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Work Type intaglio print

Height [cm] 39

William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

William Hogarth The First Stage of Cruelty: Children Torturing Animals

Print made by William Hogarth, 1697–1764

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty

Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

William Hogarth Marriage à la Mode, Plate 6

Print made by William Hogarth, 1697–1764

Marriage à la Mode, Plate 6

1745

William Hogarth Simon Lord Lovat

Print made by William Hogarth, 1697–1764

Simon Lord Lovat

1746

Joseph Mallord William Turner Winchelsea, Sussex

Etched by Joseph Mallord William Turner, 1775–1851

Winchelsea, Sussex

1812

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

John Copley Sheep in Twilight

Print made by John Copley, 1875–1950

Sheep in Twilight

1922

Paulus Pontius Paulus Pontius

Print made by Paulus Pontius, 1603–1658

Paulus Pontius

ca. 1635

John Boydell Noon

Print made by John Boydell, 1720–1804

Noon

1753

John Boydell A Calm

Print made by John Boydell, 1720–1804

A Calm

1754

David Lucas Hadleigh Castle, Large Plate

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

James McArdell Charles Saunders Esq.

James McArdell, ca. 1729–1765

Charles Saunders Esq

1748

Charles William Cain The Nautch Dancers

Print made by Charles William Cain, 1893–1962

The Nautch Dancers

ca. 1925

unknown artist Returning from a Review...Paris

unknown artist

Returning from a Review...Paris

1802

unknown artist Breakfast at Breteuil

unknown artist

Breakfast at Breteuil

1801

James Clark Cowdray Ruins

Print made by James Clark, 19th century

Cowdray Ruins

1824

William Bernard Cooke The Vale of Ashburnham

Print made by William Bernard Cooke, 1778–1855

The Vale of Ashburnham

1816

William Bernard Cooke Hurstmonceux Castle

Print made by William Bernard Cooke, 1778–1855

Hurstmonceux Castle

1820

Henry Le Keux Simmer Lake near Askrig

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1818-1823

Charles Heath Ingleborough, from Hornby Castle Terrace

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1818-1823

Charles Heath Kirkby Lonsdale Churchyard

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Samuel Middiman Weathercote Cave when Half Filled with Water

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

Robert Wallis Edinburgh from Leith Harbour, Vignette Title to Vol. II

Print made by Robert Wallis, 1794–1878

Edinburgh from Leith Harbour, Vignette Title to Vol. II

1826

Edward Francis Finden Genoa

Print made by Edward Francis Finden, 1791–1857

Genoa

1832-1834

Sir David Young Cameron The Five Sisters, York Minister

Sir David Young Cameron, 1865–1945

The Five Sisters, York Minister

1907

Francesco Bartolozzi Tom Jones Assisting Molly Seagrim

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Arthur John Reginald Trevor Briscoe The Main Tack

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

The Main Tack

1928

Charles William Cain A Persian Bazaar

Print made by Charles William Cain, 1893–1962

A Persian Bazaar

undated

Sir David Young Cameron The Five Sisters, York Minister

Sir David Young Cameron, 1865–1945

The Five Sisters, York Minister

1907

James Basire the younger A View of Worcester College &c.

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

James Basire the younger View of Oxford from the South Side of Heddington Hill

Print made by James Basire the younger, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

George Cooke Edinburgh Castle, Vignette Title to Vol. I

Print made by George Cooke, 1781–1834

Edinburgh Castle, Vignette Title to Vol. I

1826

John Landseer Freshwater Bay

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

James Basire the younger South View of Christ Church, etc. from the Meadows

Print made by James Basire the younger, 1769–1822

South View of Christ Church, etc. from the Meadows

1799

James C. Allen Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Benjamin Green Oxford Physic Garden

Print made by Benjamin Green, ca. 1736–ca. 1800

Oxford Physic Garden

1766

Michael Landy Creeping Buttercup

Michael Landy, Born 1963

Creeping Buttercup

2002

Willem Janszoon Blaeu Magnae Britanniae et Hiberniae Tabula

Print made by Willem Janszoon Blaeu, 1571–1638

Magnae Britanniae et Hiberniae Tabula

1634

Edward Goodall Valombre

Print made by Edward Goodall, 1795–1870

Valombre

1834

Samuel William Reynolds Animals [a pair]: 2. Tigress

Samuel William Reynolds, 1773–1835

Animals [a pair]: 2. Tigress

1799

Francesco Bartolozzi Gainsborough

Print made by Francesco Bartolozzi, 1728–1815

Gainsborough

undated

Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Print made by Francesco Bartolozzi, 1728–1815

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

undated

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

Samuel William Reynolds Animals [a pair]: 1. Lioness

Samuel William Reynolds, 1773–1835

Animals [a pair]: 1. Lioness

1799

Matthew Dubourg Pheasant Shooting

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Edward Goodall The Boy of Egremond

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

William Richardson Crossing the Brook

Print made by William Richardson, active 1842–1877

Crossing the Brook

between 1859 and 1861

John Samuel Agar Sir George Beaumont, Bart.

Print made by John Samuel Agar, ca. 1773–1858

Sir George Beaumont, Bart

1812

James Basire Plate VIII: St Stephen's Chapel

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

Anthony Cardon Henry Tresham, Esq. R. A.

Print made by Anthony Cardon, 1772–1813

Henry Tresham, Esq. R. A

1814

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

James Gillray A Cognocenti Contemplating ye Beauties of ye Antique

Print made by James Gillray, 1756–1815

A Cognocenti Contemplating ye Beauties of ye Antique

1801

Simon François Ravenet Marriage à la Mode, Plate 4

Print made by Simon François Ravenet, 1706–1774

Marriage à la Mode, Plate 4

1745

Gerard Jean Baptiste Scotin Marriage à la Mode, Plate 1

Print made by Gerard Jean Baptiste Scotin, 1671–1716

Marriage à la Mode, Plate 1

1745

Simeon Solomon The Haunted House

Print made by Simeon Solomon, 1840–1905

The Haunted House

1858

Sir Frank William Brangwyn The Headless Christ

Print made by Sir Frank William Brangwyn, 1867–1956

The Headless Christ

1910

unknown artist Miss Tipapin Going for All Nine

Print made by unknown artist

Miss Tipapin Going for All Nine

1779

Frederick Landseer Maur Griggs Anglia Perdita

Print made by Frederick Landseer Maur Griggs, 1876–1938

Anglia Perdita

1921

Jacques Rigaud Prospect of Hampton Court from the Garden Side

Jacques Rigaud, 1681–1754

Prospect of Hampton Court from the Garden Side

1736

Valentine Green Benjamin West and His Son Raphael

Print made by Valentine Green, 1739–1813

Benjamin West and His Son Raphael

1775

Sir Francis Seymour Haden A Lancashire River

Sir Francis Seymour Haden, 1818–1910

A Lancashire River

1881

Sir Francis Seymour Haden The Breaking Up of the Agamemnon, no. 2

Print made by Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

William Doughty The Rev. William Mason, M. A.

Print made by William Doughty, 1757–1782

The Rev. William Mason, M. A

1779

John Finlayson William Drummond of Hawthornden

John Finlayson, 1730–1776

William Drummond of Hawthornden

1766

Edward Fisher Admiral George Edgcumbe, first Earl of Mount Edgcumbe

Edward Fisher, 1722–1785

Admiral George Edgcumbe, first Earl of Mount Edgcumbe

1760

Edward Fisher The Most Noble Granville Leveson, Earl Gower

Edward Fisher, 1722–1785

The Most Noble Granville Leveson, Earl Gower

1765

William Dickinson The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

William Dickinson, 1746–1823

The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

1774

John Wood The View from One Tree Hill in Greenwich Park

John Wood, 1728–1781

The View from One Tree Hill in Greenwich Park

1744

Francesco Bartolozzi Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Print made by Francesco Bartolozzi, 1728–1815

Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

1788

Henry Papprill The Review of the Queens Own Regiment of the Yeomanry Cavalry

Henry Papprill, 1816–d.after 1883

The Review of the Queens Own Regiment of the Yeomanry Cavalry

Johann Lorenz Haid S. Philippus

Print made by Johann Lorenz Haid, 1702–1750

S. Philippus

early 1750s

Johann Lorenz Haid S. Matthias

Print made by Johann Lorenz Haid, 1702–1750

S. Matthias

undated

Johann Lorenz Haid Portrait of Boy and Dog

Print made by Johann Lorenz Haid, 1702–1750

Portrait of Boy and Dog

undated

Johann Lorenz Haid Portrait of a Woman Holding Fruit

Print made by Johann Lorenz Haid, 1702–1750

Portrait of a Woman Holding Fruit

undated

Johann Lorenz Haid Portrait of a Boy with a Basket

Print made by Johann Lorenz Haid, 1702–1750

Portrait of a Boy with a Basket

undated

Johann Jacobus Haid La fille éveillée

Print made by Johann Jacobus Haid, 1704–1767

La fille éveillée

undated

Johann Jacobus Haid Le jeu de dames

Print made by Johann Jacobus Haid, 1704–1767

Le jeu de dames

undated

Johann Jacobus Haid Le petit joueur de ville

Print made by Johann Jacobus Haid, 1704–1767

Le petit joueur de ville

undated

Johann Jacobus Haid Potus Calidæ Theiæ

Print made by Johann Jacobus Haid, 1704–1767

Potus Calidæ Theiæ

undated

Johann Jacobus Haid Medicus Alchemista

Print made by Johann Jacobus Haid, 1704–1767

Medicus Alchemista

undated

John Simon Masquerade

Print made by John Simon, 1675–1755

Masquerade

undated

Johann Simon Negges Boy Playing a Flute

Print made by Johann Simon Negges, 1726–1792

Boy Playing a Flute

undated

Thomas Park Saberna, or the Effects of Falshood

Print made by Thomas Park, ca. 1760–1834

Saberna, or the Effects of Falshood

1786