On-site Access: Accessible by appointment in the Study Room / Work Type: relief print / Width [cm]: 10

1. A Society

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

2. The String Quartet

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

3. An Unwritten Novel

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

4. A Haunted House

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

5. Thel's Motto (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Chapter II, "Muster around the bleak desarts..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Urizen Swims through Dark Waters (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Fettered Urizen Weeping (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Los with the child Orc and Enitharmon (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "The Ox in the slaughter house moans..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Fettered Urizen Weeping (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Chapter II, "Muster around the bleak desarts..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Urizen Swims through Dark Waters (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Thel's Motto (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Chapter IV, "Los smitten with astonishment..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Chapter V, "The globe of life blood trembled..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Los Falls through Fire (Plate 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The First Book of Urizen, Plate 23 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Praying Child and Howling Dog (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. III. "From a perception of only 3 senses..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "Therefore God becomes as we are..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. There Is No Natural Religion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. II. "Reason or the ratio of all we have already known..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Argument. "Man has no notion of moral fitness..." (Plate 2"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. I. "Man cannot naturally Percieve..."(Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. II. "Man by his reasoning power can only compare..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. IV. "None could have other than natural or organic thoughts..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. V. "Mans desires are limited by his perceptions..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. VI. "The desires & perceptions of man untaught..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Arms of Glasgow

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1909
Materials & Techniques:: Wood-engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/16 x 3 3/4 inches (7.8 x 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Set of Needle-Box Prints

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 2 3/16 × 4 9/16 inches (5.5 × 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Top of the Rise

Creator:: Print made by Clare Leighton, 1898–1989
Date:: 1944
Materials & Techniques:: Wood-engraving on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 5 7/8 inches (20.6 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Jerome Stein

43. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Lambing Time (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 x 5 1/4 inches (11.2 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Girl Writing

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 15/16 x 6 15/16 inches (20.2 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Girl Reading a Picture Book

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19.1 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Burn (tail piece)

Creator:: Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 4 7/16 inches (9.7 x 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Farmer's Boy (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 x 4 15/16 inches (9.2 x 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Third Volume

Creator:: Print made by Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 3 3/4 x 4in. (9.5 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Two Nudes

Creator:: Print made by Roger Fry, 1866–1934
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

51. Dessert

Creator:: Print made by Roger Fry, 1866–1934
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

52. Still Life

Creator:: Print made by Roger Fry, 1866–1934
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

53. The Novel

Creator:: Print made by Roger Fry, 1866–1934
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

54. The London Garden

Creator:: Print made by Roger Fry, 1866–1934
Date:: 1921
Materials & Techniques:: Woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 5 7/8 inches (21.6 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

55. The Marine Society, Bishopsgate Street

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Woodcut on slightly textured, thin, white wove paper
Dimensions:: Sheet: 3 × 3 15/16 inches (7.6 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Ellen with Her Baby

Creator:: Print made by Clare Leighton, 1898–1989
Date:: 1944
Materials & Techniques:: Wood-engraving printed in blue ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 3 1/4 inches (9.5 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

57. Baby of the Martin Family, The Parish Church of the Holy Trinity, Long Melford

Creator:: Rubbed by Townsend Rich, 1909–1998
Date:: 1968
Materials & Techniques:: Crayon rubbing on thin, smooth, white wove paper
Dimensions:: Image: 8 × 4 inches (20.3 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Townsend Rich

58. Nicholas atte Helde, Chinnor

Creator:: Rubbed by Townsend Rich, 1909–1998
Date:: 1968
Materials & Techniques:: Crayon rubbing on thin, smooth, white wove paper
Dimensions:: Sheet: 15 1/4 × 9 inches (38.7 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Townsend Rich

59. Lady, Felbrigg

Creator:: Rubbed by Townsend Rich, 1909–1998
Date:: 1968
Materials & Techniques:: Crayon rubbing on thin, smooth, white wove paper
Dimensions:: Sheet: 19 × 8 5/8 inches (48.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Townsend Rich

60. Katherine atte Helde, Chinnor

Creator:: Rubbed by Townsend Rich, 1909–1998
Date:: 1968
Materials & Techniques:: Crayon rubbing on thin, smooth, white wove paper
Dimensions:: Sheet: 15 × 9 inches (38.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Townsend Rich

YCBA Collections Search

Refine your search

Search Constraints

On-site Access Accessible by appointment in the Study Room

Work Type relief print

Width [cm] 10

Search Results

1. A Society

2. The String Quartet

3. An Unwritten Novel

4. A Haunted House

5. Thel's Motto (Plate 1)

6. Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

7. Chapter II, "Muster around the bleak desarts..." (Plate 4)

8. Urizen Swims through Dark Waters (Plate 5)

9. Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

10. Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

11. Fettered Urizen Weeping (Plate 12)

12. Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

13. Los with the child Orc and Enitharmon (Plate 18)

14. Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

15. "The Ox in the slaughter house moans..." (Plate 23)

16. Fettered Urizen Weeping (Plate 3)

17. Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

18. Chapter II, "Muster around the bleak desarts..." (Plate 6)

19. Urizen Swims through Dark Waters (Plate 7)

20. Thel's Motto (Plate 1)

21. Chapter IV, "Los smitten with astonishment..." (Plate 12)

22. Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

23. Chapter V, "The globe of life blood trembled..." (Plate 17)

24. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

25. Los Falls through Fire (Plate 21)

26. The First Book of Urizen, Plate 23 (Bentley 9)

27. Praying Child and Howling Dog (Plate 25)

28. I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

29. III. "From a perception of only 3 senses..." (Plate 5)

30. "Therefore God becomes as we are..." (Plate 9)

31. There Is No Natural Religion; Frontispiece (Plate 1)

32. II. "Reason or the ratio of all we have already known..." (Plate 11)

33. The Argument. "Man has no notion of moral fitness..." (Plate 2"

34. I. "Man cannot naturally Percieve..."(Plate 3)

35. II. "Man by his reasoning power can only compare..." (Plate 4)

36. IV. "None could have other than natural or organic thoughts..." (Plate 6)

37. V. "Mans desires are limited by his perceptions..." (Plate 7)

38. VI. "The desires & perceptions of man untaught..." (Plate 8)

39. The Arms of Glasgow

40. Set of Needle-Box Prints

41. Balmoral Castle

42. The Top of the Rise

43. Balmoral Castle

44. Lambing Time (tail piece)

45. Girl Writing

46. Girl Reading a Picture Book

47. The Burn (tail piece)

48. The Farmer's Boy (tail piece)

49. The Third Volume

50. Two Nudes

51. Dessert

52. Still Life

53. The Novel

54. The London Garden

55. The Marine Society, Bishopsgate Street

56. Ellen with Her Baby

57. Baby of the Martin Family, The Parish Church of the Holy Trinity, Long Melford

58. Nicholas atte Helde, Chinnor

59. Lady, Felbrigg

60. Katherine atte Helde, Chinnor