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On-site Access Accessible by appointment in the Study Room
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1
- Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
- between 1795 and 1806
2
- Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
- 1795 to 1806
3
- Human Skeleton, Lateral View
- 1795 to 1806
4
- Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
- 1795 to 1806
5
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
6
- Tiger Body, Lateral View
- 1795 to 1806
7
- Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
- 1795 to 1806
8
- Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
- between 1795 and 1806
9
- Tiger Body, Lateral View
- 1795 to 1806
10
- Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
- 1795 to 1806
11
- Hogarth Painting the Comic Muse
- 1764
12
- After
- 1736
13
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
14
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
15
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
16
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
17
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
18
- Night the Third. Narcissa; Title Page
- ca. 1797
19
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
20
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
21
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
22
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
23
- 'O treacherous conscience!' (Page 27)
- ca. 1797
24
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
25
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
26
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
27
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
28
- Illustrations of The Book of Job; Title Page
- 1826
29
- Job and His Family
- 1826
30
- Satan before the Throne of God
- 1826
31
- Job's Sons and Daughters Overwhelmed by Satan
- 1826
32
- The Messengers Tell Job of His Misfortunes
- 1826
33
- Satan Going Forth from the Presence of the Lord and Job's Charity
- 1826
34
- Satan Smiting Job with Sore Boils
- 1826
35
- Job's Comforters
- 1826
36
- Job's Despair
- 1826
37
- The Vision of Eliphaz
- 1826
38
- Job's Evil Dreams
- 1826
39
- The Wrath of Elihu
- 1826
40
- When the Morning Stars Sang Together
- 1826
41
- The Lord Answering Job out of the Whirlwind
- 1826
42
- Behemoth and Leviathan
- 1826
43
- The Fall of Satan
- 1826
44
- The Vision of Christ
- 1826
45
- Job's Sacrifice
- 1826
46
- Every One also Gave Him a Piece of Money
- 1826
47
- Job and His Daughters
- 1826
48
- Job and His Family Restored to Prosperity
- 1826
49
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
50
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
51
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
52
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
53
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
54
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
55
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
56
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
57
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
58
- Night the Third. Narcissa; Title Page
- 1797
59
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
60
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
61
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
62
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
63
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
64
- 'Disease invades the chastest temperence' (Page 10)
- 1797
65
- 'The present moment terminates our sight' (Page 13)
- 1797
66
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
67
- 'The longest night though longer far, would fail' (Page 15)
- 1797
68
- Job and His Family
- 1826
69
- Illustrations of The Book of Job; Title Page
- 1826
70
- The Messengers Tell Job of His Misfortunes
- 1826
71
- Satan Smiting Job with Sore Boils
- 1826
72
- Job's Despair
- 1826
73
- The Vision of Eliphaz
- 1826
74
- Job's Comforters
- 1826
75
- Satan Going Forth from the Presence of the Lord and Job's Charity
- 1826
76
- The Wrath of Elihu
- 1826
77
- Sealing the Stone and Setting a Watch
- 1800 to 1803
78
- Pity
- ca. 1795
79
- Job's Sons and Daughters Overwhelmed by Satan
- 1826
80
- The Lord Answering Job out of the Whirlwind
- 1826
81
- Every One also Gave Him a Piece of Money
- 1826
82
- Illustrations of The Book of Job, Cover
- 1826
83
- Job and His Family Restored to Prosperity
- 1826
84
- Job and His Daughters
- 1826
85
- The Fall of Satan
- 1826
86
- Job Rebuked by His Friends
- 1826
87
- Job's Sacrifice
- 1826
88
- Behemoth and Leviathan
- 1826
89
- Job Rebuked by His Friends
- 1826
90
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
91
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
92
- Collared Parrakeet (Plate 40)
- 1832
93
- David Playing the Harp
- ca. 1771
94
- Illustrations of The Book of Job
- 1826
95
- Perspective View of the Bridge at Sion
- 1768
96
- Ruins of Ryland Abbey, Yorkshire
- ca. 1812
97
- His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
98
- A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
99
- Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
- After 1783
100
- The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783