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1. 'Teaching, we learn; and giving, we retain' (Page 35)

'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. 'One radiant mark, – the death-bed of the just' (Page 41)

'One radiant mark, – the death-bed of the just' (Page 41)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

'Swift on His Downy Pinion Flies from Woe' (Page 1)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. 'As if the sun could envy, check'd his beam' (Page 49)

'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Christian Triumph; Title Page

The Christian Triumph; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. 'His hand the good man fastens on the skies' (Page 86)

'His hand the good man fastens on the skies' (Page 86)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. 'The Sun beheld it – No, the shocking scene' (Page 75)

'The Sun beheld it – No, the shocking scene' (Page 75)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. 'Swift on his downy pinion flies from woe' (Page 1)

'Swift on his downy pinion flies from woe' (Page 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. 'One radiant mark, – the death-bed of the just' (Page 41)

'One radiant mark, – the death-bed of the just' (Page 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. 'As if the sun could envy, check'd his beam' (Page 49)

'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. 'The Sun beheld it – No, the shocking scene' (Page 75)

'The Sun beheld it – No, the shocking scene' (Page 75)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Queen Katherine's Dream - "Henry VIII"

Queen Katherine's Dream - "Henry VIII"
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 17 x 20in. (43.2 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Venus Childing Cupid

Venus Childing Cupid
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/16 × 12 7/8 inches (43.3 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. John Home, Esq.

John Home, Esq.
Creator:
Print made by A. Birrell, ca.1770–ca. 1820
Date:
1799
Materials & Techniques:
Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 17 1/16 × 11 7/8 inches (43.4 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Creator:
Print made by unknown artist
Date:
between 1720 and 1750
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Triumph of Galatea

The Triumph of Galatea
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
1701
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 × 9 7/8 inches (43.2 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. Love

Love
Creator:
Print made by William Say, 1768–1834
Date:
c.1813
Materials & Techniques:
Mezzotint (second state) on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 7/8 × 13 inches (42.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. At Oxford

At Oxford
Creator:
Edna Kaulbach, active 1874
Date:
1874
Materials & Techniques:
Black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 16 3/4 × 23 3/8 inches (42.5 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward I. Elicofon

20. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Creator:
Simon François Ravenet, 1706–1774
Date:
1753
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 21 5/8 inches (42.9 × 55 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Henry, tenth Earl of Pembroke and seventh Earl of Montgomery

Henry, tenth Earl of Pembroke and seventh Earl of Montgomery
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 3/8 × 13 1/4 inches (46.6 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Isola Madre, Lago Maggiore

Isola Madre, Lago Maggiore
Creator:
John Warwick Smith, 1749–1831
Date:
ca. 1781
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream laid paper, laid down on original mount
Dimensions:
Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. On Mt. Palatine

On Mt. Palatine
Creator:
John Warwick Smith, 1749–1831
Date:
1764 to 1831
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream laid paper, mounted on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 x 11 inches (43.2 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

25. Near Chiavenna in the Grisons

Near Chiavenna in the Grisons
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1779
Materials & Techniques:
Watercolor, black ink, graphite and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 24 1/2 inches (42.5 x 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. View Within the Northern Entrance of Gundecotta Pass (1 of 6)

No cover image available
Creator:
Thomas Anburey, 1759–1840
Date:
ca. 1792
Materials & Techniques:
Watercolor on thin, slightly textured, cream wove paper laid down on card
Dimensions:
Sheet: 16 7/8 x 22 1/16 inches (42.9 x 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Southern Entrance of Gundecotta Pass (1 of 6)

No cover image available
Creator:
Thomas Anburey, 1759–1840
Date:
ca. 1792
Materials & Techniques:
Watercolor on thin, slightly textured, cream wove paper laid down on card
Dimensions:
Sheet: 16 7/8 x 22 1/16 inches (42.9 x 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection