Rider in a Tricorn Hat, Horse Walking towards Front
undated
4
Thomas Rowlandson, 1756–1827
A Phaeton and Six
undated
5
Sawrey Gilpin, 1733–1807
Six Studies of Figures on Horses
undated
6
Sawrey Gilpin, 1733–1807
Hound Trial with hounds named
undated
7
Lionel Edwards, 1878–1966
`Now then! Are you ready?'
1905
8
Jan Wyck, ca. 1645–1700
A Race Meeting at Newmarket Heath
ca. 1671
9
unknown artist
John Gilpin Then Stopp'd at His Own Door
undated
10
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
11
unknown artist
Morning
1799
12
unknown artist
Evening
1799
13
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
14
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
15
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
16
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
17
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
18
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
19
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
20
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
21
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
22
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
23
Henry Thomas Alken, 1785–1851
Hooded Damascene Cavalryman Riding
undated
24
Henry Thomas Alken, 1785–1851
Wounded Turkish Cavalryman in Danger of Failling From His Horse..
undated
25
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
26
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
27
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
28
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
29
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
30
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
31
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
32
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
33
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
34
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
35
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
36
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
37
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
38
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
39
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
40
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
41
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
42
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
43
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
44
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
45
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
46
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
47
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
48
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
49
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
50
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
51
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
52
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
53
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
54
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
55
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
56
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
57
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
58
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
59
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
60
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
61
Sawrey Gilpin, 1733–1807
Hunting Sketch: Gone to Earth
undated
62
Sawrey Gilpin, 1733–1807
Rider in Tricorne Hat
undated
63
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
64
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
65
Samuel Howitt, 1756–1822
Going out of Kennel
undated
66
Samuel Howitt, 1756–1822
Going to Cover
undated
67
Samuel Howitt, 1756–1822
Full Cry
undated
68
Samuel Howitt, 1756–1822
The Check
undated
69
Samuel Howitt, 1756–1822
The Death
undated
70
Samuel Howitt, 1756–1822
Going Home
undated
71
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
72
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
73
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
74
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
75
James Seymour, 1702–1752
Rider in Armour
undated
76
James Seymour, 1702–1752
A Boar Hunt
undated
77
James Seymour, 1702–1752
Rider With a Draw-Rein, Walking to Left
undated
78
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
79
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
undated
80
Peter Tillemans, 1684–1734
The Duke of Somerset on Horseback
undated
81
Francis Barlow, 1622–1704
Hare Hunting
undated
82
Julius Caesar Ibbetson, 1759–1817
Galloping Rider With Whip Under His Arm
undated
83
Gilbert Joseph Holiday, 1879 –1937
Over the Gate: Lady Huntsman Taking a Fence
undated
84
Gilbert Joseph Holiday, 1879 –1937
'Join the Hickers Old Boy - You're Well Rid of the Brute'
undated
85
Henry Thomas Alken, 1785–1851
The St. Leger, Doncaster: The Finish
undated
86
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
87
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
88
George Denholm Armour, 1864–1949
Taking a Fence Side-Saddle
undated
89
George Denholm Armour, 1864–1949
Some Have Greatness Thrust Upon Them
undated
90
Samuel Howitt, 1756–1822
The Kill
undated
91
James Seymour, 1702–1752
Foxhunting
undated
92
Joseph Crawhall, 1861–1913
Horse and Rider: a Stout Huntsman on a Galloping Horse
undated
93
unknown artist
A Dangerous Leap
ca. 1850
94
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
95
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
96
James Seymour, 1702–1752
Victorious
undated
97
Paul Sandby, 1731–1809
Girl with Packhorse
undated
98
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
99
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"