On-site Access: Accessible by appointment in the Study Room / Height [cm]: 37

1. Seated Nude

Creator:: Vanessa Bell, 1879–1961
Date:: ca. 1924
Materials & Techniques:: Graphite on thin, smooth, white wove paper
Dimensions:: Sheet: 14 3/8 × 10 inches (36.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

2. Sussex Farm Wagon

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1906
Materials & Techniques:: Crayon and watercolor on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 7/16 × 18 5/16 inches (36.7 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Ploughing the Hillside

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1905
Materials & Techniques:: Black chalk on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Ploughing Team

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1905 or 1906
Materials & Techniques:: Charcoal on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A Sussex Barn

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:: Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

6. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Tygers at Play

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: Etching, possibly finished with a graver, second state
Dimensions:: Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 9 7/8 inches (36.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Tiger Skeleton, Lateral View (Probably the master study of the skeleton)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of two platemarks
Dimensions:: Sheet: 14 1/2 x 19 7/8 inches (36.8 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Tiger Body, Lateral View (Outline drawing for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 1/8 inches (36.8 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Sussex Cart Horse

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1905 and 1906
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 11/16 × 18 1/8 inches (37.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Southwark Fair

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

13. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Albion's Angel; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "What time the thirteen Governors that England sent convene..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. America, A Prophecy; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "Silent as despairing love, and strong as jealousy..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "Appear to the Americans upon the cloudy night..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Baffled Devils Fighting (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Rev. John Caspar Lavater

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 × 11 9/16 inches (36.5 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

34. The Dead Sea, 16 and 17 April 1858

Creator:: Edward Lear, 1812–1888
Date:: April 16 and 17, 1858
Materials & Techniques:: Pen and brown ink with watercolor over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888
Date:: 1841
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 15/16 x 15 15/16in. (25.2 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

36. Cervara

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/4 x 14 15/16in. (24.8 x 37.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

37. Rome from Monte Pincio

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/4 x 16 1/2in. (24.8 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

38. Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888
Date:: 1841
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/8 x 16 15/16in. (23.8 x 43cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

39. Study of a Pensive Woman

Creator:: George Romney, 1734–1802
Date:: late 1770s
Materials & Techniques:: Brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9 1/8 inches (37.1 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

40. Le Repos

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 7/8 inches (36.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Hitch in the Roman Triumph

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, white gouache, blue chalk and graphite on moderately thick, slightly textured, beige wove paper, mounted on card
Dimensions:: Mount: 14 7/16 × 21 1/16 inches (36.7 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and Jennifer Monaghan

42. Allegorical Sketch of Victory

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 9 1/8 inches (18.4 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Allegorical Designs for Medals

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, with pen and black ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 11/16 × 8 3/16 inches (11.9 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. [One from] Illustrations to Shakespeare

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, white gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/16 × 8 inches (28.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. First Design of a Battle Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Image: 3 5/8 × 4 13/16 inches (9.2 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Two Women Enjoying Their Time by a Stream

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pena and red ink, gouache, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 3 1/2 × 4 3/16 inches (8.9 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and red ink, over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 3 1/4 × 4 1/4 inches (8.3 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Lady Jane Grey

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Gouache, oil, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 9 inches (30.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 × 4 3/16 inches (12.9 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Scene from Don Quixote

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Bachanalia Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Image: 5 × 3 1/2 inches (12.7 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Views in the Levant: Man in a Boat Being Rowed Past a Pavilion

Creator:: Willey Reveley, 1760–1799
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper mounted to thick cream card
Dimensions:: Sheet: 14 3/8 × 23 1/2 inches (36.5 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Views in the Levant: Temple Ruins at Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. View of the London Hospital in Whitechapel Road

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: ca. 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/2 x 20 3/4in. (36.8 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Boscawen and Sheerness Privateers

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper, laid on mount
Dimensions:: Sheet: 14 5/8 x 20 9/16 inches (37.1 x 52.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Presented by the Officers

Creator:: Print made by George Cuitt, 1779–1854
Date:: after 1813
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 3/4 x 12 13/16 inches (47.6 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. View of Part of Tivoli and Adjacent Hills

Creator:: Richard Cooper the Elder, 1701–1764
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 3/8 x 20 1/8in. (36.5 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo

Creator:: Richard Cooper the Elder, 1701–1764
Date:: 1779
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 14 3/8 x 19 7/8in. (36.5 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Royal Military College

Creator:: William James Bennett, 1787–1844
Date:: ca. 1813
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 5/8 x 22in. (37.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Profile of Man with Large Nose Wearing Hat

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 14 3/8 × 16 3/4 inches (36.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

61. Death of the Doe

Creator:: Print made by George Townly Stubbs, 1748–1815
Date:: 1804
Materials & Techniques:: Color printed mezzotint; first state
Dimensions:: Sheet: 14 15/16 x 19 3/4in. (38 x 50.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Full-Length of Soldier Carrying Gun in Hand and Gear on His Back

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 1/2 × 16 9/16 inches (36.8 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

63. Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, red ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 11/16 × 20 11/16 inches (37.3 × 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

64. Le Havre and Le Manche: A Map of Le Havre

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, red ink, gray wash and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 × 20 15/16 inches (38.1 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

65. Rouen: A Map of the City and Surrounding Areas

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, red ink, brown ink, gray wash and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 15 1/8 × 21 1/8 inches (38.4 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

66. Rochefort 1776

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, red ink, gray wash and graphite on thick, rough, beige laid paper
Dimensions:: Mount: 14 7/16 × 19 7/8 inches (36.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

67. Miss Ann Parry

Creator:: Print made by John Dean, 1754–1798
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.9 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Miss Crockatt as Julia de Roubigné

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 13/16 x 11 7/16 inches (37.7 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. The Temptation of Saint Anthony

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Mount: 18 13/16 × 11 11/16 inches (47.8 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. The Dentist

Creator:: Print made by Jan van Somer, ca. 1645–after 1699
Date:: 1674
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 9/16 × 10 3/16 inches (37 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Master Bunbury

Creator:: Print made by Francis Haward, 1759–1797
Date:: 1781
Materials & Techniques:: Mezzotint on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 11 5/16 inches (38.1 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Date:: ca. 1799
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Lady Fortescue

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: 1757
Materials & Techniques:: Mezzotint on medium, slightly textured, laid paper
Dimensions:: Sheet: 14 9/16 × 10 3/8 inches (37 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Lady Gertrude Fitzpatrick

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1780
Materials & Techniques:: Mezzotint on thick, rough, beige laid paper
Dimensions:: Sheet: 14 5/8 × 11 1/2 inches (37.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. The Right Honourable Jane Elizabeth Viscountess Andover

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1799
Materials & Techniques:: Stipple engraving (proof without letters) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 11 1/8 inches (36.8 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Toon Tree (Toona ciliata)

Creator:: Janet Dick, active 1794–1806
Date:: between 1799 and 1809
Materials & Techniques:: Watercolor, pen and gray ink, gouache, gum arabic, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Lady Langham

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1800
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 11 1/8 inches (37 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Lady Acland and Children

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1826
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 x 15 1/8 inches (47.9 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Catherine Hunter

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 11 7/16 inches (40 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Miss Polly Jones

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 12 11/16 inches (44.2 x 32.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Mrs. Le Maistre

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1771
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 13/16 x 12 inches (42.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. William Sharp

Creator:: Print made by William Sharp, 1749–1824
Date:: 1817
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 × 17 1/2 inches (54.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Sir Humphrey Davy

Creator:: Print made by William Henry Worthington, ca. 1790–active 1839
Date:: 1827
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 16 3/8 inches (53.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. A Happy Peasant Girl

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 9/16 × 10 1/2 inches (37 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. The Burgomaster

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 11/16 × 10 1/2 inches (37.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. A Jewish Rabbi

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 11/16 × 10 5/8 inches (37.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Mrs. Smith

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 7/16 inches (36.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Herself the Fairest Flower

Creator:: Print made by William Ward, 1766–1826
Date:: 1815
Materials & Techniques:: Mezzotint (proof) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 11 1/4 inches (37.1 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. A Scene in Kensington Gardens

Creator:: Print made by unknown artist
Date:: 1782
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. Rigging for a Cruise

Creator:: Print made by unknown artist
Date:: 1781
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 1/2 inches (36.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Annette and Lubin

Creator:: Print made by unknown artist
Date:: 1788
Materials & Techniques:: Mezzotint (before all letters) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. The Sailor's Pleasure

Creator:: Print made by unknown artist
Date:: 1781
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Susanna and the Elders

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: between 1670 and 1690
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 11 7/16 inches (36.9 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Susanna and the Two Elders

Creator:: Print made by Richard Brookshaw, 1736–1804
Date:: undated
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 10 15/16 inches (37.4 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Maxstoke Priory

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/16 x 13 3/4 inches (36.6 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!

Creator:: Print made by Valentin Daniel Preissler, 1717–1765
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 13 3/8 inches (45.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Vanity Fair Men of the Day, No. 33, Natural Selection

Creator:: James Tissot, 1836–1902
Date:: 1871
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 14 7/16 x 9 9/16 inches (36.7 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

98. Portrait of Man

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: early 1750s
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 x 14 15/16 inches (51.5 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. Portrait of a Man wearing a Cap

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: early 1750s
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 15 7/8 x 11 5/16 inches (40.4 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Portrait of a Man

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: early 1750s
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 21 x 15 1/16 inches (53.4 x 38.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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On-site Access Accessible by appointment in the Study Room

Height [cm] 37

Search Results

1. Seated Nude

2. Sussex Farm Wagon

3. Ploughing the Hillside

4. The Ploughing Team

5. A Sussex Barn

6. The Herdsman's Cottage

7. Tygers at Play

8. Owl Standing, Anterior View

9. Tiger Skeleton, Lateral View (Probably the master study of the skeleton)

10. Tiger Body, Lateral View (Outline drawing for a key figure)

11. Sussex Cart Horse

12. Southwark Fair

13. Hogarth Painting the Comic Muse

14. Albion's Angel; Frontispiece (Plate 1)

15. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

16. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

17. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

18. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

19. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

20. "What time the thirteen Governors that England sent convene..." (Plate 15)

21. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

22. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

23. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

24. America, A Prophecy; Title Page (Plate 2)

25. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

26. "Silent as despairing love, and strong as jealousy..." (Plate 4)

27. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

28. "Appear to the Americans upon the cloudy night..." (Plate 6)

29. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

30. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

31. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

32. The Baffled Devils Fighting (Plate 3)

33. Rev. John Caspar Lavater

34. The Dead Sea, 16 and 17 April 1858

35. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

36. Cervara

37. Rome from Monte Pincio

38. Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

39. Study of a Pensive Woman

40. Le Repos

41. Hitch in the Roman Triumph

42. Allegorical Sketch of Victory

43. Allegorical Designs for Medals

44. [One from] Illustrations to Shakespeare

45. First Design of a Battle Scene

46. Two Women Enjoying Their Time by a Stream

47. Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows

48. Lady Jane Grey

49. Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne

50. Scene from Don Quixote

51. Bachanalia Scene

52. Views in the Levant: Man in a Boat Being Rowed Past a Pavilion

53. Views in the Levant: Temple Ruins at Paestum

54. View of the London Hospital in Whitechapel Road

55. The Boscawen and Sheerness Privateers

56. Presented by the Officers

57. View of Part of Tivoli and Adjacent Hills

58. View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo

59. Royal Military College

60. Profile of Man with Large Nose Wearing Hat

61. Death of the Doe

62. Full-Length of Soldier Carrying Gun in Hand and Gear on His Back

63. Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan

64. Le Havre and Le Manche: A Map of Le Havre

65. Rouen: A Map of the City and Surrounding Areas

66. Rochefort 1776

67. Miss Ann Parry

68. Miss Crockatt as Julia de Roubigné

69. The Temptation of Saint Anthony

70. The Dentist

71. Master Bunbury

72. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

73. Lady Fortescue

74. Lady Gertrude Fitzpatrick