On-site Access: Accessible by appointment in the Study Room / Height [cm]: 23 / Width [cm]: 24

1. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. A Prancing Horse, Facing Right

Creator:: George Stubbs, 1724–1806
Date:: ca. 1790
Materials & Techniques:: Red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 x 9 5/8 inches (22.5 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The St. James's Macaroni

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1772
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 9 7/16 inches (32.3 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Stangate Creek, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 12 1/8 inches (22.9 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Countess Wilton

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1838
Materials & Techniques:: Mezzotint with chine collé; first published state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 27 × 20 inches (68.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Miss Eliza Farren

Creator:: Print made by Joseph Collyer, 1748–1827
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 9 9/16 inches (31.5 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. John Hoole

Creator:: Print made by William Daniell, 1769–1837
Date:: 1810
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 11/16 x 9 1/2 inches (32.2 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

8. Barmouth, Merionethshire

Creator:: Print made by William Daniell, 1769–1837
Date:: 1814
Materials & Techniques:: Aquatint with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 x 14 15/16 inches (26.8 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

9. Ullswater, Cumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/8 × 16 3/8 inches (35.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Cornelius de Vos

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 9 3/8 inches (34.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Children Crying Forfeits

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1826
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/16 × 9 5/16 inches (33.2 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. Horses in a Meadow

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1760
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 3/8 × 9 7/16 inches (13.7 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

13. A Greyhound

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1760
Materials & Techniques:: Watercolor, graphite, gray wash, pen and black ink on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 9/16 × 9 5/16 inches (14.1 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

14. Landscape with a Dwelling in Ruin

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1760
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 9/16 × 9 3/8 inches (16.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

15. A Cottage

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1760
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 3/4 × 9 7/16 inches (17.1 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

16. East View of Furness Abbey

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Gray wash, black wash, graphite, pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 13/16 × 9 1/2 inches (17.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

17. Dwelling on a Riverbank

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Gray wash, black wash, graphite, pen and black ink on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

18. The Conservatory at Wentworth Woodhouse, Yorkshire

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 1/4 × 9 1/2 inches (15.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Ladies Charlotte and Anne Spencer: 'The Mask'

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 9 5/8 inches (28.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Swakeley House, Middlesex

Creator:: Charles Tomkins, 1757–1823
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 9 5/8 inches (22.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. St. Katherine, Colman Street

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/16 x 9 3/8in. (23.3 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Unidentified House for Giles Hudson, Putney, Surrey: Garden Front Elevation

Creator:: William Wickham, born ca.1750
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately textured, moderately thick, cream laid paper
Dimensions:: Sheet: 9 × 9 1/2 inches (22.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. D. Anna Wake

Creator:: Print made by Peeter Clouwet, 1629–1670
Date:: ca. 1635
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 9 7/16 inches (34.9 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A View of the Fens

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A Boar Hunt

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/8 × 10 7/8 inches (23.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder

Creator:: Possibly James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 13 3/16 × 13 9/16 inches (33.5 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. An Old Corner, Coimbra, Portugal

Creator:: A. P. Thomson, 1887–1962
Date:: undated
Materials & Techniques:: Etching on wove paper
Dimensions:: Plate: 9 1/8 x 5 1/4in. (23.2 x 13.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

29. Perseus, Having Rescued Andromeda

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/4 × 9 5/8 inches (31.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

Creator:: Print made by John Browne, 1741–1801
Date:: after 1762
Materials & Techniques:: Etching on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 9 x 12 1/16 inches (22.8 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Forth Bridge, No. 1

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1909
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 12 1/8 inches (23.2 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

32. Cowdray

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1882
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:: Sheet: 8 7/8 x 12 3/4 inches (22.5 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Crichtoun Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1833
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 10 5/8 inches (22.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Battle Abbey, The spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving with chine collé; later engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 17 3/8 inches (32.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Battle Abbey, The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1819
Materials & Techniques:: Etching and engraving; third published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 17 3/8 inches (31.4 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 3/4 inches (24.4 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Valle Crucis Abbey, Denbighshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1828
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 14 13/16 inches (25.6 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Louth, Lincolnshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1829
Materials & Techniques:: Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 1/2 inches (27.1 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. After-glow (or Evening) on the Findhorn

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 9 1/4 inches (28.6 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

43. Ashby de la Zouch, Leicestershire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; first state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Rochester, Stroud and Chatham, Medway

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1838
Materials & Techniques:: Etching and engraving with chine collé; first state on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Pool

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 13 inches (22.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

47. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/16 x 12 5/8 inches (23 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A View of the Piazza Navona in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 x 12 3/8 inches (22.8 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A View of the Salfatara, a Remarkable Mountain Near Naples

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 15/16 x 12 9/16 inches (22.7 x 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Farne Island, Shipwreck

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: ca. 1860
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 12 7/8 inches (26.4 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Louis Laguerre, Bernard Lens and Charles Jervas

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: Between 1750 and 1775
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Pool

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

53. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Ideas for Metal Sculpture II

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1981
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 8 7/8 x 9 5/8in. (22.5 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lillian Heidenberg Reitman

56. Eaton College, Berkshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Pembroke Castle, Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1831
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 × 21 inches (37.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Bridge on a Mountain Stream

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 9 3/8 inches (23.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving; engraver's proof (a) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 11/16 × 17 1/2 inches (29.7 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 17 1/16 inches (29.1 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching; open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving, with chine collé, scraping out, and white gouache; touched engraver's proof 6(a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Bow and Arrow Castle, Isle of Portland

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 1/2 inches (28.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Bow and Arrow Castle, Isle of Portland

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814-1826
Materials & Techniques:: Etching and engraving; first published state on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 × 17 3/8 inches (28.7 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. East and West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching; early first proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Tintagel Castle, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 11/16 × 17 1/4 inches (29.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. East and West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Watchet, Somersetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Bridport, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Bridport, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Watchet, Somersetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 × 20 9/16 inches (34.1 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Tintagel Castle, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 7/16 inches (30.2 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 16 7/8 inches (34 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Margate, Kent

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Margate, Kent

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Margate, Kent

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Ramsgate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (4) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Portsmouth, Hampshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Portsmouth, Hampshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1825
Materials & Techniques:: Etching and engraving, with graphite and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 16 inches (32.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; engraver's proof (V) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Mount Edgecomb, Devonshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/8 × 17 inches (33.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 19 5/8 inches (32.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Results

1. The Bellman

2. A Prancing Horse, Facing Right

3. The St. James's Macaroni

4. Stangate Creek, on the River Medway

5. Countess Wilton

6. Miss Eliza Farren

7. John Hoole

8. Barmouth, Merionethshire

9. Ullswater, Cumberland

10. Cornelius de Vos

11. Children Crying Forfeits

12. Horses in a Meadow

13. A Greyhound

14. Landscape with a Dwelling in Ruin

15. A Cottage

16. East View of Furness Abbey

17. Dwelling on a Riverbank

18. The Conservatory at Wentworth Woodhouse, Yorkshire

19. The Ladies Charlotte and Anne Spencer: 'The Mask'

20. Swakeley House, Middlesex

21. St. Katherine, Colman Street

22. Unidentified House for Giles Hudson, Putney, Surrey: Garden Front Elevation

23. D. Anna Wake

24. A View of the Fens

25. A Boar Hunt

26. 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On

27. Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder

28. An Old Corner, Coimbra, Portugal

29. Perseus, Having Rescued Andromeda

30. A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

31. Forth Bridge, No. 1

32. Cowdray

33. Crichtoun Castle

34. The Mew Stone at the Entrance of Plymouth Sound

35. Battle Abbey, The spot where Harold Fell

36. Battle Abbey, The Spot where Harold Fell

37. Tantallon Castle

38. Launceston, Cornwall

39. Launceston, Cornwall

40. Valle Crucis Abbey, Denbighshire

41. Louth, Lincolnshire

42. After-glow (or Evening) on the Findhorn

43. Ashby de la Zouch, Leicestershire

44. Leicester Abbey, Leicestershire

45. Rochester, Stroud and Chatham, Medway

46. The Pool

47. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

48. A View of the Piazza Navona in the City of Rome

49. A View of the Salfatara, a Remarkable Mountain Near Naples

50. Farne Island, Shipwreck

51. Louis Laguerre, Bernard Lens and Charles Jervas

52. The Pool

53. The Custom House

54. The Custom House

55. Ideas for Metal Sculpture II

56. Eaton College, Berkshire

57. Pembroke Castle, Wales

58. Bridge on a Mountain Stream

59. The Mew Stone at the Entrance of Plymouth Sound

60. The Mew Stone at the Entrance of Plymouth Sound

61. Falmouth, Cornwall

62. Falmouth, Cornwall

63. Plymouth Dock from Mount Edgecumbe

64. Plymouth from Mount Batten

65. Falmouth, Cornwall

66. Plymouth from Mount Batten

67. Plymouth from Mount Batten

68. Plymouth from Mount Batten

69. Pendennis Castle, and Entrance of Falmouth Harbour

70. Plymouth Dock from Mount Edgecumbe

71. Bow and Arrow Castle, Isle of Portland

72. Bow and Arrow Castle, Isle of Portland

73. East and West Looe, Cornwall