On-site Access: Accessible by appointment in the Study Room / Height [cm]: 35

1. Study of a Woman Sewing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor, gouache and black chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 11/16 × 17 inches (34.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

2. Sale at Ward's Repository, No. 2

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Crayon, graphite, and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 17 inches (34.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Horse Mart

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Black chalk and charcoal on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 17 1/16 inches (34.9 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Timber Hauling

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 11/16 x 17 inches (34.8 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Horse Mart (with further sketches in the margin)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 15 inches (34.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Cottage

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 17 inches (34.9 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

7. A Sussex Barn

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:: Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

8. Woman Ironing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

9. Wooded Slope with a Receding Road

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Black chalk and white chalk with stumping on medium, rough, beige laid paper
Dimensions:: Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Ivy Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:: Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 20 3/4 inches (35.2 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Tygers at Play

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: Etching, possibly finished with a graver, second state
Dimensions:: Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

14. Fields Farm, Clayhidon

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 14 7/8 inches (35.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Study for Hay Carts, Cumberland Market

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1901 and 1925
Materials & Techniques:: Black chalk, white chalk, and gray wash; verso: graphite and black chalk, incised for transfer on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Caller at the Mill, with sketches outside margin

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1918-1919
Materials & Techniques:: Crayon
Dimensions:: Sheet: 13 3/4 x 17 1/16in. (34.9 x 43.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Corfu

Creator:: Edward Lear, 1812–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 19 7/8 inches (35.2 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

19. La Cava, 19 July 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 13 15/16 x 10 inches (35.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink, pen and black ink and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Three Young Witches

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 17 1/2 inches (34.6 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

22. Chaucer's Canterbury Pilgrims

Creator:: William Blake, 1757–1827
Date:: 1810 to 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 3/4 x 37 5/8in. (34.9 x 95.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. For the Sexes: The Gates of Paradise, London, 1826

Creator:: William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Bound volume of twenty engravings
Dimensions:: Spine: 13 3/4in. (34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "Visions of the Daughters of Albion", London, by William Blake

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etchings printed in green ink, with watercolor
Dimensions:: Spine: 14in. (35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Visions of the Daughters of Albion, Plate 2, Title Page

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Visions of the Daughters of Albion, Plate 1, Frontispiece

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. For the Sexes: The Gates of Paradise, Plate 6, "Air"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. For the Sexes: The Gates of Paradise, Plate 4, "Water"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. For the Sexes: The Gates of Paradise, Plate 1, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Castalian Spring

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 15/16 × 10 1/16 inches (35.4 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Counsel and a Vendor of Stamps

Creator:: John Copley, 1875–1950
Date:: 1910
Materials & Techniques:: Lithograph, printed in black
Dimensions:: Image: 13 7/8 x 14 3/4in. (35.2 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Cæsar Alexander Scaglia

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 5/8 × 10 15/16 inches (34.6 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Château des Comtes de Flandre, Ghent

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Loranthus Heteromorphus

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 9 1/4 inches (34.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Band of Savoyards

Creator:: Charles Knight, 1743–c.1826
Date:: 1785
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 7/8 x 18 1/16in. (35.2 x 45.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. William Howley, Archbishop of Canterbury

Creator:: M. Gauci, 1810–1846
Date:: 1839
Materials & Techniques:: Lithography on thick, smooth, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 20 7/8 × 14 3/16 inches (53 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Woman Praying in Church

Creator:: Print made by Rudolph Stanley-Brown, 1889–1944
Date:: undated
Materials & Techniques:: Drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 10 3/16 inches (44.4 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

59. Mr. John Joshua Kirby

Creator:: John Dixon, ca. 1740–1811
Date:: between 1765 and 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 7/8 × 9 15/16 inches (35.3 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Shepherd in a Landscape

Creator:: William Austin, 1721–1820
Materials & Techniques:: Engraving tinted with watercolor
Dimensions:: Sheet: 13 3/4 x 20 3/4in. (34.9 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Royal Artillery Repository Exercises, 1844

Creator:: John Grant, Died 1873
Date:: 1844
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 15/16 x 18 inches (35.4 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Royal Horse Artillery, 1843

Creator:: John Grant, Died 1873
Date:: 1843
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 x 18 inches (35.3 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Rocket Practice in the Marshes

Creator:: John Grant, Died 1873
Date:: 1845
Materials & Techniques:: Aquatint with stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 x 17 11/16 inches (35.3 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Front View of a Vessel with Masts

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 8 7/8 inches (34.9 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Cobham Hall, Kent: Plan of Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1795
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 5/8 x 21 7/8 inches (34.6 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Cobham Hall, Kent: Great Dressing Room

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Pen and black ink over traces of graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 16 1/4 inches (34.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Road to East Grinstead

Creator:: John James Barralet, 1747–1815
Date:: Undated
Materials & Techniques:: Pen and ink and watercolor on medium, moderately textured, cream laid paper laid down on rough, cream laid paper
Dimensions:: Sheet: 13 11/16 x 22 5/8 inches (34.8 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. South East View of the Gate of St. Augustine's Monastery, Canterbury, Kent

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, with gouache, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 19in. (34.9 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Head of a Man

Creator:: John Russell, 1745–1806
Date:: between 1775 and 1806
Materials & Techniques:: Pastel on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 10 3/4 inches (35.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert H. Wexler, Yale 1950, in honor of Jerrold A. Wexler, Yale 1953

70. The Reflection: Grotesque Fat man Looking in a Hand Mirror

Creator:: Imitator of James Gillray, 1756–1815
Date:: undated
Materials & Techniques:: Graphite and pen and black ink; verso: black chalk on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 3/4 x 10 5/8in. (34.9 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Plan and Elevation for the Decoration of a Circular Dome for Clifton Castle, York

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: ca. 1780-1790
Materials & Techniques:: Pen and black ink, gray wash, and graphite on smooth, medium, cream laid paper
Dimensions:: Sheet: 13 11/16 × 9 5/8 inches (34.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Ramesseum at Thebes

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Bedouin Encampment; or, Bedouin Arabs

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/4 x 20 3/8 inches (34.9 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Newark Castle

Creator:: C. Waller, active 1785–1788
Date:: between 1785 and 1795
Materials & Techniques:: Watercolor and pen and brown ink on thick, rough, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 5/8 inches (34.6 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Cobham Hall, Kent: Windows in Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1795
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 3/4 × 21 1/2 inches (34.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Vale of Heathfield, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 3/8 inches (34.6 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Winchelsea

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 14 1/2 inches (53.3 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on very thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 5/8 × 19 7/8 inches (34.6 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1822
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 19 1/4 inches (34.6 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Hardraw Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1817
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Album of 30 Views in the Tyrol and Italy: Fortress of Trostburg near the town of Kollman. Tyrol. 28th Oct.r 1840

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Album of 30 Views in the Tyrol and Italy: The Ruins of the Nunnery of Seben near Klausen, 27th Oct.r 1840

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Album of 30 Views in the Tyrol and Italy: Castle of Salurn near the Town

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Lowther House, Westmorland: Elevation of the Court Front

Creator:: Colen Campbell, 1676–1729
Date:: between 1718 and 1729
Materials & Techniques:: Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Album of 30 Views in the Tyrol and Italy: Convent of St. Valentine, 31st Oct.r 1840

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Album of 30 Views in the Tyrol and Italy: View of Casino Pecori on the Lung Arno, Residence of Sir Charles D'Oyly at Florence. 1st May 1842

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Album of 30 Views in the Tyrol and Italy: Leghorn, Villa Caprille - General View 1st. Sept.er 1841

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Album of 30 Views in the Tyrol and Italy: View from the Terrace of Casino Percori on the Lung Arno, Florence 7th Sept.er 1841

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Spoiled Child, Scene IV

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Study of a Seated Lady

Creator:: Hubert-François Gravelot, 1699–1773
Date:: ca. 1740
Materials & Techniques:: Graphie, black chalk, and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 13 5/8 x 10 1/2 inches (34.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Carlton House, Pall Mall, London: Section of the Portico, Hall and Tribune

Creator:: Henry Holland, 1745–1806
Date:: ca. 1787
Materials & Techniques:: Watercolor over pen and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 15/16 x 28 1/4 inches (35.4 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Study of a Girl with Two Children at a Stile

Creator:: George Holmes, active 1789–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Queen Katherine's Dream

Creator:: George Henry Harlow, 1787–1819
Date:: 1807
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 9 7/8 inches (34.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Design for Grosvenor Bridge, Chester

Creator:: Thomas Harrison, 1744–1829
Date:: ca. 1825
Materials & Techniques:: Pen and black ink, gray wash, and gouache on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 13 5/8 x 24 inches (34.6 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Circassians

Creator:: William Heath, 1795–1840
Date:: 1824
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on very thick, slightly textured, beige card
Dimensions:: Sheet: 13 15/16 × 10 15/16 inches (35.4 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Russian Cossacks at a Boathouse on the Banks of the Don

Creator:: William Heath, 1795–1840
Date:: 1824
Materials & Techniques:: Watercolor and graphite on very thick, slightly textured, beige card
Dimensions:: Sheet: 13 15/16 × 10 15/16 inches (35.4 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Head of a Young Woman

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1838 and 1840
Materials & Techniques:: Watercolor, gouache, black chalk, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 13 5/8 x 11 1/4 inches (34.6 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 35

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1. Study of a Woman Sewing

2. Sale at Ward's Repository, No. 2

3. The Horse Mart

4. Timber Hauling

5. The Horse Mart (with further sketches in the margin)

6. A Cottage

7. A Sussex Barn

8. Woman Ironing

9. Wooded Slope with a Receding Road

10. Ivy Cottage, Shoreham

11. Tiger Body, Lateral View

12. Tygers at Play

13. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

14. Fields Farm, Clayhidon

15. Study for Hay Carts, Cumberland Market

16. The Meet

17. The Caller at the Mill, with sketches outside margin

18. Corfu

19. La Cava, 19 July 1838

20. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

21. Three Young Witches

22. Chaucer's Canterbury Pilgrims

23. For the Sexes: The Gates of Paradise, London, 1826

24. "Visions of the Daughters of Albion", London, by William Blake

25. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

26. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

27. Visions of the Daughters of Albion, Plate 2, Title Page

28. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

29. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

30. Visions of the Daughters of Albion, Plate 1, Frontispiece

31. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

32. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

33. For the Sexes: The Gates of Paradise, Plate 6, "Air"

34. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

35. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

36. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

37. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

38. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

39. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

40. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

41. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

42. For the Sexes: The Gates of Paradise, Plate 4, "Water"

43. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

44. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

45. For the Sexes: The Gates of Paradise, Plate 1, Title Page

46. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

47. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

48. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

49. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

50. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

51. The Castalian Spring

52. Counsel and a Vendor of Stamps

53. Cæsar Alexander Scaglia

54. Château des Comtes de Flandre, Ghent

55. Loranthus Heteromorphus

56. A Band of Savoyards

57. William Howley, Archbishop of Canterbury

58. Woman Praying in Church

59. Mr. John Joshua Kirby

60. Shepherd in a Landscape

61. Royal Artillery Repository Exercises, 1844

62. Royal Horse Artillery, 1843

63. Rocket Practice in the Marshes

64. Front View of a Vessel with Masts

65. Cobham Hall, Kent: Plan of Dairy

66. Cobham Hall, Kent: Great Dressing Room

67. The Road to East Grinstead

68. South East View of the Gate of St. Augustine's Monastery, Canterbury, Kent

69. Head of a Man

70. The Reflection: Grotesque Fat man Looking in a Hand Mirror

71. Plan and Elevation for the Decoration of a Circular Dome for Clifton Castle, York

72. The Ramesseum at Thebes

73. A Bedouin Encampment; or, Bedouin Arabs

74. Newark Castle