Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
1795 to 1806
2
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
3
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline drawing for a key figure)
1795 to 1806
4
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
5
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
6
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
7
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
8
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
9
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
10
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
11
Print made by William Hogarth, 1697–1764
Marriage à la Mode, Plate 6
1745
12
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
13
William Hogarth, 1697–1764
John Wilkes, Esq
1763
14
William Hogarth, 1697–1764
The First Stage of Cruelty: First, Children Torturing Animals
1751
15
William Hogarth, 1697–1764
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
16
Joseph Mallord William Turner, 1775–1851
Ship Aground Brighton
1830
17
Joseph Mallord William Turner, 1775–1851
Weymouth
ca. 1811
18
Joseph Mallord William Turner, 1775–1851
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
19
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
20
George Romney, 1734–1802
John Henderson as Falstaff
1780
21
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
22
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
23
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
24
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
25
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
26
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
27
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
31
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
32
William Blake, 1757–1827
Illustrations of The Book of Job, Title Page
1825
33
William Blake, 1757–1827
Book of Job, Plate 1, Job and His Family
1825
34
William Blake, 1757–1827
Book of Job, Plate 6, Satan Smiting Job with Boils
1825
35
William Blake, 1757–1827
Book of Job, Plate 21, Job and His Family Restored to Prosperity
1825
36
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
37
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
38
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
39
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
40
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
41
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
42
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
43
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
44
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
45
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
46
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
47
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
48
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
49
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
50
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
51
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
52
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
53
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
54
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
55
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
56
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
57
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
58
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
59
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Concordia
1802-1804
60
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing
1802-1804
61
Sir Robert Smirke the younger, 1781–1867
Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
1802-1804
62
Print made by John Copley, 1875–1950
Sheep in Twilight
1922
63
Print made by Paulus Pontius, 1603–1658
Paulus Pontius
ca. 1635
64
Print made by John Boydell, 1720–1804
Noon
1753
65
Print made by John Boydell, 1720–1804
A Calm
1754
66
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
67
James McArdell, ca. 1729–1765
Charles Saunders Esq
1748
68
Print made by Charles William Cain, 1893–1962
The Nautch Dancers
ca. 1925
69
unknown artist
Returning from a Review...Paris
1802
70
unknown artist
Breakfast at Breteuil
1801
71
Print made by James Clark, 19th century
Cowdray Ruins
1824
72
James Bruce, 1730–1794
Elevation of Amphitheatre of El Djem entitled "Isrus"
undated
73
James Bruce, 1730–1794
Plan of one quarter of the amphitheatre at El Djem showing seating tiers
undated
74
James Bruce, 1730–1794
Plan of three quarters of the amphitheatre at El Djem with descriptive notes
undated
75
James Bruce, 1730–1794
Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
undated
76
James Bruce, 1730–1794
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
77
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
undated
78
James Bruce, 1730–1794
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
79
James Bruce, 1730–1794
Rocks
ca. 1769
80
James Bruce, 1730–1794
XXIV Lybian Mausoleum at Dougga
undated
81
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
82
Print made by William Bernard Cooke, 1778–1855
Hurstmonceux Castle
1820
83
Print made by Henry Le Keux, 1787–1868
Simmer Lake near Askrig
1818-1823
84
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
85
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
86
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
87
Print made by Robert Wallis, 1794–1878
Edinburgh from Leith Harbour, Vignette Title to Vol. II
1826
88
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
89
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
90
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
91
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
92
William Green, 1760–1823
Landscape with River and a Bridge
undated
93
William Green, 1760–1823
View of Lakes Buttermere and Crummock Water
1803
94
Charles Gore, 1729–1807
Herstmonceux
1787
95
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
96
Nicholas Pocock, 1740–1821
The Sailor's Departure
ca. 1795
97
Print made by Edward Francis Finden, 1791–1857
Genoa
1832-1834
98
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule