On-site Access: Accessible by appointment in the Study Room / Image Available: Available / Subject Terms: painting (visual work)

Etched by Joseph Mallord William Turner, 1775–1851

Frontispiece

1812

John Thomas Smith, 1766–1833

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1817

Sir Francis Grant, 1803–1878

A Lady Painting

1837

Richard Wilson, 1713/4–1782

An Underground Shrine with Two Figures Kneeling before a Pieta

undated

George John Pinwell, 1842–1875

Self Portrait

undated

unknown artist

Classical Scene: Minerva as the Goddess of Arts and Sciences

undated

Print made by Francesco Bartolozzi, 1728–1815

A Lecture on Gadding

1789

John Goldar, 1729–1795

The Sacrifice

1767

Thomas Rowlandson, 1756–1827

The Connoisseurs

ca. 1790

Print made by Richard Cooper the Younger, 1740–1814

Sir William Beechey, R. A

1814

Print made by James Bretherton, ca. 1730–1806

P. Monamy

undated

John Faber the Younger, ca. 1695–1756

Sir Godfrey Kneller

1735

Print made by John Faber the Younger, ca. 1695–1756

Philippe Mercier

1735

Print made by George Cruikshank, 1792–1878

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

1820

Joan Beales, born 1926

Cassiobury Park / Hatfield House / Hampton Court / St. Albans

1956

John Scarlett Davis, 1804–1845

The Tomb of Van Balen, Antwerp, September 7, 1832

1832

Malcolm Drummond, 1880–1945

Portrait Study of an Artist

undated

Thomas Rowlandson, 1756–1827

The Family Picture

1817

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

Print made by Samuel Freeman, 1773–1857

John Smith

undated

Print made by James Bretherton, ca. 1730–1806

P. Monamy

undated

Print made by Esme de Boulonois, active 1645–1681

Antonius Morus Ultraiectinus Pictor

between 1645 and 1681

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Print made by unknown artist

Key to Life School at the Royal Academy

1794

Paul François Arnold Cardon, called "Dornac", 1859–1941

Whistler in his studio on the rue Notre-Dame-des-Champs, Paris

1893

George Dance, 1741–1825

Cut and Come Again

undated

Thomas Rowlandson, 1756–1827

An Artist's Studio

1814

James Fittler, 1758–1835

Benjamin West, P.R.A

1817

Print made by James Charles Armytage, 1802–1897

Sir David Wilkie

after 1829

John Faber the Younger, ca. 1695–1756

Hamlet Winstanley

1731

Print made by Richard Earlom, 1743–1822

Giovanni Battista Cipriani, Esqr. R. A

1789

Print made by George Cruikshank, 1792–1878

The Triumph of Cupid: A Reverie

undated

Print made by Samuel Cousins, 1801–1887

Miss Macdonald

1831

Print made by Johann Jacobus Haid, 1704–1767

Le jeu de dames

undated

John Goldar, 1729–1795

William Dodd, L. L. D

between 1775 and 1795

Print made by John Dixon, ca. 1740–1811

The Old Beau in an Extasy

1773

L. Truchy Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

L. Truchy, 1721–1764

Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

1762