Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
910
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
911
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
912
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
913
John White Abbott, 1763–1851
View from a Wood, Overlooking the River and Hills at Teignmouth, Devon
1810
914
Thomas Daniell, 1749–1840
Two Moored Ships and a Fishing Boat
ca. 1789
915
William Daniell, 1769–1837
Exmouth, Devon
ca. 1813
916
William Daniell, 1769–1837
Bovisand, near Plymouth
ca. 1813
917
Thomas Atwood, active ca. 1761–1766
Brambling
undated
918
William Ashford, 1746–1824
Phoenix Park, Dublin
1905
919
François Louis Thomas Francia, 1772–1839
Shipping on the Medway, Kent
undated
920
Robert Isaac Cruikshank, 1789–1856
Admiral Van Tromp's Duel. Comforts of a Wife
1830
921
Robert Isaac Cruikshank, 1789–1856
Going Out. Going Home
1830
922
Henry Fuseli, 1741–1825
Percival Frees Belisane from the Spell of Urma
1811
923
John Scarlett Davis, 1804–1845
Street Scene in Calais
undated
924
Samuel Hieronymus Grimm, 1733–1794
At Mortlake
1773
925
Samuel Hieronymus Grimm, 1733–1794
On the Thames at Barnes
ca. 1773
926
John Fayram, op.1713–1743
Frontispiece design for John Fayram's "Eight Views after Nature"
ca. 1739
927
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Allegorical Landscape
undated
928
Print made by James McNeill Whistler, 1834–1903
Visitors' Boat
1887
929
Print made by Frederick Landseer Maur Griggs, 1876–1938
St. Ippolyts
1927
930
Nora Spicer Unwin, 1907–1982
Warm Afternoon
1952
931
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
932
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
933
Print made by James Fittler, 1758–1835
The King on his Throne in the House of Lords
1804
934
Print made by T. Kearnan, active 1821–1850
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
935
James McNeill Whistler, 1834–1903
A Man Reading
between 1873 and 1877
936
James McNeill Whistler, 1834–1903
The "Adam and Eve," Old Chelsea
1879
937
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
938
Lionel Grimston Fawkes, 1849–1931
Nutmeg, Trinidad
undated
939
Lionel Grimston Fawkes, 1849–1931
White Hibiscus
undated
940
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
941
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
942
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
943
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
944
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
945
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
946
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
947
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
948
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
949
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
950
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
951
Sawrey Gilpin, 1733–1807
Two Horses Walking to Left
undated
952
Sir Francis Grant, 1803–1878
A Grey Horse Trotting Out of a Wood
undated
953
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
954
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
955
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
956
Samuel Howitt, 1756–1822
Going out of Kennel
undated
957
Samuel Howitt, 1756–1822
Going to Cover
undated
958
Samuel Howitt, 1756–1822
Full Cry
undated
959
Samuel Howitt, 1756–1822
The Check
undated
960
Samuel Howitt, 1756–1822
The Death
undated
961
Samuel Howitt, 1756–1822
Going Home
undated
962
George Morland, 1763–1804
Study of a Hound: Head and Shoulders, Facing Right
1794
963
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
964
James Seymour, 1702–1752
Sir Sidney Meadows Schooling a Horse
undated
965
James Seymour, 1702–1752
Rider in Armour
undated
966
James Seymour, 1702–1752
A Boar Hunt
undated
967
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
968
Sir Edwin Henry Landseer, 1802–1873
A Hunting Accident
1836
969
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
970
James Seymour, 1702–1752
Smiling Tom, Saddled and Bridled: Standing, Facing Left
undated
971
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
972
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
973
Francis Barlow, 1622–1704
Hare Hunting
undated
974
Samuel Howitt, 1756–1822
Animals of the Cat Family, with a Bear and Foxes
undated
975
James Seymour, 1702–1752
Head of a Horse, Facing Left
undated
976
Print made by George Cruikshank, 1792–1878
Jack Sheppard Committing the Robbery in Willesden Church
1839
977
Print made by George Cruikshank, 1792–1878
Audacity of Jack Sheppard
1839
978
Print made by George Cruikshank, 1792–1878
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
979
Print made by George Cruikshank, 1792–1878
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
980
Samuel Francis Marryat, 1826–1855
Procession of the Sultan of Gonong Tabor, Borneo
1848
981
Samuel Francis Marryat, 1826–1855
Illanoan Pirates
ca. 1848
982
Samuel Francis Marryat, 1826–1855
Illanoan Pirates of Tampassook (Borneo)
1848
983
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
984
Print made by George Cruikshank, 1792–1878
Adams's Visit to Parson Trulliber
ca. 1831
985
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
986
Print made by George Cruikshank, 1792–1878
The Murder on the Thames
1839
987
Print made by George Cruikshank, 1792–1878
Mrs. Sheppard Expostulating with her Son
1839
988
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
989
Print made by George Cruikshank, 1792–1878
Jack Sheppard Accuses Thames Darrell of the Theft
1839
990
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
1839
991
Thomas Daniell, 1749–1840
Landscape
undated
992
Thomas Daniell, 1749–1840
Statue Bust
ca. 1790
993
James Seymour, 1702–1752
Set of twelve: 4 Fox Huntings. 4 Stag Huntings. 4 Hare Huntings
ca. 1750
994
James Seymour, 1702–1752
Set of twelve: 4 Fox Huntings. 4 Stag Huntings. 4 Hare Huntings
ca. 1750
995
D. P. Pariset, born 1740, active in Britain from 1767