Visions of the Daughters of Albion; Frontispiece (Plate 1)
1793
3
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
4
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
5
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Title Page (Plate 2)
1793
6
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
7
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
8
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
9
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
10
Robert Smirke, 1752–1845
Bachanalia Scene
undated
11
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
12
Print made by John Sell Cotman, 1782–1842
Castle Above a Waterfall
ca. 1830
13
Print made by Richard Parkes Bonington, 1802–1828
Lac de Killin
1826
14
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
15
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
16
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
17
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
18
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
19
Gangaram Chintaman Navgire Tambat, active 1790s
Two Jeyties Fighting
ca. 1792
20
Print made by Charles William Cain, 1893–1962
The Return
undated
21
Print made by Sir David Young Cameron, 1865–1945
Via ai Prati, Genoa [North Italian Set: No. 8]
1896
22
Rev. William Gilpin, 1724–1804
Landscape with Two Men on a Hill and a Castle in the Distance
between 1762 and 1783
23
Rev. William Gilpin, 1724–1804
Two Men Looking Into Landscape with Castle, River and Mountain Scene
between 1762 and 1783
24
J. Tobin, active 1776
Preparing to lay eel traps
undated
25
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
26
Gertrude Hermes, 1901–1983
The Fishers
1925
27
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
28
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
29
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
30
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
31
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
32
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
33
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
34
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
35
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
36
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
37
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
38
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
39
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
40
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
41
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
42
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
43
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
44
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
45
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
46
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
47
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
48
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
49
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
50
Isaac Cruikshank, 1764–1811
The Cuckold Departs for the Hunt
ca. 1800
51
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
52
Edward Duncan, 1803–1882
Pheasant Shooting
1825
53
Sawrey Gilpin, 1733–1807
A Gathering of Horsemen, With Coach, Tents, Flags, etc. (?a horse fair)
undated
54
James Seymour, 1702–1752
A Boar Hunt
undated
55
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
56
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
57
J. Hill, active 19th century
A Frigate in a Calm
1811
58
J. Hill, active 19th century
A Sloop of War in a Light Breeze
1811
59
J. Hill, active 19th century
A Seventy-four in a Fresh Gale
1811
60
J. Hill, active 19th century
A First Rate after a Storm
1811
61
Sawrey Gilpin, 1733–1807
Studies of Two Riders, and of Rider's Heads
undated
62
Print made by Day & Co., 1824–1913
North West View, Lincoln's Inn
between 1845 and 1850
63
Print made by Ebenezer Challis, active 1837–1859
The Baron's Hall
1844
64
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
65
Jan Wyck, ca. 1645–1700
A Hunting Party
undated
66
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
67
Sir Francis Seymour Haden, 1818–1910
Battersea Reach
1863
68
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
69
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Cresset
1915
70
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
71
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
72
Print made by Thomas Chambars, ca. 1724–1789
Sir Godfrey Kneller and John Zackary Kneller
undated
73
Print made by Thomas Chambars, ca. 1724–1789
Horatio Gentileschi and Edward Mascall
undated
74
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
75
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
76
Imitator of George Baxter, 1804–1867
Funeral of the Late Duke of Wellington
after 1893
77
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Cresset
1915
78
Print made by Austin, Robert, 1895-1973, 1895–1973
Italian Fair
1923
79
Print made by Edmund Blampied, 1886–1966
The End of the Day
1919
80
Print made by Richard Parkes Bonington, 1802–1828
Bologna
1828
81
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
82
Sir David Wilkie, 1785–1841
The Chelsea Pensioners Reading the Waterloo Dispatch
before 1822
83
Thomas Hearne, 1744–1817
Haymaking
undated
84
Alfred Priest, 1810–1850
Coldham Hall, with H. Priest and C. Turner Angling, 1835