'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
2
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
3
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
4
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
5
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
6
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
7
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
8
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
9
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
10
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
11
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
12
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
13
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
14
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
15
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
16
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
17
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
18
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
19
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
20
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
21
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
22
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
23
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
24
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
25
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
26
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
27
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
28
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
29
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
30
Print made by William Blake, 1757–1827
Pity
ca. 1795
31
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
32
George Romney, 1734–1802
Fall of the Rebel Angels
undated
33
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
34
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
35
Richard Westall, 1765–1836
The Birth of Christ (Luke 2:15)
before 1836
36
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
37
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
38
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
39
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
40
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
41
circle of John Linnell, 1792–1882
The Creation
undated
42
circle of John Linnell, 1792–1882
Behemoth and Leviathan
undated
43
circle of John Linnell, 1792–1882
The Fall of Satan
undated
44
circle of John Linnell, 1792–1882
Job and His Family
undated
45
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
46
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
47
Augustus Welby Northmore Pugin, 1812–1852
Sketches of the Butler-Bowden cope
undated
48
Augustus Welby Northmore Pugin, 1812–1852
Elevation of a Baptismal Font
undated
49
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
50
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
51
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
52
unknown artist
The Destruction of Sodom and Gomorrah
undated
53
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
54
Edward Francis Burney, 1760–1848
Female Figures and Putti Playing Musical Instruments
undated
55
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
56
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
57
Edward Francis Burney, 1760–1848
Allegory of Painting and Literature
undated
58
Edward Francis Burney, 1760–1848
Pastoral
undated
59
Edward Francis Burney, 1760–1848
The Arts
undated
60
Edward Francis Burney, 1760–1848
Charity
undated
61
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
62
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
63
Edward Francis Burney, 1760–1848
Pamphilia
undated
64
Edward Francis Burney, 1760–1848
Pamphilia
undated
65
George Frederic Watts, 1817–1904
Studies for the Angels in The Court of Death
undated
66
George Frederic Watts, 1817–1904
Study for a Circular Ceiling Decoration
undated
67
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
68
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
69
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
70
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
71
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
72
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
73
Joseph Wilton, 1722–1803
Design for a Monument
undated
74
Richard Cosway, 1742–1821
Cupid Overpowering a Satyr
undated
75
Richard Cosway, 1742–1821
Flight into Egypt
undated
76
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
77
Giovanni Battista Cipriani, 1727–1785
Selling of Cupids
undated
78
Attributed to Mauritius Lowe, 1746–1793
Classical Figures in Battle
undated
79
Isaac Fuller, ca. 1620–1672
The Nymph Galatea
undated
80
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels