On-site Access: Accessible by appointment in the Study Room / Height [cm]: 45

101. The Tarentella

Creator:: Print made by John Henry Robinson, 1796–1871
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. A Grecian Drinking Cup

Creator:: Print made by Daniel Allen, active 1830s
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. An Etruscan Vase

Creator:: Print made by Daniel Allen, active 1830s
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. John Hamilton Mortimer

Creator:: Robert Blyth, 1750–1784
Date:: 1782
Materials & Techniques:: Etching, published state
Dimensions:: Sheet: 17 1/2 x 13 1/2in. (44.5 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Lowther House, Westmorland: Lower Ground Floor Plan

Creator:: Colen Campbell, 1676–1729
Date:: between 1718 and 1729
Materials & Techniques:: Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 x 11 5/8 inches (45.1 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans

Creator:: Roger Morris, 1695–1749
Date:: between 1732 and 1739
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 1/8 inches (44.8 x 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: 1850
Materials & Techniques:: Black ink, graphite and watercolor on thin, smooth, beige wove paper
Dimensions:: Sheet: 17 5/8 × 25 3/4 inches (44.8 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Rocks in Derbyshire

Creator:: John Webber, 1752–1793
Date:: 1789
Materials & Techniques:: Pen and black ink, blue wash, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 18 3/4 inches (37.5 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Headfort House, Ireland: Elevation of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1775
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 24 1/2 inches (45.4 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Lullingstone Castle

Creator:: unknown artist
Date:: ca. 1670
Materials & Techniques:: Pen and brown ink with brown and gray wash, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 31 7/8 inches (45.1 × 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Dutch Fishing Vessels by a Quay

Creator:: Clarkson Stanfield, 1793–1867
Date:: undated
Materials & Techniques:: Watercolor over graphite with scrapping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 3/4 inches (44.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Children Dancing

Creator:: George Townly Stubbs, 1748–1815
Date:: 1798
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 14 7/8 inches (44.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Design for a Country House

Creator:: John Bounarotti Papworth, 1775–1847
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 23 3/4 inches (45.1 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Walenstadt, from Weesen, Switzerland

Creator:: William Callow, 1812–1908
Date:: 1842
Materials & Techniques:: Watercolor with pen in brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 9/16 x 25 7/16 inches (44.6 x 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Man Standing Holding a Staff in His Left Hand, Full Length

Creator:: Allan Ramsay, 1713–1784
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 17 3/4 x 12 inches (45.1 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. The Artist and his Family

Creator:: Adam Buck, 1759–1833
Date:: 1813
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite, with gum arabic and scraping on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 9/16 × 16 11/16 inches (44.6 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Loch Coruisk, Isle of Skye, Dawn

Creator:: George Fennell Robson, 1788–1833
Date:: between 1826 and 1832
Materials & Techniques:: Watercolor, gouache, scraping out and gum on thick, moderately textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Drawing of Temple Ruins and Figures

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 inches (45.1 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, slightly textured,cream laid paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Lake of Como, I

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Venice

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Galileo's Villa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Cristina

Creator:: Print made by Daniel Allen, active 1830s
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Giovanni and Garcia De' Medici

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Funeral of a Doge in St. Mark's Place

Creator:: Print made by Daniel Allen, active 1830s
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. St. Anne's Hill, No. I

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 17 5/8 × 12 inches (44.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Lowestoffe Lighthouse (vignette)

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving, Engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. The Forum (vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Stained Glass Window of St. Catherine from Heston Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 10 3/4 inches (45.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Perugia (vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Venice (vignettes)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Galileo's Villa (vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Tomb of Dame Katherine Darcy from Isleworth Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 10 5/8 inches (45.4 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. The Exhibition Stare-Case, Somerset House

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1800
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. The Ascent of Vesuvius

Creator:: Henry Tresham, 1751–1814
Date:: 1785 to 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. A Wife - Une Femme Mariee

Creator:: John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. What You Will - Ce Qui Vous Plaira

Creator:: John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Design for a Gothic Church with Tower

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 17 5/8 × 11 3/8 inches (44.8 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

Creator:: Sir William Chambers, 1723–1796
Date:: between 1750 and 1755
Materials & Techniques:: Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Shelburne, Vermont, 1960's

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1950-1959
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

144. Seagulls on the Atlantic, near Cape Town, 1988

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1988
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

145. Painswick Churchyard, Sketchbook Study No.2

Creator:: Eliot Hodgkin, 1905–1987
Date:: ca. 1947
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 16 inches (45.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Estate of Brian Sewell

146. The Lone Pine Tree

Creator:: Horatio Ross, 1801–1886
Date:: ca. 1858
Materials & Techniques:: Albumen print from waxed paper negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro in honor of Amy Meyers

147. Marble Portrait Statue of a Veiled Priestess at the British Museum

Creator:: Stephen Thompson, active 19th century
Date:: early 1870s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 8 inches (26 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

148. Bronze Tablet in Oscan Language, Known as the ”Tavola d’Agnone”

Creator:: Stephen Thompson, active 19th century
Date:: ca. 1870
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 1/8 × 6 7/8 inches (25.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

149. Alexandra Park, with Two Horse Carts and Workers

Creator:: unknown artist
Date:: ca. 1862
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 1/4 inches (21.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

150. Landscape with Two Men and a Boat

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and white gouache with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Frame: 17 1/2 × 21 1/2 × 3/4 inches (44.5 × 54.6 × 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

151. Rushford Mill

Creator:: Francis Bedford, 1816–1894
Date:: ca. 1865
Materials & Techniques:: Carbon print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

152. John Flaxman

Creator:: Charles Turner, 1774–1857
Date:: 1827
Dimensions:: Sheet: 17 1/2 x 13in. (44.5 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Robert Smirke, Esq., R. A.

Creator:: Charles Picart, c.1780–1837
Date:: 1814
Materials & Techniques:: Stipple engraving
Dimensions:: Plate: 17 5/8 x 13 3/8in. (44.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Fores's National Sports: Racing - The Run In

Creator:: John Harris, 1811–1865
Date:: 1866
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Fores's National Sports: Racing - A False Start

Creator:: John Harris, 1811–1865
Date:: 1866
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Fores's National Sports: Racing - Returning to Weigh

Creator:: John Harris, 1811–1865
Date:: 1866
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. James McArdell

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 13/16 × 12 15/16 inches (45.3 × 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Salt Water

Creator:: Charles Shannon, 1863–1937
Date:: ca. 1895
Materials & Techniques:: Pastel on rough, gray wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/2 inches (44.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

163. St. Pierre's Cottage

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving, with scraping out and touched with graphite (Engraver's Proof b) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 9/16 × 12 3/16 inches (44.6 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1846
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 9/16 x 24 5/16 inches (44.6 x 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Procession of Queen Elizabeth

Creator:: George Vertue, 1684–1756
Date:: 1742
Materials & Techniques:: Etching on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 15/16 × 27 inches (58.3 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

166. Shooting [a pair]: 2. Evening

Creator:: Print made by George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored, title in wash border
Dimensions:: Sheet: 17 7/8 x 22 3/8in. (45.4 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Death of the First Born of Egypt

Creator:: John Martin, 1789–1854
Date:: 1836
Materials & Techniques:: Pen and red and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 19 15/16 x 27 15/16 inches (50.6 x 70.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

168. Sir Joshua Reynolds

Creator:: Charles Townley, 1746–c.1800
Materials & Techniques:: Watercolor
Dimensions:: Sheet: 17 3/4 x 13 1/4in. (45.1 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

169. Reynolds

Creator:: Paul Adolphe Rajon, 1842–1888
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 5/8 x 12in. (44.8 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

170. Samuel Johnson

Creator:: William Doughty, 1757–1782
Date:: 1779
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 3/4 x 12 3/4in. (45.1 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

171. Sir Joshua Reynolds

Creator:: Charles Townley, 1746–c.1800
Date:: 1777
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 3/4 x 13 1/4in. (45.1 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

172. Distant View of North side of Mansion House from the upper Thornery

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/2 x 22 3/4in. (44.5 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

173. A View of the West Front of Clare Hall, King's College Chapel..in the University of Cambridge

Creator:: Peter S. Lamborn, 1722–1774
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 17 1/2 x 23 3/4in. (44.5 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. The Entrance Door of East Front of Mansion House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/2 x 22 1/4in. (44.5 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

175. View of the Farm House with Screen to Stables & Farm Buildings to Sezincot House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/2 x 22 9/16in. (44.5 x 57.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

176. Garden Design for Northwick Park

Creator:: William E. Emes, 1729/30–1803
Date:: 1778
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 25 7/16 inches (44.5 × 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Sankrydroog, Madras

Creator:: William Daniell, 1769–1837
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 17 5/8 x 21 1/8 inches (44.8 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. The Shephard Boy

Creator:: William Ward, 1766–1826
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 13/16 x 22 1/16in. (45.2 x 56cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. and Mrs. Leon Korn

179. Caversham Bridge, Reading

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 13 3/16 inches (45.1 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Boats near a Dutch Folly Fort, Canton

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1785
Materials & Techniques:: Watercolor, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 9/16 × 25 1/8 inches (44.6 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Windermere During the Regatta

Creator:: David Cox, 1783–1859
Date:: 1832
Materials & Techniques:: Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

182. South Porch of Notre Dame, Louviers

Creator:: Henry Edridge, 1769–1821
Date:: 1819
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper, two pieces joined
Dimensions:: Sheet: 17 5/8 × 12 1/4 inches (44.8 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. The Three Sisters

Creator:: Benjamin West, 1738–1820
Date:: 1783
Materials & Techniques:: Watercolor with pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 3/16 x 11 inches (36 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Peter Arms Wick

184. The Bay of Naples from Capodimonte

Creator:: John Robert Cozens, 1752–1797
Date:: 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured wove paper
Dimensions:: Mount: 17 7/8 x 24 1/4 inches (45.4 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Entrance from the Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 9/16 x 12 13/16 inches (44.6 x 32.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

186. From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 12 5/8 inches (45 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

187. Evening in Little Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 12 5/8 inches (45 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

188. Night from the River

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 12 5/8 inches (44.8 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

189. A Yew Tree on Glaramara

Creator:: Charles Holyroyd, 1861–1917
Materials & Techniques:: Etching and drypoint in black/brown ink
Dimensions:: Sheet: 17 3/4 x 11 5/16in. (45.1 x 28.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

190. Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica

Creator:: unknown artist
Date:: 1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/4 x 21 7/8in. (45.1 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. The North Prospect of Westminster Abbey

Creator:: Print made by John Collins, active ca. 1682
Date:: between 1680 and 1710
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. View of the East End of Henry VIIth Chapel as Restored in 1813

Creator:: Print made by George Hawkins, active 1795–1810
Date:: 1814
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House."

Creator:: George Siegmund Facius, 1750–1804
Date:: 1789
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 1/2 x 23 7/16in. (44.5 x 59.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. The Four Times of Day, Plate III: Evening

Creator:: Bernard Baron, 1696–1762
Date:: 1738
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 7/8 x 14 3/4in. (45.4 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Tremal Naig's Choultry, Madura

Creator:: Thomas Daniell, 1749–1840
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 19 3/8 × 25 15/16 inches (49.2 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

196. An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

Creator:: Thomas Daniell, 1749–1840
Date:: July 1795
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 13/16 × 20 5/16 inches (45.2 × 51.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

197. An Unidentified Country House: Back Elevation

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 5/8 × 23 1/2 inches (44.8 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. An Unidentified Country House: Elevation of the Garden Front

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 5/8 × 23 3/8 inches (44.8 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. An Unidentified Country House: Ground Floor Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 17 5/8 × 23 inches (44.8 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. An Unidentified Country House: Cellar Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 23 3/8 inches (44.8 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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101. The Tarentella

102. A Grecian Drinking Cup

103. An Etruscan Vase

104. John Hamilton Mortimer

105. Lowther House, Westmorland: Lower Ground Floor Plan

106. Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans

107. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

108. Rocks in Derbyshire

109. Headfort House, Ireland: Elevation of the Eating Parlor

110. Lullingstone Castle

111. Dutch Fishing Vessels by a Quay

112. Children Dancing

113. Design for a Country House

114. Walenstadt, from Weesen, Switzerland

115. Man Standing Holding a Staff in His Left Hand, Full Length

116. The Artist and his Family

117. Loch Coruisk, Isle of Skye, Dawn

118. Drawing of Temple Ruins and Figures

119. Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

120. Hannibal Passing the Alps

121. Lake of Como, I

122. Venice

123. Galileo's Villa

124. Cristina

125. Giovanni and Garcia De' Medici

126. Funeral of a Doge in St. Mark's Place

127. St. Herbert's Chapel

128. St. Anne's Hill, No. I

129. Lowestoffe Lighthouse (vignette)

130. The Forum (vignette)

131. Stained Glass Window of St. Catherine from Heston Church

132. Perugia (vignette)

133. Venice (vignettes)

134. Galileo's Villa (vignette)

135. Tomb of Dame Katherine Darcy from Isleworth Church

136. Cologne

137. The Exhibition Stare-Case, Somerset House

138. The Ascent of Vesuvius

139. A Wife - Une Femme Mariee

140. What You Will - Ce Qui Vous Plaira

141. Design for a Gothic Church with Tower

142. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

143. Shelburne, Vermont, 1960's

144. Seagulls on the Atlantic, near Cape Town, 1988

145. Painswick Churchyard, Sketchbook Study No.2

146. The Lone Pine Tree

147. Marble Portrait Statue of a Veiled Priestess at the British Museum

148. Bronze Tablet in Oscan Language, Known as the ”Tavola d’Agnone”

149. Alexandra Park, with Two Horse Carts and Workers

150. Landscape with Two Men and a Boat

151. Rushford Mill

152. John Flaxman

153. Robert Smirke, Esq., R. A.

154. Fores's National Sports: Racing - The Run In

155. Fores's National Sports: Racing - A False Start

156. Fores's National Sports: Racing - Returning to Weigh

157. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

158. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

159. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

160. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

161. James McArdell

162. Salt Water

163. St. Pierre's Cottage

164. A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.

165. Procession of Queen Elizabeth

166. Shooting [a pair]: 2. Evening

167. Death of the First Born of Egypt

168. Sir Joshua Reynolds

169. Reynolds

170. Samuel Johnson

171. Sir Joshua Reynolds

172. Distant View of North side of Mansion House from the upper Thornery

173. A View of the West Front of Clare Hall, King's College Chapel..in the University of Cambridge

174. The Entrance Door of East Front of Mansion House