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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomWork Type drawing
Remove constraint Work Type: drawingHeight [cm] 41
Remove constraint Height [cm]: 41Search Results
1
- Open Ditch
- 1962
2
- Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
- between 1795 and 1806
3
- Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
- 1795 to 1806
4
- Human Skeleton, Lateral View
- 1795 to 1806
5
- Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
- 1795 to 1806
6
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
7
- Tiger Body, Lateral View
- 1795 to 1806
8
- Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
- 1795 to 1806
9
- Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
- between 1795 and 1806
10
- Tiger Body, Lateral View
- 1795 to 1806
11
- Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
- 1795 to 1806
12
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
13
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
14
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
15
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
16
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
17
- Night the Third. Narcissa; Title Page
- ca. 1797
18
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
19
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
20
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
21
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
22
- 'O treacherous conscience!' (Page 27)
- ca. 1797
23
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
24
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
25
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
26
- Sealing the Stone and Setting a Watch
- 1800 to 1803
27
- Pity
- ca. 1795
28
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
29
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
30
- David Playing the Harp
- ca. 1771
31
- The Artist's Wife Emma, on her Wedding Day
- 1853
32
- Gates of the Alhambra: Puerta de los Siete Suelos
- 1775 to 1776
33
- Court of the Lions in the Alhambra of Granada
- 1775 to 1776
34
- Landscape of Buildings Along a Cliff
- undated
35
- Castle of Elmo &c
- 1777 to 1778
36
- The Malvern HIlls from the Field near Cheltenham
- undated
37
- Theatre of Sagunto, Spain
- 1775 to 1776
38
- Albano
- 1777 to 1778
39
- Near Guadix
- 1775 to 1776
40
- Carmona
- 1775 to 1776
41
- Mürzzuschlag, Austria
- 1779
42
- Málaga
- 1775 to 1776
43
- Landscape with Figure, Standing on Large Rock
- undated
44
- View of an Inn
- undated
45
- Mountain Landscape View of a River Flowing through a Town
- undated
46
- A Waterfall
- undated
47
- Valencia, Spain
- 1775 to 1776
48
- Leoben, Austria
- 1779
49
- Sketch of a Walled City
- undated
50
- View of an Island with Sailboat
- undated
51
- Sketch of a Villiage Set in in Hilly Landscape
- undated
52
- Tynemouth Castle and Priory, England
- undated
53
- View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought
- 1777 to 1778
54
- Paladi Pontine da Velletri
- 1777 to 1778
55
- Bay of Naples
- 1777 to 1778
56
- Capuchins of Our Lady of Médoux
- undated
57
- Brindisi from the HIll South of the New Channel
- 1777 to 1780
58
- Isle of Capri Seen on the South
- 1777 to 1778
59
- Villeneuve-lès-Maguelone, France
- undated
60
- Palestrina, Italy
- 1777 to 1778
61
- Lang House Farm
- undated
62
- Krieglach, Austria
- 1779
63
- Ruins of a Circular Stone Keep
- undated
64
- Stone Bridge
- undated
65
- Landscape, With view of coast and Palm trees in the Distance
- undated
66
- Château de Chaumont
- undated
67
- Personalized Design
- 1776
68
- Landscape, with River and Church in the Distance
- undated
69
- Skids
- undated
70
- Cynanchum altiscandens and Tacazzea venosa
- undated
71
- The Entrance to Hengrave Hall, 1819
- 1819
72
- Levens, Westmoreland, The Small Drawing Room
- 1873
73
- Harlech Castle and Twgwyn Ferry
- 1804
74
- A Dove
- undated
75
- A Bird
- undated
76
- Study of two girls, with a study of a hand to the right
- undated
77
- Views of Spain, Volume I
- undated
78
- Views of Polar Regions
- undated
79
- The Carthusian Convent at Trisulto
- 1790
80
- View at Valmontone. November 1790
- 1790
81
- The Carthusian Convent at Trisulto
- 1790
82
- The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
- 1790
83
- The Carthusian Convent at Trisulto, near Alatri
- 1790
84
- Ducal Palace etc at Isola di Sora
- 1791
85
- Ducal Palace at Isola di Sora
- 1791
86
- Convento del Carmine, at Isola di Sora
- 1790
87
- Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
- 1791
88
- Ducal Palace at Isola di Sora
- 1790
89
- View on the river Liris, near Isola di Sora
- 1790
90
- View on the River Liris at Isola di Sora
- 1791
91
- View at Isola di Sora
- 1790
92
- Monastery of La Trappe, at Casamare
- 1790
93
- View on the Liris near Isola
- 1790
94
- View on the River Liris, near Isola
- 1790
95
- View on the Liris at Isola di Sora
- 1790
96
- View on the Liris, near Isola di Sora
- 1790
97
- Church of S. Domenico on the river Fibrenus
- 1790
98
- View on the River Liris near Isola
- 1790
99
- View near Sora on the Liris
- 1790
100
- Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
- 1791