On-site Access: Accessible by appointment in the Study Room / Height [cm]: 21 / Subject Terms: men - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

On-site Access Accessible by appointment in the Study Room

Height [cm] 21

Subject Terms men

Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)

Robert Polhill Bevan, 1865–1925

A Morning at Tattersalls (with further sketches in left margin folded over)

undated

Robert Polhill Bevan The Horse Mart (with further sketches in the margin)

Robert Polhill Bevan, 1865–1925

The Horse Mart (with further sketches in the margin)

ca. 1918

Joseph Mallord William Turner Christ and the Woman of Samaria

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

William Blake Europe. A Prophecy; Frontispiece

Print made by William Blake, 1757–1827

Europe. A Prophecy; Frontispiece

ca. 1820

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake Fettered Urizen Weeping (Plate 12)

Print made by William Blake, 1757–1827

Fettered Urizen Weeping (Plate 12)

1794

William Blake "Highgates heights & Hampsteads..." (Plate 84)

Print made by William Blake, 1757–1827

"Highgates heights & Hampsteads..." (Plate 84)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Print made by William Blake, 1757–1827

"By those who drink their blood & the blood of their Covenant..." (Plate 67)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

Henry William Bunbury The Damnation of Obadiah

Print made by Henry William Bunbury, 1750–1811

The Damnation of Obadiah

between 1773 and 1817

Henry William Bunbury The Battle of the Cataplasm

Print made by Henry William Bunbury, 1750–1811

The Battle of the Cataplasm

between 1773 and 1817

Richard Parkes Bonington Lillebonne - Château d'Harcourt

Print made by Richard Parkes Bonington, 1802–1828

Lillebonne - Château d'Harcourt

1824

John Crome Back of the New Mills, Norwich

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Thomas Rowlandson Harvesters Resting in a Corn Field

Thomas Rowlandson, 1756–1827

Harvesters Resting in a Corn Field

between 1805 and 1810

George Arnald Left Bank, Meuse

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

George Arnald Bouvignes and Dinant

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

Henry Dawe River Meuse

Print made by Henry Dawe, 1790–1848

River Meuse

undated

Thomas Rowlandson A Pier at Amsterdam (Version A)

Thomas Rowlandson, 1756–1827

A Pier at Amsterdam (Version A)

1792

James Ward Elijah Casting off His Mantle

James Ward, 1769–1859

Elijah Casting off His Mantle

undated

Miriam Garratt Coventry Cathedral Service, Good Friday, 1943

Print made by Miriam Garratt

Coventry Cathedral Service, Good Friday, 1943

after 1943

John Bell Charon's Boat

Print made by John Bell, 1811–1895

Charon's Boat

between 1838 and 1850

Spencer Frederick Gore Cave of the Golden Calf: Study of Musicians and Animals

Spencer Frederick Gore, 1878–1914

Cave of the Golden Calf: Study of Musicians and Animals

1912

Robert Isaac Cruikshank A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

Print made by Robert Isaac Cruikshank, 1789–1856

A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

1824

John White Abbott A View of Core's Library, Dawlish, Devon

John White Abbott, 1763–1851

A View of Core's Library, Dawlish, Devon

1837

William Beilby Brick Bridge

William Beilby, 1740–1819

Brick Bridge

undated

William Bradford Pass in the Mountains Between Nisa and Villa Velha

William Bradford, active 1809

Pass in the Mountains Between Nisa and Villa Velha

1809

George Baxter Gems of the Great Exhibition No. 4: The Foreign Department

Print made by George Baxter, 1804–1867

Gems of the Great Exhibition No. 4: The Foreign Department

1852 or 1854

Johann Jacobus Haid Men Playing Backgammon

Print made by Johann Jacobus Haid, 1704–1767

Men Playing Backgammon

undated

Johann Jacobus Haid Men Playing Cards

Print made by Johann Jacobus Haid, 1704–1767

Men Playing Cards

undated

John Hamilton Mortimer Portrait of John Saxby

attributed to John Hamilton Mortimer, 1740–1779

Portrait of John Saxby

undated

unknown artist Boats and Men on Beach

unknown artist

Boats and Men on Beach

undated

Thomas Girtin The Guildhall, Exeter

Thomas Girtin, 1775–1802

The Guildhall, Exeter

ca. 1797

Jacob Gole Drinking Scene

Print made by Jacob Gole, 1660–1737

Drinking Scene

undated

Jacob Gole Love Scene

Print made by Jacob Gole, 1660–1737

Love Scene

undated

Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

undated

James Seymour Riders and Hounds in an Open Landscape

James Seymour, 1702–1752

Riders and Hounds in an Open Landscape

undated

Hablot Knight Browne "Hark": Startled Horse and Alert Rider

Hablot Knight Browne, 1815–1882

"Hark": Startled Horse and Alert Rider

undated

John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

John Vanderbank, 1694–1739

"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..

1729

Henry Thomas Alken Two Riders Taking a Double Fence

Henry Thomas Alken, 1785–1851

Two Riders Taking a Double Fence

undated

Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

undated

Thomas Rowlandson The Return from the Hunt

Thomas Rowlandson, 1756–1827

The Return from the Hunt

1787

George Cruikshank The Name on the Beams

Print made by George Cruikshank, 1792–1878

The Name on the Beams

1839

Francis Towne Vauxhall Stairs, from Millbank, July 5, 1797

Francis Towne, 1740–1816

Vauxhall Stairs, from Millbank, July 5, 1797

1797

James Malton A Military Encampment in Hyde Park

James Malton, 1761–1803

A Military Encampment in Hyde Park

1785

Henry Thomas Alken "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'

Henry Thomas Alken, 1785–1851

"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'

undated

Henry William Bunbury Patience in a Punt

Henry William Bunbury, 1750–1811

Patience in a Punt

undated

John Collet A Game of Bowls

John Collet, ca. 1725–1780

A Game of Bowls

undated

unknown artist Tattersall's Training School

unknown artist

Tattersall's Training School

1771

Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

undated

Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'

undated

Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'

undated

Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'

undated

Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'

Henry Thomas Alken, 1785–1851

"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'

undated

Henry Thomas Alken "The National Sports of Great Britain," 1821: Owling

Henry Thomas Alken, 1785–1851

"The National Sports of Great Britain," 1821: Owling

1821

Samuel Henry Gordon Alken Riders Taking a Fence

Samuel Henry Gordon Alken, 1810–1894

Riders Taking a Fence

undated

Samuel Henry Gordon Alken Foxhunting: Hunt Servants Leading Out Hounds

Samuel Henry Gordon Alken, 1810–1894

Foxhunting: Hunt Servants Leading Out Hounds

undated

Sawrey Gilpin Hunting: The Meet

Sawrey Gilpin, 1733–1807

Hunting: The Meet

undated

Michael "Angelo" Rooker A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire

Michael "Angelo" Rooker, 1746–1801

A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire

undated

Charles Turner A Race Meeting (Weighing In)

Charles Turner, 1774–1857

A Race Meeting (Weighing In)

undated

George Cruikshank Jack Sheppard Gets Drunk and Orders his Mother off

Print made by George Cruikshank, 1792–1878

Jack Sheppard Gets Drunk and Orders his Mother off

1839

George Cruikshank Jack Sheppard Tricking Shotbolt, the Gaoler

Print made by George Cruikshank, 1792–1878

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

Thomas Mann Baynes The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Print made by Thomas Mann Baynes, 1794–1854

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

after 1835

William Ellis The House of William Russell, Esq., Showell Green: English and French Text

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green: English and French Text

1792

John Cousen Manse and Church of Cults, the Birthplace of Wilkie

John Cousen, 1804–1880

Manse and Church of Cults, the Birthplace of Wilkie

undated

Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

John Copley Diners

Print made by John Copley, 1875–1950

Diners

1914

Richard Earlom A Landscape with Cattle

Print made by Richard Earlom, 1743–1822

A Landscape with Cattle

1775

Sir Francis Seymour Haden Wareham Bridge

Sir Francis Seymour Haden, 1818–1910

Wareham Bridge

1877

Richard Earlom View of a Portico by the Side of a River, with Herdsmen and Cattle

Print made by Richard Earlom, 1743–1822

View of a Portico by the Side of a River, with Herdsmen and Cattle

1774

Richard Earlom Scene of a Storm, with a Vessel Wrecked

Print made by Richard Earlom, 1743–1822

Scene of a Storm, with a Vessel Wrecked

1774

Alexander Bannerman Robert White, P. Vansomer, Isaac Becket, John Start and William Elder

Alexander Bannerman, ca. 1730–1780

Robert White, P. Vansomer, Isaac Becket, John Start and William Elder

undated

unknown artist A View of the Mole and the New Castle at Naples

Print made by unknown artist

A View of the Mole and the New Castle at Naples

undated

unknown artist Spanish Palace at Naples

Print made by unknown artist

Spanish Palace at Naples

undated

unknown artist A View of Part of the Royal Gardens at Naples Towards the Sea

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

unknown artist The Palace of Mont Alto at Naples

Print made by unknown artist

The Palace of Mont Alto at Naples

undated

John Doyle ('H.B.') A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.

Print made by John Doyle ('H.B.'), 1797–1868

A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume

1846

Andrew Fairbairn Affleck Canale Grande

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Canale Grande

undated

Andrew Fairbairn Affleck San Lorenzo

Print made by Andrew Fairbairn Affleck, 1874/7–1936

San Lorenzo

undated

John Rankine Barclay A Golfer

Print made by John Rankine Barclay, 1884–1963

A Golfer

undated

Sir Muirhead Bone Under the Pincian Trees

Print made by Sir Muirhead Bone, 1876–1953

Under the Pincian Trees

1911

Richard Parkes Bonington L'Eglise de St. Gervais et St. Protais

Print made by Richard Parkes Bonington, 1802–1828

L'Eglise de St. Gervais et St. Protais

1824

John Glover Hilly Landscape with River and Cattle

John Glover, 1767–1849

Hilly Landscape with River and Cattle

ca. 1810

Theodor von Holst Theatrical Group

Theodor von Holst, 1810–1844

Theatrical Group

undated

John Henderson Lord Penryn's Slate Quarries

John Henderson, 1764–1843

Lord Penryn's Slate Quarries

undated

George Heriot Canadian Figure Studies

George Heriot, 1766–1844

Canadian Figure Studies

undated

Thomas Malton the Younger York Water Gate

Thomas Malton the Younger, 1748–1804

York Water Gate

1795

Mauritius Lowe The Artist Assaulted by Time, Ignorance and Envy

Mauritius Lowe, 1746–1793

The Artist Assaulted by Time, Ignorance and Envy

between 1772 and 1790