On-site Access: Accessible by appointment in the Study Room / Work Type: intaglio print / Subject Terms: destruction

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On-site Access Accessible by appointment in the Study Room

Work Type intaglio print

Subject Terms destruction

Engraved by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Print made by William Hogarth, 1697–1764

Tail Piece, or the Bathos

1764

Print made by John Boydell, 1720–1804

Night

1756

Print made by John Boydell, 1720–1804

The Wreck of the Nuestra Senora de los Remedios

1753

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

Print made by James McNeill Whistler, 1834–1903

Black Lion Wharf

1859

Print made by Peter P. Benazech, 1767–1794

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..

ca. 1759

Print made by Peter P. Benazech, 1767–1794

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...

ca. 1760

Print made by unknown artist

Veni Inebriemus Eum Vino Dormiamusque Cum Eo

between 1681 and 1688

Print made by James McBey, 1883–1959

Albert

1917

Print made by John Boydell, 1720–1804

The Boscawen and Sheerness Privateers

1753

Print made by John Martin, 1789–1854

The Deluge

1828

James Gillray, 1756–1815

Presages of the Millenium

1795

Print made by William Sharp, 1749–1824

Niobe

1792

Print made by Henry Fuseli, 1741–1825

Spectrum Dioneum

1768

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