The Garden of Buckingham Palace, seen from the terrace
undated
35
George Pyne, 1800–1884
Design for Gameskeeper's Cottage
undated
36
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
37
Samuel Prout, 1783–1852
Bathing Tents on the Beach, Ostend
undated
38
Print made by Edward Radclyffe, 1809–1863
Changing Pasture
undated
39
David Charles Read, 1790–1851
Landscape with Trees
undated
40
David Charles Read, 1790–1851
Landscape with Trees; a River in the Background
undated
41
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
42
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
43
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
44
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
45
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
46
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
47
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
48
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
49
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
50
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
51
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
52
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
53
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
54
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
55
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
56
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
57
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
58
William Heath, 1795–1840
Woodcock Shooting
undated
59
Thomas Rowlandson, 1756–1827
Evading the Toll
between 1805 and 1810
60
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
61
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
62
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
63
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
64
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Next a Little Low Church"
undated
65
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
66
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
67
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
68
Print made by James Basire II, 1769–1822
Frankley Chapel, S. E., Worcestershire
1812
69
Henry Thomas Alken, 1785–1851
Going at a Rank of Hurdles with Temper and Resolution
1827
70
George Buchanan Wollaston, Active 1879–1886
London Chatham and Dover Railway Viaduct, S Mary Cray, Kent, Feb. 16, 1881 - Dec. 15, 1882
1881
71
unknown artist
A Dangerous Leap
ca. 1850
72
Print made by Rowney & Forster, active 1820–1822
Punch
after 1821
73
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
74
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
75
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
76
Henry Thomas Alken, 1785–1851
Two Riders Jumping a Wooden Fence
undated
77
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
78
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
79
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
80
Possibly Henry Thomas Alken, 1785–1851
The Death
undated
81
Henry Thomas Alken, 1785–1851
The Death: The Fox Hoist to a Fence
undated
82
Henry Thomas Alken, 1785–1851
Gone Away
undated
83
Henry Thomas Alken, 1785–1851
'Rather Too Slow'
undated
84
Henry Thomas Alken, 1785–1851
'Getting Across the Country Like a Gentleman'
undated
85
Henry Thomas Alken, 1785–1851
Rider on a Brown Horse About to Jump a Rail Fence to the Right
undated
86
Henry Thomas Alken, 1785–1851
Jumping a Double Oxer - A Rider in Difficulties
undated
87
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
88
Henry Thomas Alken, 1785–1851
Rider Holding on to a Gray Horse After a Fall
undated
89
Henry Thomas Alken, 1785–1851
Jumping a Low Rail and a Brook
undated
90
Henry Thomas Alken, 1785–1851
Steeplechasing: Four Riders Taking a Ditch and an Oxer
undated
91
Henry Thomas Alken, 1785–1851
Steeplechasing: Two Riders Taking a Wooden Fence
undated
92
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Stone Wall and Gate
undated
93
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Low Rail and a Brook
undated
94
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field Jumping Into and Out of a Lane
undated
95
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
96
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
97
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'